Power vs. Happiness (Eassay on Hamlet, the Play)

On the other hand, Laertes wants to revenge his father’s death. Therefore this mistake murder leads Hamlet to his downfall as Claudius and Laertes want to kill him.

Although Hamlet shows himself as indecisive and insecure, towards the end of the story he does show some act of courage; enough to finally go and kill King Claudius. At first, he finds himself procrastinating at the matter, because he comes up behind King Claudius while he’s praying. He originally planned on killing him right then and there, but wait! Hamlet stops and lets his inner coward win over yet again. After a series of deep thoughts, he does decide to kill his uncle, and realizes that he must go through with his plan quickly, before Hamlet himself is killed.

After stabbing Claudius, Hamlet forces him to drink from the poisoned wine saying, "Here, thou incestuous, murderous, damned Dame, Drink off this potion. Is thy union here? Follow my mother(The king dies.)"(5.2 327-329).

The misuse of power in Hamlet exemplifies the corruption in the upper class due to their suppressive nature towards the plorient class. The upper class or bourgeoisie such as the monarchy in Hamlet believe their stance in the social ladder subjects them to all the power. In various cases throughout history the bourgeoisie ruled at the same level as God. For instance, Claudius showcases the abuse of power the bourgeoisie exudes onto the proletariats when he confesses to murdering his brother to obtain “[his] crown… and [his] queen”, which also displays his lack of morals for gaining access power (III.iii.58). He killed his own brother in order to achieve political, social, and economic power, which further presents his corrupt desire for authority. Also, the event reflects the Marxist lens because of the proposal that economic gain is the motive for all political and social acts. This desire for total control results in a corrupt upper class and government because their only concern is themselves. During Shakespeare's time writing Hamlet Claudius’s turpitude acts can be correlated to his era when “the corruptions of a declining feudalism were beginning” (Fribleman 142). Shakespeare’s experience with a corrupt higher class whose only regard is acquiring power lives through the unethical character of Claudius. By having the upper class reach a substantial amount of power they gain even more political influence over the proletarians because of their dominance in economic and social systems.

Laertes loses his family because of Hamlet’s actions. His father is killed by him and his sister kills herself because of her grief. Laertes and King Claudius begin to plot Hamlet’s murder, planning to poison him, by drink or wound, whichever comes first. However, the plan backfires on the both of them and Laertes dies from his own blade, but not before saying “The King, the King’s to blame.”

Laertes plots for vengeance due to Hamlet killing his father and second-handedly killing his sister, Ophelia. Hamlet, who is still a self-absorbed narcissist, is beyond clueless to Laertes intentions for fighting. In the end, Hamlet is cut with the poisonous sword, Laertes is stabbed with the poisonous sword, Gertrude drinks from the poisonous cup, and King Claudius finally gets what he deserves after Hamlet, as he’s dying, stabs him and forces him to drink the poison. Hamlet, who suffered through a road of vengeance, finally kills Claudius at the last possible second. All of Hamlet’s family and friends die because of his inability to be a man of action and a man of thought at the times when they are opportune. His delay of killing Claudius led him to become invested in his own issues and become the domino effect for the death of others. His moral ambiguity is questioned even at the end of the play because he killed Claudius at the last possible second. In Shakespeare’s tragedies, like Hamlet, Hamlet desire for vengeance ultimately corrupts the morals and decisions he makes further affecting the people around him as he is so self-involved. Hamlet’s morals suffer because he never once looked within himself to understand where he went wrong. Hamlet’s moral ambiguity creates this significance to the play by emphasizing the fact that

Beyond Claudius’ need for admiration, he also tends to disregard the feelings of people around him. This is shown in a similar way as his need for admiration, being that he kills his brother to gain power. Such a selfish action will obviously impact those around King Hamlet, but Claudius disregard that and simply does it for his own gain. He doesn’t think about how Hamlet’s death will affect Gertrude, young Hamlet, Polonius, or anyone else close to him. In the aftermath of this, instead of helping Hamlet through the hard time following his fathers sudden death, he tells Hamlet he’s not a man for mourning for such a long time. Staying on the topic of the death of a father, Claudius uses Polonius’ death to get Laertes to want to avenge his

