Power Of Power In Othello

Rhetorical strategies are continually used to get a point across or to manipulate another. Iago uses many devices to put false accusations into Othello’s head. In lines 330-447 in Act 3 scene 3, Iago uses rhetorical question, imagery, and sarcasm. He questions Othello and makes him think the worst between Cassio and Desdemona, and then his use of words adds color and a picture, so it has to be right. Last his sarcasm creates the assurances Othello needed to be duped.

   In Othello, Shakespeare explores the relationship between words and events. Spoken thought, in the play, has all the power of action; speaking about an event will make that event become reality for those who hear - it will affect reality as if that event had taken place. Shakespeare demonstrates the power of words poignantly through Othello's monologues. Othello struggles with the reality that Iago creates for him. When Othello speaks, he reveals that he is unable to stop himself from carrying out acts that Iago's and his own words have prophesied and initiated. Othello's monologues further demonstrate that even the knowledge of the power of words cannot protect the characters from the

Iago plants ideas in Othello’s head, uses the innocent actions of others as his proof; and Othello, who is not practiced in worldly matters, believes his the misnomer of the “honest Iago”, and eventually is consumed by the lie.

Perfect people do not exist in this world of temptations, failures, and suffering. In fact, every person has weaknesses, and there is always a possibility that someone will use those feeble points against that man. Shakespeare's play Othello shows an example of how one can control others exploiting their weaknesses and the consequences of such actions. The character of Iago, the antagonist in the tragedy Othello, instigates chaos, deception, and gross manipulation. He is the center of all the evil events in the play. He manages to completely deceive everyone by displaying an honest facade. Thus he is able to instill trust in all those around him. Since no one sees him for the evil and deceiving man that he really is, he manages to

Powerful words are used in the world of “Othello” and can create order or chaos. Othello uses language when he tells his stories of war to Desdemona and as a result wins her heart. A positive example of the power of language is how Othello and Desdemona fall in love (Krieger, 2012). “She wished she had not heard it, yet she wished that heaven had made her such a man” (I, iii, 160-161). Iago uses the negative power of language as corruption to

He had the weapon of knowledge. Since IAgo seemed to answer to Othello, nobody thought he was a threat, however the reader, who could see the big picture, could recognize what IAgo was capable of. Iago used his weapon of knowledge to manipulate those around him into trusting him and subconsciously destroying themselves. Another weapon Iago possessed was motive. In act 1, scene 1, Iago expresses his disapproval of cassio being chosen for the promotion over himself. IAgo begins to list Cassio's faults: “That never set a squadron in the field, Nor the division of a battle knows More than a spinster; unless the bookish theoric, Wherein the toged consuls can propose As masterly as he: mere prattle, without practise, Is all his soldiership. But he, sir, had the election: And I, whom his eyes had seen the proof”. Iago seems to get angrier in each line, giving reason to sabotage his surrounding personnel. In act 1, scene 3, Iago explains how he is to carry out his destruction: “To get his place and to plume up my will In double knavery -- How, how Let’s see:-- After some time, to abuse Othello's ear That he is too familiar with his wife. He hath a person and a smooth dispose TO be suspected, framed to make women false. The Moor is of free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are.” Not only does Iago seem to get increasingly bitter, but the audience can

Shakespeare’s Othello explores the destructive nature of Iago’s villainy through his ability to confuse appearance with reality through his deception and trickery. In Shakespeare’s Othello, Iago is a scheming antagonist whose goal is to destroy Othello. Iago uses foreshadowing when he says, “I am not what I am.” Iago tells the audience that his loyalty with Othello is all a scheme to destroy him, and his

In Othello, Shakespeare forms the villainous character, Iago through his complex language. Iago shows his evil nature towards Roderigo through his use of demeaning animal imagery. Iago also uses an extended metaphor to try and trick the ignorant Roderigo and (unknowingly to Roderigo), insults him. Lastly, Iago uses repetition to beguile Roderigo to keep paying him. Iago’s slyness is clearly seen through his deceiving language towards the end of Act I.

To have power means a lot to some people, but to others it means they will stop at nothing to get it. “Call up her father, Rouse him. Make after him, poison his delight, proclaim him in the streets” (lago Act 1 Scene 1 Lines 67-69). lago used these words to stir up trouble in the play Othello. lago wants Roderigo to wake Desdemona’s father, the senator, so he can put a stop to Othello and Desdemona being together. lago believes being put in front of the Sagittary will fuel Othello with enmity towards Desdemona’s father Brabantio. lago is jealous of Michael Cassio being given a promotion to lieutenant. lago felt as though he was the one that should have been given that promotion and he was ready to fight for

Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking

We are introduced to the antagonist, Iago and another character that shares hate for Othello also because he loves Desdemona in Act 1 Scene 1. The first line in Act 1 Scene 1 states ' Tush, never tell me! I take it much unkindly. That thou, iago, whon hast had my purse. As if the strings were thine, shouldst know of this' In translation ‘All this time I’ve thought you were such a good friend that I’ve let you spend my money as if it was yours’. That opening statement already demonstrates Iago’s inner personality and builds a slight reputation from readers for him. As Iago convinces his plan of the destruction of Othello will work, we also start to notice how casually and easily Iago can convince characters using his strong

Othello, the principle character, at the beginning seems to have power- whether it is physical, psychological, political or military. He is portrayed to the audience as a symbol of power and strength. As an experienced soldier, a General to be precise, Othello has had little experience with women. Even though he is a high ranking military official, he is less respected because of his dark skin and being a foreigner. His stature and tone of voice, along with his self-confidence and belief, lead the audience to think of Othello as the main representation of power in the play. However, further into the play, Othello's power seems to diminish, revealing his insecurity and susceptibility. He is very naive and

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

355,] By playing on his hopes, Iago is able to conjure money and jewels from Roderigo, making himself a profit, while using Roderigo to further his other plans. He also thinks stealthy on his feet and is able to improvise whenever something unexpected occurs. When Cassio takes hold of Desdemona's hand before the arrival of the Moor Othello, Iago says, "With as little a web as this will I ensnare as great a fly as Cassio." [II, i, 163] This language demonstrates the evil inside Iago’s goals of retrieving absolute power. He actually even says of himself, "I am an honest man...." [II, iii, 245] Iago slowly corrupts the character’s thoughts, creating ideas in their minds without implicating himself. His "medicine works! Thus credulous fools are caught...." [II, i, 44] "And what's he then that says I play the villain, when this advice is free I give, and honest," [II, iii, 299] says Iago. In turn, people rarely stop to consider the fact that old Iago could be deceiving and manipulating them; yet they are convinced that he is "Honest Iago." From these quotes from “Othello” it is proven that the dialogue used between Iago and the others is manipulative causing an evil outcome.

Iago’s relationship with Othello becomes a power struggle where Iago attempts to degrade Desdemona in order to position himself so he can ‘poison’ Othello. Here Shakespeare is showing how powerful and manipulative Iago can be with his use of words, and how powerful they can be. This power struggles is exemplified