Post-impressionism and Artists

The 19th century art movement, Impressionism originated by a group of artists who rejected the official, government endorsed exhibitions. In 1863, a large number of artist were not accepted into the most important event of the art world, The Official Salon. To which they responded by creating an exhibition known of their own, known as the Salon de Refuses which consisted of work by artists who had been refused acceptance to the official salon. The Impressionists aimed to capture the fleeting moment of a scene, which turned away from the fine finish and detail that majority of artists aimed for in their day. They wanted to capture the effects of light, to convey the difference of time, changes in weather, and other differences in the atmosphere,

Impressionism is a late French 19th century art movement, which was all about the impression of art. The point was to emphasize the artist’s perception of the subject matter as much as the subject itself. More like if you had only just caught a glimpse of it, but could still recognize the subject. It incorporated new scientific research into the physics of color to achieve a more exact representation of color and tone. Someone using this style would apply paint in small touches of pure color rather than in broader strokes. Detail wasn’t something to worry about with this style it even lead to another style of art called pointillism. They were paintings with small dots, which gave them a greater sense of vibrancy when seen from a distance. This would cause a shimmering effect.

Impressionism is a way of painting which depicts objects using strokes and dabs of primary unmixed colours in order to simulate reflections of light. This style of painting was completely different and new at the time and both Seurat and Monet used these methods to become pivotal impressionist artists in the early 1870s.

Impressionism can be considered the first distinctly modern movement in painting. Developing in Paris in the 1860s, its influence spread throughout Europe and eventually the United States. Impressionism was a style of representational art that did not necessarily rely on realistic depictions. The Impressionists loosened their brushwork and lightened their palettes to include pure, intense colors.

Impressionism was born from the urge to break free from the constraints of Art forms in the 19th century. Many studies under mentors who passed on the traditional styles painting form and figure, but some spoke of revolutionizing the art world. World events and public attitude toward art allowed impressionists to break free from the mainstream French Art scene.

Adopted a far more individualistic approach to art, choosing to focus on conceptual pieces, and art of a personal nature, as opposed to political statements, mostly due to the artistic censorship that was being employed In America at that time.

Impressionist is a style of art that seeks to capture a feeling or experience rather than to achieve accurate depiction. Impressionism came about in the 1860’s. It is done by relatively small, thin, yet visible brush strokes. Impressionism started with a group of Paris-based artist that there independent art work helped encourage the idea. The development of Impressionism in the art was soon followed by styles in other

Matisse’s Bonheur de Vivre (Joy of Life) and Picasso’s Les Demoiselles d’Avignon are two paintings from the early 20th century when post Impressionism emerges. (Harris: Cezanne) These paintings are part of an abstract art style and they were inspired by paintings that laid the foundation for abstraction. One painting they reflect is Cezanne’s The Large Bathers.

Impressionism is a new kind of painting that captures a fleeting moment in time. Whether it be moving people doing daily activities or water shimmering on the lake. During the 1800s, impressionism was a drastic break in the history of art. It is also described as a revolution because it broke away from the average paintings that consisted of history and mythology. The artists could paint what they saw through their own eyes and could use their own techniques. The history of art went from classical paintings to modern, weird paintings. All of the artists had the idea that it was time for them to paint what they saw through their own eyes.

American Impressionism took shift in Paris, 1874 by a group of artists called the Anonymous Society of Painters. They organized an exhibition in Paris that launched the movement called Impressionism. Impressionists depicted the everyday lives of middle-class people by using natural light and rapid brushwork. In addition to their fundamental technique, the bright colors of Impressionist canvases were shocking to people who were used to the more moderate colors of Academic painting. The paints themselves were more vivid as well. In the nineteenth century there was a development of unatural pigments for artists’ paints, providing vibrant shades of blue, green, and yellow that painters had never used before.1 Impressionism was never thought of

Impressionism, French Impressionnisme, is defined in the American Heritage Dictionary as “a theory or style of painting originating and developed in France during the 1870s, characterized by concentration on the immediate visual impression produced by a scene and by the use of unmixed primary colors and small strokes to simulate actual reflected light.” Impressionist painting comprises the works of art produced between about 1867 and 1886 by a group of artists that shared related techniques and approaches to art. The title ‘Impressionism’ originated from the influence of Claude Monet and his famous painting, Impression Sunrise. This movement

Around the time that the Impressionist movement began, American was becoming larger and more economically powerful, purchasing land from other countries, such as Louisiana from France and Alaska from Russia. France was experience the recent loss of the Franco-Prussian war and Napoleon III’s defeat. The Third Republic, which was originally designed to be a transitional government, became the permanent government of France, replacing Napoleon’s Second French Empire. This is also around the time that the Eiffel Tower was built in France. A group of artists, led by Claude Monet, gathered together to exhibit their original work, all created in an emerging style of art called, Impressionism. Monet’s Impressionism, Sunrise, finished in 1872, is considered to be the first Impressionistic painting. The movement was snubbed by critics who thought of the art as unfinished sketches or the “impressions” that artists would build upon to create a finished work of art. This is where the movement got its name. The art of Impressionism was focused on atmospheric conditions and natural light and the way it falls onto the setting throughout the day. The artists often painted outdoors so that they could capture this natural light’s movement. They tried to convey modern life and it’s fast pace, with the subject often being everyday life scenes, landscapes, and common leisurely activities. The colors of Impressionism were generally very bright and were not mixed on a palette but rather, applied

The Impressionist period describes a group of painters living in Paris France between approximately 1867 and 1886. Although the Impressionists ' acquired their name in 1874, the Impressionists ' techniques developed during the late 1860s. This group of painters was differentiated by breaking away from the strict academic thoughts on painting, liberating themselves from the rules and traditions of the painters of the time. Impressionist focused less on achieving perfectly finished and realistic works of art, and focused more on portraying their immediate impressions of daily scenes. They sought to objectively record reality in terms of moving light and color instead of the traditional stationary light and single focal point used at the time. The Impressionists didn’t feel the need to paint based on a story or historical subjects, they instead took their easels outdoors painting scenes of modern life, and daily middle-class activities, observing nature in a way that was impossible while working in the confines of a traditional studio. They used thick layers of oil paint, often having visible rough brush strokes which gave the appearance of being quickly painted. These original Impressionists artists were rejected by the government sponsored exhibitions, or salons, and began holding their own independent show in 1874. Because of this independence they faced strong resistance from the conventional art community in France. The name Impressionism is draw from the title of a

Impressionism is the result of a certain method of producing art, more specifically a method of displaying the art of reality. This effect is achieved by doing the scene justice in how it looks at the moment. The artists practiced a system of painting in the open air which was meant to capture the essence and freshness of a scene. Similarly as if one were showing a picture to someone to describe a setting, but expressing what one saw by trying to accurately convey what the artist is witnessing through art. Whatever the atmosphere is doing in that moment ought to be duplicated in such a way so that whoever views the painting will understand what it feels like to be witnessing the scene themselves. However, with the lighting ever

The differences in the movements actually stem from a more sociological standpoint; whereas impressionists were a tight knit fraternity bound together by their