Powerful Women In The Chrysanthemums By John Steinbeck

When her husband Henry had commented about her strong chrysanthemum crop, Elisa is pleased by the manliness the word implies but her husband reminds her of her femininity by offering her an evening on the town to celebrate the big business deal he had done. After this conversation with her husband, she goes back to her masculine role of transplanting the flowers. Loneliness takes a role from the start on how Elisa is lonely just for the simple fact that she 's a woman trapped in a world of men. Steinbeck displays loneliness with "The high grey-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world. On every side, it sat like a lid on the mountains and made of the great valley a closed pot (704)." While adding the fact that the men do business and Elisa is settled to attend the house it makes a pretty strong sense of solitude. This is soon coming to a change once a man knows as the tinker disrupts her usual solitude. It is when her isolation is broken that the story truly begins to unfold.

In the novel, Their Eyes Were Watching God, men and women hold very different roles. Not only are women the weaker sex, but their worth is dependant on how powerful and high up their husband is. Because of this, women are forced to be silent and are not allowed an opinion. If a woman shows traits that are considered manly, such as intelligence, determination, or control, she is considered masculine, and therefore unattractive. From a very young age, the main character, Janie, is taught that in order to find a suitable husband, she needs to suppress her independent personality. As a result of this belief being engraved into her, Janie does not realize her worth, therefore she is involved three abusive relationships. For years, girls were taught to make themselves smaller so they do not threaten the male’s reputation. The reader sees that Janie is an example the mistreatment of females through Janie’s three marriages.

The most symbolic element in nature that is commonly used in novels is a flower. Flowers have been used in various genres of literature and just like a specific color, authors use a specific flower to convey and to communicate different types of messages. For example, a rose can be used to represent simplicity, beauty, love or even lust, whereas a white daisy can be used to represent innocence and purity. Margaret Atwood also uses flowers repetitively in her novel, The Handmaid’s Tale. Atwood’s motif of flowers, clearly represent the love, and fertility associated with the woman in the Gilead society; Offred’s most important role of bearing children and her desires are demonstrated through the flower’s descriptions.

In the three short stories “The Chrysanthemums” by John Steinbeck, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, and “Sonny’s Blues” by James Baldwin, each author provides insight into the complexity of human nature through the internal struggles faced by a main character within each story. In “The Chrysanthemums” Steinbeck paints Elisa in a way that displays her lack of feminine identity, highlighting her personal sexual views of herself and ¬¬the internal struggle it creates, then in “Where Are You Going, Where Have You Been?”, Oates also presents a female who struggles with her sexual view of herself which we see throughout the story as Connie hides her sexuality at home but lets it run wild for the rest of the world, ultimately leading to her demise, and lastly in “Sonny’s Blues”, Baldwin introduces Sonny and the complex issues he goes through as his brother doubts his

Both Ernest Hemingway’s Hills Like White Elephants and John Steinbeck’s The Chrysanthemums portray oppressed female characters in the early 1900s. In Hemingway’s short, Jig is oppressed by her lover known only as “The American,” whereas, the main character in The Chrysanthemums, Elisa Allen, feels the weight of oppression from society (male dominated) as a whole. Although the driving force of the two women’s subjugation varies slightly, their emotional responses to such are what differentiate the two.

Many readers who analyze Steinbeck's short story, "The Chrysanthemums", feel Elisa's flowers represent her repressed sexuality, and her anger and resentment towards men. Some even push the symbolism of the flowers, and Elisa's masculine actions, to suggest she is unable to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fulfill her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisa's chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from "The Chrysanthemums" will be given in an attempt to illustrate that Elisa's character qualities, and gardening skills,

Everyone deserves the freedom to be who they are without prejudice, without repugnance, and without the fear of not being accepted. In the book The Bell Jar, the author, Sylvia Plath took the reader into the mind of a suicidal woman named Esther Greenwood. The novel was set in the 1950s, a time period in which an ordinary woman is only seen as the person that stays at home as a mother and wife. Howbeit, Esther did not want to become one of the cliched women. In lieu she wanted to be an independent writer that did not get pressured into marriage. The Bell Jar opens the readers up to the ideas of what stereotypes and expectations can do to a person’s self-esteem along with their mental condition. That being said, the theme of The Bell Jar is, the pressure to follow certain stereotypes can lead to a corrupt mental state.

