The play, Othello, conveys how a character has power over one another because of one’s position in politics, personal interests, and social status. Moreover, characters portray their power through politics. One’s position in office determines who has the authority to control others. In addition, characters control people for their personal interests. If one is eager to control or manipulate someone, they gain power from their own personal interests. Finally, people receive power over others socially. Higher social classes give people the supremacy to control another person. These factors were portrayed in the play while people had the power of others. Power is established and used in multiple ways. These three factors impact who rules and controls
Throughout all of human existence, the desire for power has overruled everything. We are constantly trying to be better than the ones around us, and are jealous of those who are on top. In many situations, it seems that no matter how hard we try, we can never get to that point of control that we so badly strive for. In Shakespeare’s tragically deceptive play, “Othello”, the symbolism and conflict throughout the play continually demonstrates Iago’s struggle to gain power. Through Iago’s miserable fail to obtain the power he so badly aspires, Shakespeare proves that the human race can never be happy with what they have, and that they are always trying to be better than everyone
Shakespeare's play, Othello depicts the values of social class, desiring reputation and power ultimately fuelling discrimination and prejudice.
Othello, the principle character, at the beginning seems to have power- whether it is physical, psychological, political or military. He is portrayed to the audience as a symbol of power and strength. As an experienced soldier, a General to be precise, Othello has had little experience with women. Even though he is a high ranking military official, he is less respected because of his dark skin and being a foreigner. His stature and tone of voice, along with his self-confidence and belief, lead the audience to think of Othello as the main representation of power in the play. However, further into the play, Othello's power seems to diminish, revealing his insecurity and susceptibility. He is very naive and
Shakespeare 's complex play Othello holds numerous pressing issues within its intricate layers that seem to leap out to modern society. One such issue seen by many is the representation of women. Women within the play can be characterized as submissive possessions and temptresses. This ideology, though commonplace in this time period, appears controversial to the modern eye as we deconstruct the characters of this play. This dominate patriarchal society present within the setting merely conditions this belief further as it is prevalent within the characters dialogue.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
One of the major components in Othello, that Shakespeare incorporated throughout the play, is relationships. These relationships are driven by different motivations and give each individual something unique. Each character contributes disparate factors to their relationships and change from scenario to scenario. The presentation of different relationships in Othello represents many of the underlying motifs of the play.
William Shakespeare presents the character Othello as an excellent leader in the play, Othello. The hero has strength, charisma, and eloquence. Yet Othello cannot reason. The battlefield and Senate are, at least in Othello, depicted as places of honor, where men speak truly. In addition, the matters of war and state are relatively simple; no one lies to Othello, all seem to respect him. He never even has to fight in the play, with the enemy disappearing by themselves. This simplistic view does not help him in matters of the heart. His marriage is based on tall tales and pity and his friendships are never examined; he thinks that anyone who knows him love him. Thus the ultimate evaluation of
In William Shakespeare’s “Othello”, the main character is presented as an admirable leader but a poor rationalist. He is recognized as a hero with the qualities of vigor, charm, and eloquence. However these principles of leadership aren’t always viewed as the criteria for a leader. The battleground is, to Othello at least, is depicted as a place of admiration, where men speak truthfully to one another. Also, the given circumstances of state and warfare are rather straightforward; no one deceives Othello because as leader he should be esteemed. This one-dimensional view does not help him in issues of the heart though. Thus the main assessment of Othello must be that, even though he leads well and means well, he lacks sensible judgment and
The ability of passion to bring destruction upon the lives of the unsuspecting is illustrated in Shakespeare’s Othello with the use of both manipulation and deceit. The curse of fierce passion fell namely on Othello as he transitioned from a respected general to an unstable murderer. His downfall is demonstrated through his increasing self-doubt, lack of ability to articulate, and violence. In the start of the play, he is an accomplished general and happy newlywed, and has yet to be significantly held back due to his being a Moor and outsider in Venetian society. As passion overtakes him, however, Othello truly ingrains the idea that he is less than, and those around him begin to blame his actions on the nature of his ethnicity. He has completely lost his identity to his desires and is unable to think rationally. Shakespeare juxtaposes this version of Othello with his initial composed self in Venice to demonstrate the damage of ignorance to logic and heighten the sense of tragedy. The effects of an overwhelming passion involving love, jealousy, and revenge are shown through Othello’s degradation and loss of stability.
In William Shakespeare’s The Tempest, power, commonly defined as the ability to control and influence other people, plays an integral role in the relationships between each of the characters. Prospero, the comedy’s protagonist, establishes power based relationships with his slave Caliban, his daughter Miranda, and his spirit helper Arial. Prospero’s ambition is to regain his former position as the Duke of Milan from his treasonous brother, Antonio. To achieve this goal he uses a variety of manipulation devices on each of the characters. Prospero uses manipulative language to maneuver the marriage between his daughter and Ferdinand. The Tempest illustrates that language operates as a means of violence.
The theme of power is presented in the ‘The Tempest’ and ‘Othello’ by Shakespeare using different power dynamics between the main characters in the plays. ‘Othello’, a play written in the early 17th century, in the Elizabethan era shows power using the main characters and their interactions with each other, and ‘The Tempest’, a play written later in the 17th century, in the Jacobean era, does likewise. If you compare the plays, you have the two malcontent characters, Iago from Othello and Prospero from The Tempest. Both of these characters feel wronged and therefore act in revenge and show their power. Moreover, Shakespeare explores what power’s take precedence other each over, the powerlessness of women using Desdemona from Othello and Miranda from The Tempest. and just the general power dynamics such as manipulation.
Omar Elwany Professor Samya Seth 4/24/2016 How do factors of social and political difference - like race, class, and gender - affect the motivation of characters and influence their thoughts and actions in Othello? Analyze with particular attention to the personal identities and relationships of any two major characters in the play. Othello, a Shakespearean play is a tragedy that revolves around the misuse and longing for power and status. Although at first glance it is not particularly apparent, most characters including Othello, Desdemona, Cassio, Iago, and even Bianca have a relationship that stems from power and status.
The ideas of identity are explored in Othello. Both William Shakespeare’s original play and the cinematic adaptation by Oliver Parker explore ideas of otherness and the patriarchy. William Shakespeare represents multiple ideas in his play Othello. Oliver Parker further resonates Shakespeare's ideas, using different cinematic techniques. Patriarchy has always been associated with a rigid concept of manipulation and control. Both William Shakespeare and Oliver Parker show how that idea, when entwined with fears and misunderstandings of otherness can lead to catastrophic incidents.
Within this play, fundamental questions about humanity, as well as situations, attitudes, and problems that continue to hold strong universal meaning to this day are explored .It shows Shakespeare’s ability to create characters who resemble real life individuals and reflect lifestyles and personalities accurately. You could not help but be moved by the dark despair and utter wretchedness of Othello’s downfall! Shakespeare has dramatically explored many aspects of the human condition in this play, The Tragedy of
Shakespeare’s King Lear and Marlowe’s Doctor Faustus are two examples of early modern texts, one a tragedy and the other a morality play respectively, which deal with the theme of power at the crux of its narrative. Between both texts it is evident that different characters utilize their power or authority differently – some ‘unwisely’ whilst some ‘maliciously’. In either case, the use of power progresses the plays and drives the majority of main characters.