36-38). King Claudius appears to be an honest, noble king, but in reality he is King Hamlet's murderer and a manipulative ruler. Near the end of the play, Claudius manipulates Laertes into a duel with Hamlet, so that he can murder Hamlet without suspicion when he says, "But you content to lend your patience to us,/And we shall jointly labor with your soul/To give it due content.". (4.7. ) This shows that Claudius is openly offering a chance for Laertes to seek revenge upon Hamlet for killing Polonius. Later on, Claudius also lays out the plan to murder Hamlet, when he says

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

He shows in the soliloquy that he has done wrong and he feels now after that the guilt that he is witnessing is stronger than the reason for killing his brother. He feels terrible about the death of his brother but he must continue with his plan to obtain the power instead of allowing Hamlet to have it. He manipulates Laertes, who Claudius has turned against Hamlet, to help in Hamlets murder. He coaxes Laertes to have a duel with Hamlet so that Hamlet will be killed, Laertes asks “to cut his throat i’th’ the church” (4.7.123).

“Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness ‘’, a quote by Martin Luther King. This quote relates to one of the principal themes in Hamlet. As a synonym for selfishness, greed also ties in to the theme of the play. The egocentricity of the character Claudius and his brother King Hamlet had a very large impact on several lives. He is the perfect example of ‘’one must do whatever it takes ‘’.

King Claudius uses this to his advantage. Knowing that Hamlet is out to take his life he encourages Laertes to seek vengeance for his father’s death. Hamlet challenges Polonius to a sword fight despite Polonius’s reputation for being a great swordsman. This dual would be the end of the two young men. The deaths of Guildenstern and Rosencrantz was plotted by Hamlet himself. This act of plotted killing just shows how heartless a killer he has become because these two individuals did not have to die and Hamlet had no real reason for getting them killed.

Immediately upon introduction to Claudius, his plans are very clear: to remove Hamlet from the scenario. The unjust king manipulates anyone he can to have his way; Gertrude and Laertes being the two who have the most impact on Hamlet. Claudius managed to convince both Hamlet and Gertrude that the rightful heir had misguided feelings:

It seems that it is human nature to want to please others, but compromising ones values in order to do so can result in people getting hurt emotionally or physically. In William Shakespeare's Hamlet, the desire to please those in authority overweighs the judgment of many characters. These characters are more interested in pleasing those in power than doing what is in their best interest. This is seen in Polonious' eager attempt to use Ophelia, in Rosencrantz and Guildenstern's being coerced into spying on a good friend, and finally in Laertes' all too easy manipulation by Claudius to take revenge on his fathers' death. In all these instances, the characters put their

It is easy to view the characters in Hamlet as being completely helpless to the external forces that control their lives. This idea is pointed out by Michael Shelden in his article, “The Imagery of Constraint in Hamlet,” which uses Maurice Charney’s book to further assert that all characters do not have control over their destiny, supported with the use of traps in the play. However, both Charney and Shelden fail to represent that power structure plays a large role in destiny and they push all characters into the same powerless category. Shelden neglects to recognize Claudius has more freedom compared to any of the other characters because of his power. Within the play, Claudius is able to reach his ultimate goals before the play even begins by marrying the queen and obtaining the position as king. He continues to prove his freedom as the controller of the traps in the play and has the power to control the characters’ freedom with the use of these traps. Even as Hamlet attempts to trap him, Claudius is able to escape both times, showing the control he has over his freedom. When focusing on the power structure of the characters, Shelden’s assertion fails to recognize that although the characters in Hamlet are controlled, Claudius is the only character that has power over his freedom and that of other characters.