Pre-Raphaelites Research Paper

He was an extremely talented artist who had died an early age of thirty-seven. Together with Michelangelo and Leonardo da Vinci he formed the traditional trinity of great masters of the High Renaissance. He finished many of the painting other artists couldn’t. At the sight of Raphael’s skill, Pope Julius II dismissed his other artists as well as tore down their paintings, and had Raphael complete them.

It is the first major survey of the art of the Pre-Raphaelites to be shown in the United States features some 130 paintings, sculptures, works on paper, and decorative art objects. The young members of the Pre-Raphaelite Brotherhood, formed in 1848, shook the art world of mid-19th-century Britain by rejecting traditional approaches to painting. Combining scientific precision, an innovative approach to subject matter, and brilliant, clear colors, Pre-Raphaelitism was Britain's first avant-garde art movement.

I have plenty of favorite movies, but Loving Vincent is quite possibly one of the most beautiful films I've ever seen. It's an animated film about the aftermath of Vincent van Gogh’s death, and the theory that he was instead murdered. Loving Vincent isn't a typical animated film though. A live action cast was filmed, and then a group of 125 painters painted over every single frame in van Gogh’s style. It is absolutely breathtaking. Loving Vincent features van Gogh’s own real artwork, and the letters he wrote during his life. Loving Vincent was actually nominated for an Oscar recently, and it was a well deserved nomination. It also was the first fully painted feature film. Despite this nomination, though,

-I feel that this projected related to this class and the discussions for this class. How people interpret things individually this project not only look at the fact but also someone’s option. I think I could use this process in psychology, to better analyze how others process their thoughts.

The Pre-Raphaelites were a seven rebellious artists in London who wanted to create new art. The pre-Raphaelites Brotherhood were; William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner.They detested another artist’s work that, at the time went by the name Raphael (Raffaello Sanzio da Urbino), hence the name Pre-Raphaelites. However, society in the Victorian period adored Raphael and his work and many other artists copied his style of art. This meant that people despised the Pre-Raphaelites work and they found it to be outrageous. In the Victorian era, artwork was based on religion and realism. People were painted like they wanted to look like

Directly inspired by antiquity, the loggia is a rich work made of several kinds of arts: architecture, sculpture, and painting, and is part of what is considered as the most grandiose achievement of humanism in arts, started under the reign of Julius II with his architect Bramante. Julius II and Bramante respectively died in 1513 and 1514. Leo X being Pope, he designed Raphael as the successor of Bramante: Raphael’s loggia was finally achieved around 1519. Even if the date of completion is not sure, it is believed to begin in 1518 (proofs of payments and letters serve as proofs) and finish in 1519. Therefore, Raphael Loggia is the continuation and improvement of Bramante’s first plans.

Memories can be recorded and formed in many different ways, one of those ways can be through the power of art, art has the power to explain and preserve a moment in time. Today we are able to look back and see these memories from the start of the roman art revolution taking place during 509 B.C.E. During this time we are able to see the many developments and new techniques emerging from art. Even though at the time this was not considered art, many people today consider roman architecture to be considered works of fine art. The stories displayed in these pieces of art demonstrate how we are able to see how the roman art revolution took place.

His dad's workshop proceeded and, most likely together with his stepmother, Raphael apparently had impact in overseeing it from an early age. In Urbino, he came into contact with the works of Paolo Uccello, beforehand the court painter (d. 1475), and Luca Signorelli, who until 1498 was situated in adjacent Città di Castello.(https://en.wikipedia.org )

With each era that arrives and passes it is expected that many benign effects will come with each one. The Renaissance Era for example has played a very important part in history. The origins of the Renaissance Era essentially began in Italy during the 14th century and lasted through the 17th century. The era’s influence had taken flight like a plague and had enveloped all of Europe by the 16th century. This time has influenced many subjects such as literature, religion, and most importantly art. I feel that sculptures that were produced during the Renaissance Era play a big part in connecting the people of the world to the once thriving Renaissance Era.

