Postcolonialism In Haunted Subaltern And The Mark Of The Beast

Andrea Smith’s book Conquest: Sexual Violence and American Indian Genocide read passionately about Native American Indians experiences relative to violence and related topics. Part of Smith’s goal is to aid understanding of Native women’s plight and spotlight how treating their sufferings separately was limiting the pain they lived through to this day. Smith pointed out that though other writers have keen interest in bringing native women’s plight mainstream, these writers fell short of taking an intersectional look at how sexual violence, race, and gender connected equally to the Native women’s history. She believed separating these issues was wrong. Smith cited theorist Kimberlee Crenshaw, (Smith 7) a woman of color, for pointing this issue out.

Initially, the concept of colonisation will be explained, including the forces that were driving the colonisation and the usual ways it was achieved. At a general level, the ideologies underpinning the colonisers’ interactions with indigenous peoples will also be described. A comparison will then be made between the experiences of colonisation for Aboriginal peoples

Exploration during the postcolonial era was very popular in footings for people to try and reach out to find ways to set up ground for themselves. In Gilgamesh, the Tempest, and Heart of Darkness, it seems oppression and race played an important factor as to how one coexisted from events that took place to express all that existed during this period. From both good to bad, one feeling strong to weak, or even included or excluded, oppression and race were amongst the many postcolonial lenses that could be viewed from these three pieces of literature. These three stories reveal how racial difference is used to justify oppression during the time of the colonial period.

Although this course is about global women’s movements, the overall argument in which I intend on taking for the purpose of this book review is that besides women, First Nations men are also victims of oppression. In addition to oppression, first nations are often stereotyped by society. Rice’s book does a good job on reflecting this idea once again, through the use of first person point of view stories. It allows the reader to really understand how these stereotypes affect the everyday lives of First Nations people. Before getting into how stereotyping affects the lives of these people, we will begin with looking into oppression and how it relates to the textbook.

Throughout the process of colonization, the Native people in Chinua Achebe’s novel Things Fall Apart, Silas Hagerty’s documentary Dakotah 38, and Phillip Noyce’s film Rabbit-Proof Fence, all cope with the on going struggles of being colonized against their will. All three of these sources tell their own, different stories about their same struggles. In both Things Fall Apart and Dakotah 38, the colonizing people create a sense of doubt in the Natives’ cultures; whereas in Rabbit-Proof Fence, the people fight to hold their beliefs by continuing to practice their own traditions.

Canada was colonized by the British in the 17th century for economic exploitation purposes. Postcolonism looks the impact of colonixation on native settles after the colonizers rule is abolished. In Canada, Aboriginals were forced on to reserves, their land was taken through deceit and their children were sent to residential schools in order to assimilate them and end the ‘Indian Problem’.

In Eden Robinson’s short story “Traplines”, white influence is presented as the primary antagonist. Through vivid descriptions, Robinson shows the reader the extent to which white culture has poorly influenced Native culture. “Traplines” illustrates that the responsibility to maintain culture is of utmost importance and is made exceedingly difficult within First Nations communities due to the presence of white influences.

A good text should be crafted in such a way that it commands a certain extent of rhetorical force in a bid to acquire the expected influence on the intended audience. This force exudes from the sensitivity of the issues addressed in a text, the language used, the credibility of the facts used, and the ability of the author to present the ideas in a manner that passes the test of time. The four texts reviewed in this essay manifest great rhetorical force in the way they handle the concept of postcolonialism. The varying authors used different methods to reinforce their views by appealing to various groups of readers and contributors in postcolonial discussions.

In examining how local and global relationships are mediated during the era of neoliberal globalization, there is a disconnect between appearance and reality. Despite an appearance of prosperity and benefits for both local and global spaces under a system of neoliberal globalization, it is instead an era of inauthentic prosperity in the core built off the exploitation of periphery nations. With the violent realities of neoliberal prosperity displaced to the periphery of the world-system, the genre of Afrofuturism allows literature to mediate and discover the importance of hidden histories while giving a voice to the marginalized. Nalo Hopkinson’s novel The New Moon’s Arms and Pauline Melville’s short story “The Sparkling Bitch” work to reconstruct

In the framework of a white secular consumer society, Keon admits his own sense of loss as a victim of the white genocide against his peoples: “i’m not that brave you know/that’s why my children/nd woman were/taken from me” (Keon). This sense of loss defines the victimization of First Nations peoples that mocks the “braveness” of an individual that undergoes the Sun Dance ritual. More so, Keon (199)) has no sense of “home”, which attempts resolve by superficial preparing a medicine

In Derek Walcott’s From in a Green Night: A Far Cry from Africa, the author explains and dives into the topic of colonialism and self-reflection through his own experiences of being trapped between his Kenyan and British descent. Similar to Fanon’s concept of complicity, Walcott also understands both sides of the story in an unbiased manner. In his poem, he uses imagery to describe the violent past in which Kenyans and British people have committed to each other, the ‘savage’ nature of humans during colonization, and his own internal speech where he himself is confused of his cultural and social identity. This paper will explore the core concepts of Walcott’s writing and further explain it through Fanon’s lens to amplify the meaning of the poem.

In literature, post colonialism is the study of post-colonial theories that ask the reader to notice the effects of colonization on people or the extension power into other nations. In post-colonial theories, the term subaltern is the nickname to populations which are far cry from the power of the colony that has hegemonic on social, political and geographical prevalence. The present research aims at analyzing Spivak's essay "Can the Subaltern Speak?" in the light of her question whether or not the possibility exists for any recovery of a subaltern

The desire to conquer land that was previously unexplored has existed throughout history. This desire forced many indigenous societies, who were usually dominated technologically, to adapt to the teachings and overall system of the ‘superior’ conqueror nation with destruction as the only alternative. This causes a major impact on how a certain society functions, even after seeking independence from the foreigners. The rise and fall of indigenous societies can be analyzed through various media. Chinua Achebe is a novelist specializing in African literature, and this essay deals with the themes regarding colonialism in one of his many novels. In

The postcolonial era presents various issues for the decolonized nations, like the reconstruction of a government and the maintenance of an economy. In addition to that, the individual identity of the colonized people is a complex issue that they must cope with as well, and it is an issue that is still present today. Compared to the other issues of postcolonialism, the construction of one’s identity might appear trivial; however, there are many problems of postcolonial identity, including the obligation of one to perceive themselves as people do from the outside through stereotypes, and the difficulty of unifying two conflicting identities: one that is created by outside sources, and one that is created through personal experiences.

Meta-narrative is an important method that postcolonial authors use to show the colonizer’s intolerance in the way they structure their stories. These authors point out these strategic ways that colonizers write so you can more easily see their bias and prejudice when addressing the colonized. Things Fall Apart has many instances of meta-narrative, both big and small.