Power in The Handmaid's Tale Essay example

It is hard to perceive Offred as a rebel. However if Offred is at all

THE OPPRESSION OF WOMEN IN ATWOOD’S THE HANDMAID’S TALE AND THEIR WAYS OF RESISTING THE REGIME

The words control and Gilead, the setting for the novel "The Handmaid's Tale" by Margaret Atwood, are interchangeable. Not only is control a pivotal feature of the novel and its plot, it consequently creates the subplots, the characters and the whole world because of its enormity in the Republic of Gilead. Resistance also features heavily, as does its results, mainly represented in the salvagings, particicution and the threat of the colonies.

In the republic of Gilead, there are many rules and restrictions within all levels of the community, wives, econowives, common men and handmaid’s included, which limit the goings-on of the people. These rules were all created by the men in charge, going by the name of ‘The sons of Jacob’ and are forcefully implemented by the angels, the male soldiers and ‘protectors’. The roles of those in charge all belong to a

The Handmaid's Tale, a film based on Margaret Atwood’s book depicts a dystopia, where pollution and radiation have rendered innumerable women sterile, and the birthrates of North America have plummeted to dangerously low levels. To make matters worse, the nation’s plummeting birth rates are blamed on its women. The United States, now renamed the Republic of Gilead, retains power the use of piousness, purges, and violence. A Puritan theocracy, the Republic of Gilead, with its religious trappings and rigid class, gender, and racial castes is built around the singular desire to control reproduction. Despite this, the republic is inhabited by characters who would not seem out of place in today's society. They plant flowers in the yard, live in suburban houses, drink whiskey in the den and follow a far off a war on the television. The film leaves the conditions of the war and the society vague, but this is not a political tale, like Fahrenheit 451, but rather a feminist one. As such, the film, isolates, exaggerates and dramatizes the systems in which women are the 'handmaidens' of today's society in general and men in particular.

Throughout the course of world history on Earth, humans have always worked harder and harder in order to improve society and make it more perfect, although it still hasn’t been done quite yet, because it is merely impossible to achieve perfection in a world with close to seven billion people. There is a very distinct difference between a utopia, which can also be known as perfection, and a dystopia, which can also be known as a tragedy; and the outcomes normally generate from the people in charge or the authority that sets up the foundation, the rules, and the regulations for a society. In the Handmaid’s Tale by Margaret Atwood, The Republic of Gilead is created by a powerful authority group called the Eyes after a huge government take over and the assassination of the US president. It’s very strict rules and goals are set up to protect women, to increase childbirth, and to keep all violence, men, and powerful social media under control. The novel is set in a first person point of view and the narrator, Offred, tells her story to us readers about her experiences as a handmaid and how her life was completely turned upside down. Throughout the course of the novel Offred reveals many sides of herself; although her thoughts do not remain consistent, her personality and opinion tends to change revealing, that she is hesitant and strong because she learns to make the best of what she has and silently overcome the system of the Republic of Gilead.

Power is something that is often used carelessly, even with its great importance. In the Family Romanov by Candace Fleming, power is used carelessly. In the Family Romanov, the tsar of Imperial Russia, Nicholas refused to give the people the rights and things they wanted and deserved. His refusal to do so eventually ended with Nicholas and the imperial family’s assassination. His inability to make just decisions without the “help” of his wife Alexandra and the “holy man” Rasputin resulted in his death. Nicholas stayed “blissfully” ignorant to all his subject’s sufferings and eventually paid the price for it. Fleming’s argument about power is that power is not a child’s toy, as power should be in use by someone fit to rule the proletariat fairly and it should be something to be used with responsibility and caution.

