Essay Postmodernism in Heaney's Poems Bogland and Tollund Man

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Abstract

This research takes a postmodern approach to Seamus Heaney's two poems: Bogland and The Tollund Man. The evidences in the research bring illuminations to the significant issues of postmodern concept. Heaney's poetry was studied in myth, politics and revolutionary movement in the area of Irish classical poetry. Recently, his poems are considered as postmodern. To answer that how much his poems are traditional, modern or postmodern is the aim of this project.

Key Words: postmodernism, myth, imagery, technique, poetry, deadly, violence, corpse, bog, imagination, freedom.

Introduction

This research is a case study including discussions and analysis of two poems by Seamus Heaney, one of the postmodern poets. The
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It discusses how the corpses from ancient world and primitive customs present themselves to the poem. It's also about the strangeness in today's conditions and how Heaney changes his descriptive statements and emotional account into images in his poetry. It says that what is considered is the history of present and the whole world is in imaginative language.

Heaney's poetry is the imagination and dreams of freedom in his mirror and writing these poems is an act of expressing what is happening in his mind.

Today postmodernism is considered as a reproduction of ancient traditions. Postmodernism like modernism, follows the ideas of rejecting boundaries between high and low forms of art, rejecting inflexible genre distinctions, and emphasizing parody, irony and playfulness.1

Postmodernism points to a growing reality in culture. Anything fast, image centered, any thing that shocks or no longer keeps the tradition in itself can be considered postmodern.

Dr. Christopher Carter, one of the professors at University of Louisville believes:

From Adrienne Rich to Jacques Derrida, poets continually attack conventional boundaries, recondition them, ignore them. Postmodern poets often subvert the very forms they appropriate. They pose as different selves while refusing to speak for anyone, risk the same audiences they attract, revitalize senses and emotions flattened by mass market culture. They compose a cacophonous music which thrives on

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