Power Is The Basis Of All Civilization

The conditionality of burying the dead shows that gods’ law is less sacred for Antigone than she claims to be. Neither does she care about her living families. She humiliates Ismene publicly, causing Creon’s death indirectly and set her uncle Creon in a dilemma where he needs to punish his daughter-in-law. Her real incentive is individual reputation, for she excludes Ismene from standing by her and asks Ismene to spread the news about her defiant act. She seems to use religion and family as elegant reasons to achieve honor. On the contrary, Creon, as a king, weights the interest of the overall state more than his own family. After experiencing the civil war caused by Polyneices, he understands the great need of the polis for order and thus enacts harsh laws to punish people causing riots. Unanimous obedience to law would also encourage his people to fight bravely in the war by being “loyal and dauntless at his comrades’s side”. Creon has to retain the validity and effectiveness of the law, because if every citizen can pursue any personal interest without fear for grave consequences, the entire social operation mechanism would break down. Punishing Antigone is necessary to retain the order of the polis.

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

In ‘Antigone”, Ismene says, “To them that walk in power; to exceed is madness, and not wisdom”. Her statement makes it clear, those who “walk in power”, allow it to corrupt them. Throughout the history of humanity there has been a correlation between those who have excessive power and corruption. Webster’s Dictionary defines corruption as, “impairment of integrity, virtue, or moral principle”. In the story of Antigone the tragic hero Creon, shows all of the common characteristics of corruption. Before one can analysis the character of Creon they would first have to look at the story of Oedipus the King.

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

After Antigone is brought forth and accepts the punishment of her burying her brother, Creon sends her away. At this time, Ismene steps up to defend Antigone and tries to get creon to realize that Antigone is his son’s future bride. Creon answers by saying, “There are other field just as fertile” (26). In this quote, he displays that he cares for neither Antigone, nor his son, Haemon. . He explains that there are other women around that could be just as a promising wife as Antigone. He exemplifies the theme of pride here, by putting that everyone gets replaced and that he does not put his son’s life first. Power, a theme that is primarily exemplified by Creon, appears multiple times throughout his dialogue. While discussing Antigone’s punishment with Haemon, Creon says, “This city will tell me how I ought to rule it?” (40). In this quote, Creon represents the theme of power. He is trying to show Haemon that HE is the king of Thebes and that no one will tell him how to rule, especially the citizens. In relation to present time, there are countless politicians that share the same characteristics as Creon, someone who takes their power for granted and will use it to take advantage of everyone.

Antigone, however, decides she would rather please the gods than man and buries her brother against King Creon’s orders. She is fully aware of the consequences should she get caught, yet she openly disobeys, even against her sister’s warnings. She gives Creon no additional respect either as a male in a patriarchal society or as a king and ultimate authority figure. In fact, she calls him a fool! Antigone boldly states to Creon himself, “If my present actions strike you as foolish, let’s just say I’ve been accused of folly by a fool,” (Sophocles p.657). The strong will and defiance she exhibits are very characteristic of modern feminism.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

Many believe that the divine word holds more power than man, Antigone is one of these people and hold the divines laws higher than man's laws. On the other hand, Creon believes that holding power is the way of life and tries to uphold his laws over the deity laws. Creon does this when the brothers Polyneices and Eteocles kill each other and Polyneices is designated as a traitor. Creon decides to prohibit the people from burying Polyneices properly and follow the god's law to prevent more rebellions. Antigone on the other hand believes that a Creon's law holds no power over her from giving a proper burial. As Antigone is talking to Ismene she states "No one shall say I failed him! I will bury my brother -- and yours too, if you will not"( Sophocles ). This statement shows

