Potential Of Innocence In Dracula

Vampire is "a bloodsucking ghost that come back from dead person believed to come from the place where a body is buried and wander about by night sucking the blood of people asleep and causing their death." Before vampires were seen as evil monsters and creatures humans must fear. However, now, vampires have become an "famous popular culture and fascination among teens around the world"  This art has increased vampire large groups of fans this way resulting to the creation of many fan clubs and social organizations, whether online or not.

In our world fear roams everywhere. In our streets, businesses, schools, and homes. Fear has caused wars, and treaties. Fear can cause people to start something amazing or horrific. People can change because of fear of a thing.

In human nature there exists a morbid desire to explore the darker realms of life. As sensitive beings we make every effort to deny our curiosity in the things that frighten us, and will calmly reassure our children that there aren't any creatures under their beds each night, but deep down we secretly thrive on that cool rush of fear. Despite our efforts to maintain a balance of respectable emotions, we are a society of people who slow down to look at traffic accidents and find excitement in the macabre. We turn off the lights when watching scary movies, and when it's time to go to bed, we secretly make sure the closet doors are shut. Fear keeps our hearts pumping and endorphins rushing, for it is an emotion that reminds us of our

Bram Stoker’s Dracula does not follow the norm of the nineteenth century novels, that is, it is not written in a straightforward narrative but instead comprises of a collection of letters, journal entries and diary scrawls. Apart from that, it also includes a ship's log, numberless clippings from newspaper and also, a "phonograph diary.” This form of writing invariably helps in developing the “mystery” aspect of this horror novel since it either gives us no information about a particular thing or gives us information from various points of view so that it is impossible for the readers to come to one conclusion and they keep playing with different possibilities in their minds.

Inside us all there is a deep dark fear this is what grabs us by the thresh hold of life. It controls the most important aspects of our lives. This is found within the deepest and darkest chasms of our souls. The very creature that wreaks havoc in our minds we cage and never confront we lock this beast away to afraid to overcome it. If the beast is not confronted it begins to contort and change who we are as a person and how we interact with others. Even the very decisions we make as a person to affect those around us and are loved ones to also suffer the consequences of our actions. Such as the crucible and how each person was warped into their own monster by greed.

One way authors plant fear in your brain is by transforming something we already know and love into something frightening. One example of this is in the short story “Windigo” by Louise Erdrich. Over the course of the story, the windigo takes an innocent little kid and turns them into a monster. The author introduces an inculpable child, even calling them “little one”. She then takes the kid and transforms them into a monster, a windigo. Following that, she even goes so far as to bring the child home. Home. As a monster. To haunt her own village. It says, “...I carried you home,” and that is when the fear she planted at the beginning really starts to take root. This transformation is a great illustration of an author transforming something you know and love, in

Batman beats the Joker. Spiderman banishes the Green Goblin. For centuries story tellers have used the basic idea of good beats bad to guide their tales. Stories of blood sucking, human possessions and other tales have been passed down generations and vary between cultures. Among the creators of the famous protagonists is, Bram Stoker, the creator of Dracula. This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten; a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads betweens the line, Stoker’s true message can be

Throughout many types of literature, violence exists to enhance the reader 's interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it were lacking violence. So to holds true to that of the movie. The movie bares different characteristics then that of the book. First off, the whole ordeal with the wolf escaping and jumping into Lucy 's, room and Lucy 's mom having a heart attacked is never even mention in the movie. Second, The night when the four men go to Lucy 's grave and find it empty is stated both in the book and in the movie however

“Liminal entities are neither here nor there; they are betwixt and between the positions assigned and arrayed by law, custom, convention, and ceremonial” (Turner, The Ritual Process 95). Arnold van Gennep’s original concept of liminality is a central theme to Bram Stoker’s Dracula. It provides depth and understanding behind many of the superstitious beliefs and occurrences throughout the novel. Liminality is the threshold and the presence of an in between state occurring within rituals, natural events, and supernatural beings among a variety of other happenings. Many of these are touched upon in Dracula including, but not limited to, the half-being, physical boundaries, and the nature of the vampire.

Bram Stoker’s “Dracula” is a story about a Vampire named Count Dracula and his journey to satisfy his lust for blood. The story is told through a series of individuals’ journal entries and a letters sent back and forth between characters. Bram Stoker shows the roll in which a certain gender plays in the Victorian era through the works of Dracula. This discussion not only consists of the roll a certain gender takes, but will be discussing how a certain gender fits into the culture of that time period as well as how males and females interact among each other. The Victorian era was extremely conservative when it came to the female, however there are signs of the changing into the New Woman inside of Dracula. Essentially the woman was to be assistance to a man and stay pure inside of their ways.

We as humans are very susceptible to fear. Among the most common fears are storms, the dark, heights, spiders, and snakes. But these things frighten us instinctively. The fear is natural, originating from ancient times where lightning could mean the end of your home, the dark could hold dangerous predators, heights could prove poor footing lethal, and a small bite from a spider or a snake could mean certain death. What about the fear of others? We are comfortable with calling people evil when they commit a horrible crime. We refuse to consider that any normal person is capable of such things when in reality, they’re only human.

Bela Lugosi is arguably the most classic example of an actor taking on a vampire role. However, during 1931 when the universal studio was casting the 1931’s Dracula, Lugosi could only barely speak English, and therefore almost lost his chance at playing the iconic part (“Dracula (1931 English-Language Film”). Nonetheless his accents and costumes, which has become the classic look of the vampire, he himself was so typecast in his role that he was actually buried after his death in his Dracula costume. Certainly, it is Lugosi’s performance that makes Tod Browning’s film such an influential Hollywood picture. Overall, I will give it a 3 star out of 5, compared with the older version film of Dracula, because of the dialogues and sounds, the plot is much easier for the audiences to understand, without any editing or background music the horror of the film is not inferior to

In everyday life, as in literature, there will always be an opposing force to evil. In the novel “Dracula,” by Bram Stoker, Professor Van Helsing acts as Dracula’s main antagonist. An antagonist is the character who acts against the main character, which increases the conflict of the story and intensifies the plot. Through the use of theme, characterization and specific events, the author shows readers how Dr. Van Helsing effectively fits the role of Dracula’s most threatening adversary.

The relationship that exists between gender, sexuality and sexual practice is one that is not static, but is ever changing and shifting dependent upon the society in which it exists (Brickell, 2007). This essay aims to describe how Bram Stoker’s 1897 novel, Dracula, presents a “characteristic, if hyperbolic, instance of Victorian anxiety over the potential fluidity of gender roles” (Craft, 111-112), whilst also inverting and subverting conventional Victorian gender patterns through the characterisation and portrayal of the vampire women residing in Count Dracula’s castle, Mina, and Lucy as well as the ‘feminine’ passivity and submissive depiction of Jonathan Harker.

The Gothic genre does suppress vulnerable women. They are exploited in order to please the tyrannical male and feed his desires. When the women is no longer of use, she is then discarded. The Gothic genre is described as ‘formulaic” and one of the key features is a tyrannical male who abuses his power to assert his dominance over a perceived futile women. Bram Stoker’s ‘Dracula’ was written in time where women started to want more equal rights and opportunities. For example, in the same year Dracula was published (1897), Millicent Fawcett founded ‘The National Union of Women’s Suffrage’. Bram Stoker feared the decline of the patriarchal figure and could have created ‘Dracula’ as an attempt to scaremonger the public into thinking what would