Powder White Faces Character Analysis

This paper examines the perspective of Langston Hughes and how his style of writing is. It looks at how several interrelated themes run through the poetry of Langston Hughes, all of which have to do with being black in America and surviving in spite of immense difficulties. Langston Hughes is one of the most influential writers because his style of work not only captured the situation of African Americans; it also grabbed the attention of other races with the use of literary elements and other stylistic qualities. Langston Hughes became well known for his way of interpreting music into his work of writing, which readers love and enjoy today.

Through his poem “Theme for English B”, Langston Hughes expresses his will to exterminate discrimination by proving that despite different skin colors, Americans all share similarities and learn from each other. Langston wrote the poem in 1900, when black Americans were not considered Americans. He talks about a black student being assigned to write a paper about himself. The audience is thus the student’s professor – the representation of the white Americans. Since the professor said: “let that page come out of you---Then, it will be true.”, the student began wondering “if it’s that simple”. He then describes himself to explain why it isn’t simple: he is “twenty-two”, “the only colored in class”, and lives in the poor community Harlem.

In the early 1940s an African American writer by the name of Langston Hughes, who flourished during the Harlem Renaissance in New York, had established a character in his short story writings named Jesse B. Semple. Through these short stories he used this character to represent the black man of his times. However the question remains, is Jesse B. Semple an accurate representation of the black man of 1940s? This question can best be answered by looking at the conditions of society during that time period, what the mind set of the black man in that era and comparing it to the representation that Hughes created with Jesse B. Semple.

Racism is an issue that blacks face, and have faced throughout history directly and indirectly. Ralph Ellison has done a great job in demonstrating the effects of racism on individual identity through a black narrator. Throughout the story, Ellison provides several examples of what the narrator faced in trying to make his-self visible and acceptable in the white culture. Ellison engages the reader so deeply in the occurrences through the narrator’s agony, confusion, and ambiguity. In order to understand the narrators plight, and to see things through his eyes, it is important to understand that main characters of the story which contributes to his plight as well as the era in which the story takes place.

In the early 1940s an African American writer by the name of Langston Hughes, who flourished during the Harlem Renaissance in New York, had established a character in his short story writings named Jesse B. Semple. Through these short stories he used this character to represent the black man of his times. However the question remains, is Jesse B. Semple an accurate representation of the black man of 1940s? This question can best be answered by looking at the conditions of society during that time period, what the mind set of the black man in that era and comparing it to the representation that Hughes created with Jesse B. Semple.

Langston Hughes was one of the great writers of his time. He was named the “most renowned African American poet of the 20th century” (McLaren). Through his writing he made many contributions to following generations by writing about African American issues in creative ways including the use of blues and jazz. Langston Hughes captured the scene of Harlem life in the early 20th century significantly influencing American Literature. He once explained that his writing was an attempt to “explain and illuminate the Negro condition in America” (Daniel 760). To fulfill this task, he wrote 15 volumes of poetry, six novels, three books, 11 plays, and a variety of non-fiction work (Daniel 760). He also edited over 50 books in his time (McKay).

Jazz to me is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul-the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work; the tom-tom of joy and laughter, and pain swallowed in a smile. Yet the Philadelphia club woman , turns up her nose at jazz and all its manifetations-likewise almost anything else distinctly racial... She wants the artist to flatter her, to make the white world believe that all Negroes are as smug and as near white in soul as she wants to be. But, to my mind, it is the duty of the younger Negro artist, to change through the force of his art that old whispering "I want to be white, hidden in the aspirations of his people, to "Why should I want to he white? I am Negro-and beautiful"

Langston Hughes’ dedication to depicting the bona fide aspects of black life leads him to discuss struggle. One of the most omnipresent themes in black life, at the time of Hughes, is the constant struggle they face every

Langston Hughes is one the most renowned and respected authors of twentieth century America not simply one of the most respected African-American authors, though he is certainly this as well, but one of the most respected authors of the period overall. A large part of the respect and admiration that the man and his work have garnered is due to the richness an complexity of Hughes' writing, both his poetry and his prose and even his non-fictions. In almost all of his texts, Hughes manages at once to develop and explore the many intricacies and interactions of the human condition and specifically of the experience growing up and living as a black individual in a white-dominated and explicitly anti-Black society while at the same time, while at the same time rendering his human characters and their emotions in a simple, straightforward, and immensely accessible fashion. Reading the complexity behind the surface simplicity of his works is at once enjoyable and edifying.

Growing up as a black son of a white mother, James McBride was often confused about right and wrong. He was unable to ignore the glaring reality of the racial divide between them. He was frequently scared for his mother and worried about the upcoming tension between their two races. The fact that Ruth ignored the fact completely did not ease his nervousness but, instead, made him more frightened for himself and for her. He saw the civil rights movement on TV which portrayed them as angry, irrational people. In James’ own words, he “swallowed the white man’s fear of the Negro (26).” He started identifying with the “white man” out of fear for what the other people could do to his mother. All of his confusion was cemented in his mind when his

Prejudice is a cancer that spreads hate among its perpetrators and victims alike. In 1930 Langston Hughes penned the novel, Not Without Laughter. This powerful story, written from the perspective of an African-American boy named James “Sandy” Rodgers, begins in the early 1900’s in the small town of Stanton, Kansas. Through the eyes of young Sandy, we see the devastating impact of racism on his family and those they are close to. We also see how the generations of abuse by whites caused a divide within the black community. Among, and even within, black families there were several social classes that seemed to hinge on seeking equality through gaining the approval of whites. The class someone belonged to was determined by the color

Langston Hughes is a famous poet known mostly for his contribution to the Harlem Renaissance. He wrote many inspirational poems that are still read and used for educational purposes. Many of his poems were inspired by his life and his story. One of his many poems entitled “Theme for English B” talks about how his teacher instructed him to write a page about himself and it will be true. In a “Theme for English B”, Hughes uses tone, and characterization to display a relationship between race and writing.

The idiopathic themes expressed in both, Langston Hughes and W.E.B Du Bois during their time period were expounded in great detail. One line from W.E.B Du Bois poem “The Song of the Smoke” said “For blackness was ancient ere whiteness began”, this shows the

Charlie’s wife gave birth to three beautiful boys that were African decent and I should mention both Charlie and his wife are Caucasian. Normally anyone else would be upset and deal with how they are feeling, the fact they are finding out that their spouse had cheated and what you thought were going to be your kids ends up being someone else’s; with Charlie though he acted like nothing had happened and went on with his everyday life with his new family.

His meltdown in Alan's office one could have seen from a mile away, with it the ultimate heralding of displacement for Charlie's pain, and final straw to let Charlie live his life alone. (Displacement is but one of many defense mechanisms that involves shifting aggressive or hurtful emotions away from one’s self to a more “acceptable” or less threatening outlet.) Yet for most who watched the movie most likely, Charlie didn't get immediately better right away to their surprise. In honest words taken from an episode of House I once watched, he uttered a line that rings particularly true in this circumstance: "We tell ourselves it helps. To make [them] talk about it. To help... heal. When all you've done is make [someone] cry." After Charlie's reveal of his true past he seems to be by all standards progressing. That is until he sets out to kill himself, if not by his own gun then a police officer's. In all three main areas of his mental make-up Charlie has been both affected and ravaged, his entire being but a husk of what he accomplished four years prior. Post Traumatic Stress Disorder is illustrated through Charlie as a life-changer, a psychological diagnosis that alters your entire core of being without proper therapy or treatment. (Diagnosis in