Power Of Masks In The Lord Of The Flies By William Golding

A recurring theme among leaders in many societies today is that “absolute power corrupts absolutely” (John Acton, a 1700’s English Catholic historian, politician, and writer). In William Golding’s Lord of the Flies, this idea of leadership, power, and corruption is put in the spotlight. Jack, one of the boys on the island, forces his way into the leadership position without actually earning it. It is clear that Jack has become corrupt as he turns into a person who is intimidating, egotistical, and selfish. Ralph, on the other hand, is a quality leader under most conditions as he appeals to the boys’ sophisticated side and has a

Similar to William Golding’s idea of mankind, William James, who was an American philosopher, had the idea that, “We are all ready to be savage in some cause. The difference between a good man and a bad one is the choice of the cause.” This idea transfers nicely to William Goldings’ book, Lord of the Flies, which follows British boys who have been stranded on a deserted island, and now must survive, using their surroundings, as well as their wit. However, it isn’t all smooth sailing for the boys, and eventually almost all of them become savage-like, and disconnected from the outside world. The conch, and the mask are both important symbols in the book, that demonstrate how the boys turn from innocent school-boys to unforgiving beasts, capable of evil.

Life is a costume party in which some are tricked and others are treated. Imagine a world where one’s true self was hidden behind a series of masks, each mask hiding an individual's specific character flaw, personality trait or even a desire to do harm. Against the backdrop of World War II, uniformed soldiers presented themselves to an enemy as a single mass of camouflaged danger. Each similarly dressed and trained to kill or capture an enemy without feeling any remorse. William Golding’s own involvement during World War II allowed him to experience wearing his own mask while tremendous violence was occurring as he was aboard a Royal Navy boat in 1940. Further, his involvement in the battle of Normandy(France) and the epic struggle on its beaches is reflected in his writing in the lives of young boys who similarly try to maintain order on their own island. Therefore in the same way that a soldier's uniform provides anonymity, the characters in William Golding's Novel The Lord of the Flies wore masks to conceal their true identity, shown when Jack who is civilized put on a mask to become a savage, and when Roger took off his civilist mask to reveal his inherently present inner savage.

The mask is a significant symbol of savagery and the dark side that lies within every human being. One instance is when Jack painted his face to fool the animals and blend in with the island for hunting. He painted his face with different colors and when he peered into the water he saw a stranger looking back at him.“He began to dance and his laughter became a bloodthirsty snarling. He capered toward Bill, and the mask was a thing on its own, behind which Jack hid, liberated from shame and self-consciousness” (Golding

wrote this after publishing Lord of the Flies. It is our world, in the form of a story. The two leaders in the story are Ralph and Jack. Ralph starts off a comfortable leader of the boys, but by the end of the book, Ralph and his companion Piggy are alone facing Jack and the rest of the boys. As the novel progresses and the society on the island starts to change, so does Ralph. He begins thinking he has all the answers, but comes to realize that without Piggy he would have never gotten this far. By the end of the book, Ralph and Jack are complete opposites. Jack is about savagery and fun while Ralph is holding on to society, rules, and civilization. Appearing to be a weak leader due to defection of his followers, Ralph is actually dedicated and insightful, only loosing his followers because he could not compete with one category that attracts nearly everyone in the world: fun.

These masks, which are used by Jacks followers called ‘the hunters,’ are made of clay paint. The evilness of the boys is clearly shown when they wear the masks. It is almost as if an infectious disease is spread upon them; they lose all sense of civilization. After Jack paints the mask on his face for the first time, it is clear what it does to him. “He began to dance and his laughter became a blood thirsty snarling. “He capered toward Bill, and the mask was a thing of its own, behind which Jack hid, liberated from shame and self-consciousness.” (Golding 64). This not only shows the cruelty of the mask, but it also shows how it opens Jack into the world of being a savage. Also, Golding mentions the colors of Jack’s first mask as being Red, White, and Black. These colors symbolize “violence, terror, and evil.” (Golding).