The Pre-Raphaelites were a group who opposed the interpretation of art from the Royal Academy. Although Ruskin was not a member, Ruskin still had a strong influence over the beliefs and purpose of the Pre-Raphaelites. Ruskin championed the Pre-Raphaelites and supported their endeavor to focus on nature. The Pre-Raphaelites looked up to Ruskin’s theories on art and said, “they believed in an art of serious subjects treated with maximum realism” Rather than focusing on technique and how art was made, this group would dive deeper to find the

The Pre-Raphaelite Brotherhood was a secret society of the mid 19th century that sought to create a new form of British art. They strived to emulate art from the late medieval period, early renaissance till the of Raphael, striving to convey messages of artistic renewal and moral reform. This theme combined with Aesthetic and Impressionist works gives the richness in culture and a great span in examples that supply ample contextual and visual support for the idea the exhibition is conveying.

Raphael, a product of the Renaissance, presented a different style of art and introduced a new medium for expression. His repertoire included both complex and simplistic work. The variety in his art allowed him to attract attention from both royalty and common people. His artistic ability is neither challenged nor debated. An outstanding support and teaching from his father planted a seed of inextinguishable desire. Later in his life, Raphael watched this seed bloom as opportunities began to wallow at his feet. However, Raphael was no genius compared to his contemporaries and neither did he have a drop of noble blood in his family history. The facts were not stacked in his favor. Nevertheless, Raphael was always known for his work ethic

In September 1848, a group of seven men banded together secretly to create the “Pre-Raphaelite Brotherhood,” or “P.R.B.” (Whiteley 6). This group included: Gabriel Charles Dante Rossetti (1828-1882), John Everett Millais (1829-1896), William Holman Hunt (1827-1910), Thomas Woolner (1825-1892), William Michael Rossetti (1829-1919), James Collinson (1825-1881), and Frederick George Stephens (1828-1907). Though this movement lasted only a few years, these men pulled the art establishment away from the stagnant rules of the Royal Academy by painting works that revitalized religious, moral, and romantic themes, and made them more approachable; firmly grounded in human emotions and reality.

The Pre-Raphaelite Brotherhood was founded by John Everett Millais, Dante Gabriel Rossetti, and William Holman Hunt who were students at the Royal Academy. Millais, Rossetti, and Hunt were dissatisfied with the academy teaching students to mimic renaissance masters like Raphael, and sought to create art reminiscent of the medieval period. In addition for their distaste for renaissance perfection in art the Pre-Raphaelite Brotherhood were inspired by the theories of writer and art critic, John Ruskin. Ruskin encouraged artist to go back to nature, as well as show moral and material truth in their art via the use of symbols and more naturalistic depictions of nature (Harrison, Wood and Gaiger, 200). “The Brotherhood at its inception strove to transmit a message of artistic renewal and moral reform by imbuing their art with seriousness, sincerity, and truth to nature.”(Meagher) From Millais I will focus on one of his more famous paintings Ophelia, followed by Rossetti’s Proserpine, and Hunt’s Awakening Conscience.

Key factors in the importance of Pre-Raphaelite painting was the emphasis on painting literary themes, involving romance, and developing psychological and social tension. Millais’ Isabella casts off the influence of William Etty, as well as the traditional composition, lighting, and detail of Victorian standards “Hunt, later repudiated the notion that the movement aimed at any kind of ‘revival’ of early Renaissance styles (Prettejohn 19).” The group focused on more significant subjects such as medieval tales, poetry, and religion, while emphasizing color and psychological stresses. The group individualized as they aged, with Rossetti concentrating more on mystical themes and individuality, and Hunt working towards realism, but with moralistic and modern themes. “In elevating color as a sensual element in painting these painters risked affronting those who associated color with what was disparaged as passionate, fleshy, and feminine in art - a lack of control and emotional excess in contrast to the disciplined rigor of sound draughtsmanship (Prettejohn 135).” Throughout the Pre-Raphaelite movement, art was focused on realism, while others strived away from that, and did more mystical like paintings, like