Before Antigone begins, the two brothers of Antigone are engaged in a battle no only of land, but of power. Their deep desires to rule Thebes and male dominating ego, only lead to their deaths; a tragedy that would affect more than just themselves. The battle of glory for men would not be the same for their sisters, but in 442 B.C. as Sophocles illustrates, the living women would have to deal with the tragedies of the dead; a task not easy to be burdened with as woman. Their uncle, Creon, dominates Antigone and her sister Ismene to the extent of mourning their own brother's death. Antigone has chosen a fate without glory: "I'll suffer nothing as great as death without glory," (Antigone line 112). Only a male in this time could die with honor and glory, and just as her uncle has forced a death without glory for her brother, although a glorious death is honorable, she has decided it a better life to die without glory than dishonor her blood and the gods. Ismene does not wish to go against the laws of her uncle, for "women were not born to contend with men," but between the bond of her and Antigone, she will defy the king(line 75). Ismene is just as horrified about the edict as Antigone is, but asks what they--weak women--can do. During this era the women had a specific role, and to defy that role would be horrific enough, despite

Moreover, power highlights the inequity between males and females and results in the person becoming more emotional and taking everything more personal, and that power leads to an excess of pride which results in the ignoring of people’s warnings. All these things, especially ignoring the warnings of others, leads to a lot of suffering for the person with a lot of power and/or the loved ones of that person. Creon's pride and new power prompts him to prevent a burial for Polyneices, even though he is guilty of the same crime as his brother, Eteocles. Both men wanted to have the power of ruling Thebes alone and both men lost this battle equally. King Creon is corrupted by the same power that drove these men into

Power is like a virus, once it gets to one’s head, they’re corrupt. In Sophocles’ Antigone, both of Antigone’s brothers killed each other at war for the throne of Thebes. Creon, the new king, only honors and buries one, Eteocles. Creon bans anyone from burying the other brother, Polyneices but Antigone decides that she will in order to honor her brother. Creon gives two speeches, one about how he’s going to rule and how he forbids anyone from burying Polyneices, and another about bribery and how money corrupts people. He says that money is the reason someone has betrayed him by burying Polyneices. In Antigone, Sophocles uses the characterization of Creon to reveal the negative effects in the development of power.

The only person in the city who is ready to defy Creon’s law is his niece, the sister to Polynices, Antigone. She is overcome with grief by Creon’s order, and sets out to bury her brother. She believed that Creon, “a mere mortal,” did not have the power to “…override the gods, the great unwritten, unshakable traditions…” surrounding the rights of a dead man (Line 503-505). Her loyalty was to her family, not to the new king of Thebes. When Antigone goes to her sister Ismene to plead for her help in burying their brother, even she is too afraid of Creon’s authority to assist her only family. “I must obey the one’s in power,” she says. “...defy the city? I have no strength for that.” (Line 79-80, 93). She is lead to go against what she feels is morally right because she is fearful of the consequences. Even though Antigone is aware of these deadly consequences, she is willing to face them and stand up for what she believes is right. Discovering that Antigone has gone against him, Creon immediately sentences

In the drama Antigone, Sophocles considers the source of authority and power in society. When King Creon makes a law that forbids the burial of Antigone's brother, Polynices, she ignores the king’s authority, risks her life, and buries her brother out of loyalty to the gods. The situation leads to a conflict among the people of Thebes, Antigone, and Haemon. They must decide where their loyalty lies, and whose authority should take precedence, that of the king or that of the gods. While a number of views about the role of authority and power are expressed through characters such as Creon, Antigone, and Haemon, the drama seems to support the view that authority does not rest only with one person.

In the beginning of Antigone, Creon and his people firmly believe in the power of his authority and his leadership of the city of Thebes. When Creon argues with his son Haemon, he tells him “that man the city places in authority, his orders must be obeyed,” so much that “whoever places a friend above the good of his own country, he is nothing” (748-750, 203-204). The citizens place Creon in authority, so he urges his people to obey his edicts and orders because their compliance is essential to his position. In his opinion, authority is the most meaningful entity in Greek life, regardless of friendship or family ties. For example, even though Antigone is his son’s fiancée, Creon refuses to absolve her of her crimes because in his eyes, no one should be exempt from the law. The city-state agrees with Creon, illustrated when the chorus sings, “When he weaves in the laws of the

Tyranny and immorality are key notions presented in Antigone when referring to justice. In this play, Creon is presented to be a tyrannical and irrational ruler, while Antigone rejects this system and ultimate dies because of it. Creon views leadership in a selfish, immoral manner. When speaking to his son about his rule, he states, “The state is his who rules it, so ‘tis held”