In the beginning of the novel, Jack’s mask represents hiding from himself and to hide from the responsibility of the real world. Jack is standing over the water when he begins to create the mask out of different colors of charcoal. Once he creates his mask, he sees himself in the reflection of the water, “he began to dance and his laughter became a bloodthirsty snarling. He capered toward Bill, and the mask was a thing on its own, behind which Jack hid liberated from shame and self-consciousness” (Golding 64). He becomes a different person and hides from his true self. A sense of anonymity arises to help relieve

more of what is going on. He says, ‘If only they could get a message

For example, in order to camouflage himself from the pigs, Jack decides to paint his face with clay and charcoal. His masked features are so appalling that it frightens Bill, Samneric, and Roger. “He [Jack] began to dance and his laughter became a bloodthirsty snarling. He capered toward Bill, and the mask was a thing of its own, behind which Jack hid, liberated from shame and self-consciousness” (64). Jack is menacingly “capering” toward his hunters, incredibly excited by his ingenious idea. The mask is symbolic of Jack’s barbarity materializing, no longer lingering within him. Behind the mask, Jack is free from principled behaviour therefore he can act as ruthless as he wishes, without the fear of being reprimanded. Coincidentally, as Ralph and Piggy are discussing the causes of controversy on the island, Jack and four of his hunters appear suddenly, painted for war and naked. They have come to steal fire in order to cook the pig that they killed. “The forest near them burst into an uproar. Demoniac figures with faces of white and red and green rushed out howling, so that the littluns fled in terror” (140). Their ghastly appearance and savage-like shrieking is terrifying to the civilized boys. The “faces of white and red and green” symbolize Jack’s inhumanity spreading to more of his followers, gradually replacing their morality with disdain. With the masks on,

Who is the antagonist, or the person who causes the conflict for the protagonist? What is he like?

Symbols in literature are like the Earth, there are multiple layers until you get to the core meaning. In the novel, The Lord of the Flies, William Golding, utilizes symbols in order to get his deeper meaning across. In a novel about boys isolated on an island during the time period of World War II, Golding shows the outcomes of what isolation can have on a group of people. While trying to get these messages across, the author uses symbols as an aid These symbols range from strength, hope, and fear. One of the most important symbols in the book is Jack’s mask. The mask starts out as a way to help Jack hunt and grows from there. Therefore, Jack’s mask begins as protection from Jack’s own identity, evolves to his strength, and

In the “Lord of the Flies,” William Golding uses ordinary items to symbolize bigger universal ideas. These symbols can be seen throughout the text and will evolve as the story progresses. In the beginning of the Lord of the Flies, one of the most frequent topic the boys discuss is hunting and their desire to have meat. However, not a single boy is able to hunt successfully as they are all afraid of killing another living thing. The boys only have a successful hunt when they use the mask. The mask in the Lord of the Flies is one of the many symbols used to communicate Golding’s universal ideas. When the mask is used in the Lord of the Flies the mask serves the purpose to hide the boys from the pigs when they hunt. However, when the text is examined in an allegorical means, the mask can be defined as hiding from oneself, strength, and savagery. The allegorical definition of the mask, proves how the mask does not only hide the boys from the pigs, but also hides the boy’s inner connections with their former selves. The mask in the Lord of the Flies initiates as hiding from oneself, evolves to strength, and ends a savagery.

Masks are a covering for parts of the face that are worn for a disguise, pleasure, or to scare people. Greek theatre utilizes masks innumerable times for evident characters in their plays. The actors/actresses who position their masks on, become divergent people. The denotation the boys’ have behind the mask is unique from when they have the mask off. In Lord of the Flies by William Golding, the mask is used as a disguise from their normal society and civilization. Jack, Ralph and Roger prove that this statement is true throughout the novel. Golding once said that civilization is “the mask which enables the individual to hide his primitive nature.” This illustrates how one will disguise himself as someone or something that triggers their primal nature. William Golding’s purpose in writing this novel is to present to the readers when an individual loses connections with society they can regenerate one's true self to become someone they are not. The masks are utilized by these three characters to shield their nefarious doings. Jack, Ralph and Roger all have measures that delineate the diabolic and shadow within all humanity.

In the beginning of the book you are introduced to the antagonist Jack , who is in the middle of killing the

Their masks hide the evil dwelling within their innocent souls, waiting to be set free. It emits human personalities and behaviors, allowing it to be impenetrable by visual perception. With these masks as a cover, Jack and his tribe members interact nicely; chaos rips through their society when they allowed their masks to fall off throughout many sequences of events.