Oppression is a major fret in the contemporary world. Alluding to Ronald Raegan 's policy of supporting the oppressive apartheid in South Africa, Atwood in The Handmaid’s Tale, conveys a society where oppression is accepted through forced collaboration and a fear of consequences if not followed. Offred 's internalised oppression is evident when she describes that the Handmaids are treated as 'two-legged wombs, that 's all: sacred vessels, ambulatory chalices '. This is a metaphor manifesting how the Handmaids come to accept that their purpose is to produce children and showing Offred 's personal oppression and her willingness to comply with the regime. Gillead also manipulates the Bible as a power tool to encourage the citizens to remain content with the theocratic nature of society. This is obvious

Atwood individualises the character of Serena Joy, as her high status in the society demands power and the domination over the inferior members of the Commander’s household, such as Offred – a handmaid. This shows that Serena Joy has a sense of control, using this privilege to become “a woman who might bend the rules”; this is similar to the

It is necessary for the government to impose a certain amount of power and control of its citizens in order for a society to function properly. However, too much power and control in a society eliminates the freedom of the residents, forbidding them to live an ordinary life. In the dystopian futuristic novel, The Handmaids Tale, Margaret Atwood demonstrates the theme of power and control through an oppressive society called the Republic of Gilead. The government established power and control through the use of the wall, military control, the salvaging, the particicution, and gender.

Margaret Atwood’s The Handmaid’s Tale is a disturbing novel that displays the presence and manipulation of power. This is displayed throughout the novel and is represented significantly in three ways. As the book takes place in the republic of Gilead, the elite in society are placed above every other individual who are not included in their level. Secondly, men are placed at the top of the chain and they significantly overpower women in the society (elite or not). Finally the individuals within the elite society also overpower each other and have their own separate roles. This can be interpreted as a chain. Men of the elite are placed at the top, the men who less elite

In Margaret Atwood’s ‘The Handmaids Tale’, we hear a transcribed account of one womans posting ‘Offred’ in the Republic of Gilead. A society based around Biblical philosophies as a way to validate inhumane state practises. In a society of declining birth rates, fertile women are chosen to become Handmaids, walking incubators, whose role in life is to reproduce for barren wives of commanders. Older women, gay men, and barren Handmaids are sent to the colonies to clean toxic waste.

The Handmaids Tale is a poetic tale of a woman's survival as a Handmaid in the male dominated Republic of Gilead. Offred portrayed the struggle living as a Handmaid, essentially becoming a walking womb and a slave to mankind. Women throughout Gilead are oppressed because they are seen as "potentially threatening and subversive and therefore require strict control" (Callaway 48). The fear of women rebelling and taking control of society is stopped through acts such as the caste system, the ceremony and the creation of the Handmaids. The Republic of Gilead is surrounded with people being oppressed. In order for the Republic to continue running the way it is, a sense of control needs to be felt by the government. Without control Gilead will

Psychological criticism has roots as far back as the fourth century BC, when Aristotle “commented on the effects of tragedy on an audience, saying hat by evoking pity and fear, tragedy creates a cathartic of those emotions” (Dobie 54). More recently, however, psychological criticism has been shaped and influenced by the work of Sigmund Freud. He developed theories concerning “the workings of the human psyche, its formations, its organization, and its maladies” that, while further refined by other theorists, are still the basis of the modern approach to literary criticism (Dobie 54). Freud’s theory of the tripartite psyche is used to classify and define the conscious and unconscious mind into the id, ego, and superego. When examined using this theory, Margaret Atwood’s The Handmaid’s Tale, a dystopian novel about a patriarchal totalitarian government that has replaced the United States of America, is particularly interesting.

Though the English language has its roots in a male-dominated society where the true meaning of words are now taken for granted. In The Handmaid’s Tale, language facilitates power. In order to effectively rule over class and gender the level of censorship on literature and control of discourses runs high. Atwood uses word choice to expose the shocking structures of the Gilead society and how faulty its foundations are as it was built upon gender inequality. The repercussions of gendered language are evident throughout the novel, implying that the sexist structure of Gilead is a result of oppressive language modern Americans accept and use in every day talk.