In his article, “John Steinbeck's "The Chrysanthemums": A Woman Bound by Society”, Denise Dickman reasons that The Chrysanthemums" shows a strong, capable woman kept from personal, social, and sexual fulfillment by the prevailing conception of a woman's role in a world dominated by men. After reading his article, I find myself agreeing that “The Chrysanthemums” is a novel underlined with feministic and unequal qualities. Since Elisa finds herself being regressed throughout the story by her husband and by her own hand, it’s boldly indicated that Elisa is not fulfilled in her life on the ranch. Denise Dickman’s conclusion becomes evident through the introduction of the story’s main character Elisa, her relationship with the male characters around her, and her inner conflict with herself. Dickman first point is Elis’s introduction into the

Throughout history, women have had to overcome countless societal barriers. Whether it’s being the head of a household or the President of the United States, men have always held a higher position in society over women. However, that has never stopped women from trying to work towards earning themselves a higher position in society, but unfortunately no matter how hard women try to be like men there will always be boundaries that can’t be crossed. A good example of this reasoning is illustrated in John Steinbeck’s short story “The Chrysanthemums” which illustrates how Elisa’s dress and the fence surrounding her garden are used to show the many boundaries that Elisa has imposed on her life. Steinbeck opens this work by portraying Elisa as

John Steinbeck’s, The Chrysanthemums, was published in 1938 in a book of short stories, entitled The Long Valley. The Chrysanthemums has been a rather powerful draw for scholars because of its wide gap for interpretations and analysis of its main protagonist character, Elisa Allen and also the unique descriptions used to portray the deeper meaning behind the setting of the story. Themes of sexuality, oppression of women, as well as other numerous types of conflict portrayed in this rather somber short story have made it a popular study among scholars and students alike. Steinbeck also uses literary elements including a dramatic tone, rich symbolism, and personification which increase the stories feeling and value exponentially. Steinbeck

Yet Elisa's power is not used for "masculine" activities; in fact, her power is derived from a feminine source, nature. Mother Nature, a female, controls the environment. This female power is part of matriarchal lineage since Elisa'a mother also "could stick anything in the

This need to separate the angelic qualities of women into a totally separate world might come from the desire to protect one’s mother, and plays into the idea of the eternal feminine that must be preserved. “She has no story of her own but gives ‘advice and consolation’ to others, listens, smiles, sympathizes…” (Gilbert and Gubar 815). The aunt is a perfect example of such feminine qualities and represents the untainted light of civilization.

All characters in the novel are living in a man’s world; nevertheless, the author has tried to change this world by the help of her characters. She shows a myriad of opportunities and different paths of life that woman can take, and more importantly she does not show a perfect world, where women get everything they want, she shows a world where woman do make mistakes, but at the same time they are the ones that pay for these mistakes and correct them.

An example of this notion is shown in Hope Leslie when Governor Winthrop, the landlord, reacts to Hope, the tenant, coming home late and refuses to reveal her reason why: “...Winthrop was not accustomed to have his inquisitorial rights resisted by those in his own household, and he was more struck than pleased by Hope’s moral courage” (184). Evidently, Winthrop’s reaction proves that women with “moral courage” are unladylike because moral courage is a manly trait. On the other hand, Esther Downing, another character in Hope Leslie, embodies the cult of true womanhood. Esther’s mere look at her love interest Everell is described as “a look of...pleased dependence, which is natural... and which men like to inspire, because --perhaps -- it seems to them an instinctive tribute to their natural superiority” (219). So, “Esther’s look … of dependence” confirms that the expectation that all women are supposed to have the same behavior, gestures and personality is meant to not only please men but to also hide their true form. Therefore, the cult of true womanhood presents an internal battle in female writers and Sedgwick presents this womanly struggle through the contrast between Hope and Esther. Society wants women to be quaint housewives but publishing a book defies the cult of true womanhood. Thus, defying the qualities rooted in the cult of true womanhood causes high risk of

The short story “The Chrysanthemums” by John Steinbeck tells the story of Elisa Allen, a woman living with her husband in the Salinas Valley. Elisa is unsatisfied with her role as a rancher’s wife and would like to gain more independence and importance, yet she lives in a time when women were generally not as independent as men. The singular effect of entrapment is present throughout aspects of Elisa’s life from her personal identity, to her relationship with her husband, to her interactions with the pot mender. When the travelling pot mender arrives and speaks of his lifestyle, Elisa’s desire to see and do more in life is stirred. In the end he discards Elisa’s importance, which leaves her feeling dejected. Ultimately, she becomes defeated in her pursuit for a more meaningful existence. In “The Chrysanthemums,” author John Steinbeck represents the theme of gender inequality through the development of Elisa’s primary dilemma of a lack of purpose and importance in a society that did not see men and women as equals.