Power And Power In Ozymandias

In Hesiod’s Theogony, the Greek family relationships were often a repeated cycle between the husband, wife and their children. Based on the generations including Ouranos, all the men that came to rule automatically loathed their child, because they believed their children would take away their power. Since this behavior was similarly recurring every generation, the women were often forced to create wicked plans involving their children’s rise to power. The cycle of power, deceit and achievement created by the families in the first generation of Greek mythology became dominant characteristics that future generations would inherit.

Shelley’s poem and depiction of Ozymandias could be a symbolic way of promoting his views against the monarchy, as he depicts Ozymandias as a tyrant with harsh descriptions such as “a sneer of cold command” and mocks him with the juxtaposition of “king of kings” and “colossal wreck”. However, instead of obviously putting forward his views and risking negative exposure, Shelley distances himself from the poem with intriguing use of multiple perspectives. The poem begins with “I met”, a first person introduction, but quickly switches to the traveller’s perspective as Shelley depicts what the traveller saw. In this way, he subtly puts across his socialist views without incriminating himself through symbolism and distancing himself from the narrative. In this way, the poem presents two powerful rulers, with Ozymandias symbolising King George.

Percy Bysshe Shelley wrote this poem "Ozymandias" to express to us that possessions do not mean immortality. He used very strong imagery and irony to get his point across throughout the poem. In drawing these vivid and ironic pictures in our minds, Shelley was trying to explain that no one lives forever, and nor do their possessions. Shelley expresses this poem’s moral through a vivid and ironic picture. A shattered stone statue with only the legs and head remaining, standing in the desert, the face is proud and arrogant, "Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read"(lines, 4-6).

Romanticism is composed of several different themes, all of which are definitive of what Romanticism entails; one of the most prevalent and important of these themes is that of alienation, whether it be from oneself or from the world. Several poets in the Romantic period wrote on this theme, but one who imparted the most meaning in the fewest amount of words is Percy Bysshe Shelley in “Ozymandias.” Shelley tackles the idea of separate existence from yourself in a unique way: as opposed to the way William Wordsworth would tell his audience what they needed to do in order to avoid alienation, Shelley presents to his audience an example of alienation causing a person to fade into past. In telling the story of Ozymandias, King of Kings, Shelley

Shelley dwells little on the small details of Ozymandias' face, but by Ozymandias' frown, wrinkled lip, and sneer of cold command, delivered in less than two lines, immediately carry to the reader a vision of a cold, callous, yet strong and determined leader who is commanding his people building his great vast statue hoping his power would be immortal. These concrete items are vital to the description, but are not as strong as what can not be seen. Shelley gives a nod to the talent of the sculptor, from whom Ozymandias received a mirror image of his personality, placed in stone because of his thinking to survive

Ozymandias by Percy Bysshe Shelley and London by William Blake both explore the theme of power, and how nothing is permanent since time can destroy anything. Both poems relate to the romantic era because romantic writers believed in the idea of nature, and the poem Ozymandias is a reminder that all man-made things will lose to time and the earth. But in comparison London contrasts this reminder, as the industrialization in London is destroying nature, but yet it reinforces the idea that time can change anything.

Power is the old stone building that stands for centuries. I cannot respect someone who doesn’t see the difference.” (Spacey, Kevin.) Running in line with the writer Percy Bysshe Shelley in his piece “Ozymandias,” whereas he depicted an arrogant, long dead king ironically being prideful of his power, claiming it would never end. People never forget what you did, particularly if you’ve improved their lives, but money fades away as quickly as it was deposited into your account.

Shelley’s presentation of specific and powerful diction helps illuminate his strong thoughts about the mutability of humans. Shelley’s use of the two words “poison” and “pollutes” in the third stanza of the poem alludes to his thoughts about the human mind mentioned in his biography, “We rest.---A dream has power to poison sleep; / We rise.---One wandering thought pollutes the day; / We feel, conceive or reason, laugh or weep; / Embrace fond woe, or cast our cares away:” (Shelley, 1734). Shelley was frequently bullied as a child and was expelled from school for being an alleged atheist; thus, he had notions before writing the poem about man’s corruption and “man’s general

The American author Erin Morganstern says, “All empires must fall eventually. It is the way of things” (Goodreads). In this quote she explores the idea that nothing lasts forever, especially when it comes to power, an idea explored through literature. Harlan Ellison’s ‘Repent Harlequin’ Said the Ticktockman explores a society where being late is punishable with death, and the Harlequin rebels, throwing off the mechanical structure of society, demonstrating the idea of power collapsing. Percy Bysshe Shelley also illustrates this idea in his poem Ozymandias, where a traveler finds the destroyed ruins of a statue that has an inscription telling the observer to look upon his works and despair. The distinctive uses of symbolism and irony in ‘Repent Harlequin’ Said the Ticktockman and Ozymandias craft a theme that even the most powerful dynasties will fall, attempting to show rulers the foolishness of thinking they will be in power forever.

A poem about a statue that has far outlived its boastful inscribers, albeit shattered in pieces. This discrepancy is seen between the lines 10-12, “My name is Ozymandias, king of kings/ Look on my works, ye Mighty, and despair!/ Nothing beside remains. Round the decay…” Clearly, these people thought they were mighty and great, but instead, they are gone and all that remains are the shattered statues. When we die, we cannot take anything with us. It doesn’t matter how rich and important someone is in life; They are nothing but a memory when they are

 The poem "Ozymandias" tells a story about a traveler, who reveals his or her story to the narrator of the poem. The author of the poem is Percy Bysshe Shelley. He keeps the interest of the poem by using constant sounds and images that are clear and concise, by supplying mystery with words that have more than one meaning, and by using a spectrum of words that capture the interpreters attention.

Shelley’s version of “Ozymandias” pays particular attention to the details of what remains of Ramses’s statue. Shelley conveys to the reader that no matter how powerful a ruler may be, their influence will fade with time. The description of what Babylon looks like when the poem was written gives the reader a clear

The poem “Ozymandias” is considered one of Percy Bysshe Shelley’s best sonnets. It was written in 1817 and is still recognized today as its meaning still holds true. “Ozymandias” illustrates the fall of power and mortality through a once powerful king. This is shown through the pride of the king, the tyranny that the king ruled by, and the transience of his ruling and empire.

In the poem Percy Bysshe Shelley “Ozymandias” there are several different sound devices portrayed. The author demonstrates use of rhyme and meter. In the beginning of the poem the author used rhyming words to give a description of the mans journey through the dessert, and informing that he found a statue. It states, " Two vast and trunk less legs of stone stand in the dessert." Although, the statue is destroyed and seems to be smashed, considering the 2 legs. Towards the end of the poem the author demonstrates irony, when it says," a colossal wreck, boundless and bare." It was once said to be mighty and powerful, but reveals there is nothing but sand on the desert. "Which yet survive, stamped on these lifeless things" references that the

By calling himself “king of kings”, he alludes to God and believes he is greater than all other men. He ruled his kingdom solely on the fear of those beneath him. The intimidating language on the pedestal and the statue made for him display that Ozymandias possessed almighty power. To end the poem, Shelley writes, “Round the decay of that colossal Wreck, boundless and bare The line and level sands stretch far away.” As time passed, the sand literally destroyed the symbol of what was once the greatest man alive.