Powerful Women In Shakespeare's Hamlet

At one point in time, Ophelia was one who Hamlet truly loved and trusted. Ophelia comes and speaks to hamlet to return his gifts from her but Hamlet immediately realizes that something is wrong and finds out that Ophelia is being used by Claudius and Polonius to spy on him to find out the real reason of Hamlet’s facade of madness. After realizing this, Hamlet is incensed and acts as if he is truly insane. Hamlet is clearly hurt because of the fact that Ophelia has been as a pawn in Claudius’ game. The effects of the matter cause him to verbally abuse Ophelia and rejects her love by saying that they will never get married and also degrades women. At this point Hamlet is raged and does not understand how harsh his words can be to a woman, especially a human being in general. In conclusion, the death of Hamlet’s father had looked like as if it has not even affected his mother which he so dearly loved and the one true love he thought he had, seems to him as deceiving and just a pawn for his enemies. These factors continue to diminish the subordinate attitude that Hamlet has towards

Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.

In the play Hamlet, Shakespeare, the author, creates female characters that occupy very different roles than in his other plays. In this play, Hamlet plays opposite two women who are used by the men around them in order to further their own interests. One woman is named Ophelia. In many of Shakespeare’s other plays, he creates women that are very strong and play a very real role in the life of the protagonist. In Hamlet, however, Ophelia occupies a very different role-she exemplifies a pawn of the men around her. She is used not only by her father and his associate the King, but also by her supposed lover, Hamlet. This is a very different role for a woman in a Shakespearian play. Also, Hamlet’s mother, Gertrude,

[Done in] England” (4.3.66). Gertrude with no control over his decisions agrees to everything Claudius suggests about Hamlet’s exile. Gertrude trusts Claudius which allows him to control her in the actions and decisions he makes. The lack of lines Gertrude has throughout the play proves her trust for Claudius proving that she has nothing against what he decides. Similarly, Ophelia is controlled by Polonius, her father. Polonius controls Ophelia due to immaturity and her ignorance of her relationship with Hamlet. “Affection? pooh! you speak like a green girl, / Unsifted in such perilous circumstance, / Do you believe his tenders, as you call them?” (1.3.101-103). Not only Polonius but Laertes, her brother, constantly advise her to avoid Hamlet because he is just counterfeiting love and his intention is to hurt Ophelia:

The Role of Women in Hamlet in William Shakespeare's Play Gertrude and Ophelia, the only two women in Hamlet, reflect the general status of women in Elizabethan Times. Women were suppressed by the males in their lives (brothers, fathers, and partners) and were always inferior. Ophelia and Gertrude have little or no power due to restricted legal, social and economic rights that were found in Elizabethan society. The male characters in Hamlet reflect this sexist view point, represented by Hamlet’s judgement that “frailty, thy name is woman”. This view was not uncommon in Shakespeare’s time and heavily influenced Shakespeare to present women the way he does in Hamlet.

Perception of Women in William Shakespeare's Hamlet In Hamlet, Shakespeare carefully represents Getrude and Ophelia. Individually, Gertrude is essentially seen as weak and immoral whilst Ophelia is seen as meek and a victim of society. Collectively, they are seen to fulfil a conventional 16th century role, and it is as our beliefs and views of women change that we are able to perceive the characters in a different angle.

Hamlet knows that she is helping her dad, Polonius, spy on him. He accuses Ophelia, and all women, of being a “breeder of sinners” (Shmoop Editorial Team 1). Hamlet orders Ophelia to a nunnery, but she cannot call him out on it because she is not supposed to know what the word means. This is not the only criticism that Hamlet calls out to Ophelia. He says that if Ophelia is to marry a man, she will turn her husband into a monster because she will cheat on him (Shmoop Editorial Team 1). Hamlet: “If thou dost marry, I’ll give thee this plague for thy dowry: be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery, farewell. Or, if thou wilt needs marry, marry a fool, for wise men know well enough what monsters you make of them. To a nunnery, go, and quickly too. Farewell” (3.1.130-134).

