`` Postman `` : Public Discourse And The Age Of Show Business

A public disclosure, if properly executed, is used to introduce an issue in society and address the problems with that specific problem. Neil Postman's novel Amusing Ourselves to Death, successfully emphasizes the effect of media in our contemporary society in the form of a public disclosure. Postman utilizes multiple writing techniques to support his claims. Neil Postman's novel Amusing Ourselves to Death was written to inform the modern day society as to how media, specifically television, has negative effects on a persons everyday life by making a person virtually powerless and turning the population into an audience.

In Amusing Ourselves to Death, Postman uses an abundant amount of logos to argue his claim. The more that is read, the more difficult it is to dismiss his information. This is because of the consistent use of evidence presented in the form of logos. The entire book is incorporated with facts, statistics, dates, and general logical arguments. In chapter six, Postman stresses how television does not allow for the processing of thoughts. He states, “I should like to illustrate this point by offering the case of the eighty-minute discussion provided by the ABC network on November 20, 1983, following its controversial movie The Day After” (88). The discussion was broadcasted on television with intentions to have valued informational content, but failed miserably according to Postman. He argued this in a logical manner. The discussion lacked deep conversation and the speakers spoke in generalities, as the show did not allow an adequate amount of time. This is a great use of logos because it

The article "Mind Over Mass Media" by Steven Pinker uses logos, ethos, pathos, and other rhetorical elements to effectively communicate that mass media is a positive development and is not a reason for panic. The first noticeable rhetorical element in Pinker’s essay is the presence of a rhetorical triangle. A rhetorical triangle is made up of a rhetor, the audience, and the rhetor’s purpose. In this essay Steven Pinker is the rhetor because is the one trying to make a point to the audience. The audience is the reader of the article who is listening to the rhetor. Finally, the text or point the rhetor is trying to make is that e effects of mass media are not a cause for panic. In fact mass media is an effective way for humans to keep up with the modern age. The clearly defined rhetorical triangle in Steven Pinker’s essay is a surface level example of rhetorical elements in the text.

    The form of communication created by the television is not only a part of how our modern society communicates, but is has changed public discourse to the point that it has completely redefined it, argued Neil Postman in his convincing book Amusing Ourselves to Death. He viewed this as very harmful, and additionally so because our society is ignorant of it as they quickly becomes engulfed in its epistemology. When faced with the question about whether the television shapes or reflects culture, Postman pointed out that it is no longer applicable because "television has gradually become our culture" (79). What kind of culture is this? Postman warned that it is one in which we

When comprising an argument, the use of rhetorical strategies is essential to planning out how one presents both the chosen argument and the evidence for their position. To understand these strategies and how they are used allows for a deeper understanding of the argument and invokes critical thinking. For instance, in Journalist Joanmarie Kalter’s piece “Exposing Media Myths: TV doesn’t affect you as much as you think”. The author attempts to convince the reader that the notion, that TV is the number one source of information used today and therefore holds immense sway over the general public, is false. And because of how the rhetorical strategies are used in the article. She manages to get the reader to second guess the notion that TV holds

Neil Postman is deeply worried about what technology can do to a culture or, more importantly, what technology can undo in a culture.  In the case of television, Postman believes that, by happily surrendering ourselves to it, Americans are losing the ability to conduct and participate in meaningful, rational public discourse and public affairs.  Or, to put it another way, TV is undoing public discourse and, as the title of his book Amusing Ourselves to Death suggests, we are willing accomplices.

Assignment: As the documentary Miss Representation explains, “The media is now the message and the messenger.” Every day, we take in countless hours of media that influence how we view others and in turn how we view ourselves. It is our responsibility to consume media in an intelligent way AND fight back against negative messages put forth by the media.

Part one is concerned mostly with background and historical analysis. In Chapter one, "The Medium is the Metaphor," Postman introduces the concept of the media-metaphor. He suggests that an oral culture will speak of the world differently than one that has printed language. It is all an introduction for his basic examination, which aims to show how the television age is undergoing a rapid transformation in the wake of the relatively new media of television. In Chapter two, "Media as Epistemology," Postman examines how any civilization's media will determine the way in which it defines truth.

Postman, the author of “Amusing Ourselves to Death”, discusses how the television has negatively affected discourse in America. He uses examples and historical research to make a claim of how it is effecting discourse. The chapter we are looking into does not relate to the television but rather the newspaper. His central claim of chapter four revolves around the newspaper. He talks about the effect on society and the

Opening the book, Postman explains how he will fulfill showing that a “great media-metaphor shift has taken place in America, with the result that content of much of our public discourse has become dangerous nonsense” (pg. 16). There are two major points First: under the printing press, discourse In America was different from what it is now—generally coherent, serious, rational. Second: under the governance of television, it has become withered. This made me think about how much media affects us on a daily basis.

Postman says “Television as I have implied earlier, serves us most usefully when presenting junk-entertainment; … news, politics, science, education, commerce, religion — and turns them into entertainment packages.” (Postman 159) This election year people are making fun of the candidates running for president. Many of these people don’t even seem concerned because television has turned politics into entertainment.

In 1985, when Neil Postman penned, Amusing Ourselves to Death, CNN, and the twenty-four-hour news cycle existed in its infancy and televangelism was still unscathed by the Jim Baker and Jimmy Swaggart scandals. A B-movie actor sat in the Oval Office. Conceivably most importantly, television, the love child of the photograph and the telegraph, had reached maturity to become fully entrenched in American culture after thirty some years (p. 100). Newscasters, preachers, and politicians had become celebrities. The information presented on the tube was deficient in meaningful content and lacked context. Nevertheless, the public’s level of amusement rode high. Television’s capacity to manipulate public persona and information on the news, in religion, and in politics creates a vaudeville atmosphere on these modes of public discourse.

Postman (1987) claims that television is an evil that destroys the purpose and complexities of public discourse. He argues that important issues are oversimplified and drowned in a sea of irrelevance. Chaffee and Metzger (2001) confirm this assumption by remarking the evolution of print and radio into television and television into new media. Establishing the similarities between Postman’s chief complaints about the television medium and the new media then rearing its ugly head. Chaffee and Metzger indicate the shift in the denotations of mass, media, and communication. With technological advancements, it is impossible to ignore the new media and its impact on modern culture.

Media influence is the force by which ideas are injected into people’s lives shaping the very culture of society. This influence is masqueraded through hidden media message, resulting in a change in its audience which can be positive or negative, abrupt or gradual, short term or long term. Although mass media’s influential effect can reach a wide ranged audience as an agent of socialization the responsibility to contain what it releases has not been of importance. “The media’s socially significant obligations are formally ignored.” (A.S. Zapesotskii, 2011, p 9). Media messages can be exerted through many different outlets such as TV shows, music, movies, commercials, news, magazines, games which are all gravitated to entertain audiences ultimately offering personal gratification that can sometimes blur the lines between reality and

The book begins with Neil Postman describing how the way we communicate, whether it is orally or through written material, has an effect on how we interpret our world. He then goes more specifically into how television has changed our culture. Postman’s intention for writing this book is to “show that a great media-metaphor shift has taken place in America, with the result that the content of much of our public discourse has become dangerous nonsense”(16). There is no problem with television being used as a form of entertainment, but when entertainment takes over serious issues, it may become dangerous. I agree with this to some extent; I think that there are current events that need to be taken seriously, but some audiences may need that comic