Power In Medea And Antigone

Antigone’s self-certainty is one of her mistakes that contribute to her tragic fate. She regards burying dead people as absolute just behavior under any circumstance. This rite is important in Ancient Greek culture, but weather or not gods desire appropriate arrangement of Polyneices’ body is under question. It is Zeus that brings death to Polyneices because

The three heroines of the plays have reasons for their actions and doing what they do, so it can be explained why they are in the right. Their crimes in Greek culture include Medea killing her children, Antigone burying her brother while disobeying a ruler, and Lysistrata condemning sex from men in war of their wives. Medea is the wife of Jason, who she has supported all through her life by killing her brother, betraying her father, and making her own homeland hate her. All of this for the benefit of her husband, giving him fame and success.

Superficially, Medea is a critique of relations between men and women, the struggle between Jason and Medea; then the struggle between Creon and Medea. However at the deeper level, Medea is a critique of the quality and state of the contemporary culture of Euripides (Arrowsmith 361). The unique symbolism is that

Haemon (King Creon's son, pleading for the life of his fiancee and Creon's niece, Antigone, who has violated the king's law: "A State for one man is no State at all." The heart of the tragedy lies in Antigone's free admission that she committed the act she buried her brother's body in disobedience of King Creon's edict that the body was to remain untouched.

If you will not, I will; I shall not prove disloyal.” (A. 2). All along, Antigone very well understood that if she opposed the rules of Creon, she would most definitely be killed yet she was determined enough to bury Polyneicies’s body.

Along with the contrasting conflicts the main characters, Oedipus and Antigone, are also very different in regards to their behavior and how they handle situations. Antigone is much more level headed than Oedipus. In Oedipus the King, Oedipus immediately kills a man just for being in his way and forcing him off the road a bit. Antigone on the other hand, does not take any physical action toward Creon despite not giving her brother a burial. Another difference in character is Oedipus’s defiance to the gods and the oracle while Antigone obeys the laws of the gods. Oedipus, to the people of Thebes, claims if they pray to him he himself would rid the city of the plague; making an implication that he is above the gods. Antigone however, wishes to obey the laws of the gods and demands her brother be given a proper burial. A closing example of the difference in how each character is rendered is how Antigone knowing breaks the law (defies Creon) for what she believes is right while Oedipus breaks the law without knowing; Antigone is

she can be let out. After Antigone’s suicide, Haemon, Creon’s son who was in love

By the end of the play, Antigone was already dead and Creon was doomed to a life of hatred and sorrow. It was to late for Antigone when she was in the cell for her to try

Out of imprudence, Antigone does not realize the negative effects of antagonizing Creon. After being captured by the guard and brought to Creon, she reveals her intentions to Creon and even belittles him by indicating that his orders is not so strong that he, “a mortal man”,

Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.

Euripides’ Medea and Seneca’s Medea are the two surviving ancient tragedies of Medea. Both versions are drastically different and contrast in several aspects. Euripides portrays Medea as more human. She is the epitome of the oppressed housewife and only after her suffering is she capable of the crimes she committed. Seneca’s Medea is even more vengeful than Euripides’ and she is angry from the very beginning. Seneca’s version also portrays Medea as a vengeful sorceress whereas in Euripides’ version, though she is known to be a witch and have remarkable skill in poisons and potions, that aspect is not as crucial and significant as in Seneca’s Medea. The two poets offer contrasting depictions and characterizations of Medea, the most

She can do nothing but accept her fate when Creon sentences her to death, but she does not gain a new perspective on life from this sentence because, in the end, she comes to peace with death and takes her own life. The messenger comes back to Thebes with the news of Antigone’s suicide: “There in the deepest, dark recesses of the tomb we found her…hanged by the neck in a fine linen noose, strangled in her veils” (Sophocles 1345-1348). Antigone takes her own life, and as a result causes the death of Haemon over the grief of losing his fiancé and his mother from the grief of losing her son.

In ‘Medea’, Euripides shows Medea in a new light, as a scorned woman that the audience sympathises with to a certain extent, but also views as a monster due to her act of killing her own children. The protagonist of a tragedy, known as the Tragic Hero is supposed to have certain characteristics which cause the audience to sympathise with them and get emotionally involved with the plot. The two main characters, Medea and Jason, each have certain qualities of the Tragic Hero, but neither has them all. This makes them more like the common man that is neither completely good nor evil, but is caught in the middle and forced to make difficult decisions.

Antigone by Sophocles and Medea by Euripides are two plays whose main characters are their namesakes. Antigone is a play based on Antigone’s response to the death of her brothers and Medea is a play based on Medea’s response to her husband Jason leaving her to marry the daughter of a king. Both Antigone and Medea are women fighting against oppression by directly disobeying the law. However, they use different tactics in their battles, and they have different reasons for fighting. In the end, both make their point by bringing down the royal households. These women effectively fight oppression in their own ways.

Antigone has been given strong characteristics in her story and because of this she does