Ophelia and Gertrude seldom converse with each other throughout the play; however, they both serve as the only women in Hamlet’s life. They both display the traits of the “subordinate woman” which was expected of women in the seventeenth century (Clarke). Ophelia plays the role of the “good daughter.” She is an inferior of both Polonius and Laertes, and obeys them in all matters, including those of the heart. She also plays the role of a “punching bag” for Hamlet when she simply lets him release his anger onto her. In fact, Ophelia does not act independently until her madness consumes her, and even then, it has been argued that she was subordinate to her insanity (Dane, 420). Gertrude, in contrast, does not need madness to demonstrate

     The treatment of women in Hamlet is very troubling. The leading female characters, Queen Gertrude and Ophelia, are pawns or puppets for the men around them. Like chess pieces, they are moved about and influenced by the men they love with little say of their own; in fact, Shakespeare does not even develop their characters.

	Today women have many rights. We can vote, work, and even voice our own opinions. In the past women were seen as mothers and housekeepers, always taught to respect, listen, and serve there husbands or the man of the house. In those days this was considered normal, therefore women had no choice but to obey and do as they were told. In Hamlet, Shakespeare portrays a similar relationship between women and men. He allows men to hold the higher position in the causing, them to treat women as lesser people and believed that women should listen to them and do as they were told.

Ophelia and Gertrude are both presented as weak women without their lovers—Gertrude would not have her status as queen without a king on her arm, and Ophelia’s role is mainly as Hamlets lover and Polonius’ daughter. In act one, Hamlet is upset because his mother married so rapidly after his father’s death, and that too to her husband’s brother being a sign of weakness. “yet, within a month—,” “Frailty, thy name is woman,” “married with mine uncle, My father’s brother.” (I. ii. 145,146,151,152). In his soliloquy, Hamlet

For many years in the past women played a small role socially, economically and politically. Many works in the literature demonstrate this during the Elizabethan Era. In William Shakespeare’s Hamlet, Ophelia, Hamlet’s love and also the daughter of Polonius. She is a prime example of this as her father implores her to see Hamlet further more because of the possibility that he takes her name and her virginity. Ophelia truly loves Hamlet and was devastated when he shuns her in addition to pretending to be mad. She was affected by many of the decisions as well as the actions of the male characters in the play, including Hamlet, Polonius and Laertes. Throughout the play, women are very dependent on men. Men felt superior to women during Hamlet 's lifetime, in which they thought that they could make the women’s decisions and try to change how their thoughts and feelings. During this time, women were treated as the weaker sex because they had no voice of their own. Women were expected to be pure and innocent while men could be as immoral as they so desired. As for Ophelia, she depends on Hamlet for his love and then later on in the play she becomes strongly frightened by Hamlet and his actions.

How does Shakespeare’s portrayal of Ophelia, Queen Gertrude, and the reactions of male characters to these women reveal larger social attitudes to women in Shakespeare’s time. Shakespeare’s work is still influential today as evidenced by the fact that Disney released an adaptation of Hamlet called “The Lion King”, and the theatrical adaptation has made $6.2 billion in ticket sales. Within Shakespeare’s plays, he often indirectly comments on the social flaws of his society. In the play Hamlet, he provides an important portrayal of the negative treatment of women in the age of Elizabethan society by way of revealing the generalization of women, inequality between men and women, and the stereotyping of women as either angelic or evil seductress.

“Frailty, thy name is woman!”(1.2.146). Frailty, according to OxfordDictionaries.com, means: “the condition of being weak and delicate,” and more specifically: “weakness in character or morals”. Hamlet, the main character, sees weakness in all women. In Shakespeare’s play Hamlet, he expresses that women are merely weak and almost insignificant to the play, but it can be argued that the women are stronger and do have importance in the story, especially the Queen. She’s very intelligent when it comes to staying in her powerful position and how some manipulative fragments that move the play forward. Despite this, Hamlet sees the women as harlots because of his views on Ophelia and his mother, he even uses their sexuality as a weapon against

Shakespearean tragedy is a story of one, or at most two persons. As a rule, they are male protagonists. But to say that Shakespeare’s female characters are shallow, undeveloped and used just as a decoration on the stage is very wrong. Women in Shakespeare’s tragedies have no leading role and they are, to paraphrase Northrop Frye,[1] not tragic heroines, but heroines in a tragedy.