Prejudice Against Women In Agatha Christie's Murder On The Vristie

In the article “Marked Women,” Deborah Tannen addresses how everything a woman does-from choosing her outfit, her makeup, her hair, to even her surname marks her a certain way. As a young woman, I liked this piece because it addressed issues women faced that I typically don’t think about. I chose to write about “Marked Women” instead of “Sexism in English” because I related more to the article with my past and current experiences on the different ways women are marked in society. Women are judged every day based upon their decisions on their outfits and looks. Tannen states in the article, “you couldn’t say the men didn’t wear makeup in the sense that you could say a woman didn’t wear makeup,” which made me realize how even something as

Morals are principles which help people to behave rightly. Also, they need to protect the rules. However, in Agatha Christie’s novel, Murder on the Orient Express, the characters act dishonestly: twelve passengers on the Orient Express murder Cassetti, they lie to the Belgian private detective, Hercule Poirot and the protagonist overlooks the passengers. Agatha Christie wrote these intensions fairly. From Murder on the Orient Express, the readers can learn that some set of morals are endorsed.

There is something subtle about attitudes toward women, something that many people act in accordance to but are only subconsciously aware of. It is the constant judgment that women face, and it is also something Deborah Tannen noticed while sitting in an ordinary meeting one day. During that meeting, she found herself noticing only the females of the room, not the men. Tannen then realized that it was because “The men’s styles were unmarked” (Tannen 389). While there are standard hairstyles and clothing for men, there are none for women. Everything that a woman wears is a reflection of who she is. In her piece titled There Is No Unmarked Woman, she writes about her experience and concludes that women cannot escape judgment no matter what they do.

Women are meant to behave and act proper. Though it may not be quite the same today, however, every once in awhile society still expects women to behave and act a certain way. In the past women were supposed to act like ladies and be the proper quiet housewife. Women were raised to speak, behave, and perform tasks a certain way that society deemed as right and proper. Jamaica Kincaid’s short story “Girl” shows just that. Her story is about a girl who is basically scolded by her mother on how to act and perform daily tasks. Her mother's belief is that a woman's reputation is everything and if her daughter keeps acting the way she does she will lead a promiscuous life. She does not want that for her daughter, or for her daughters reputation to come back to her if it is not a good one. Kincaid utilizes the theme of image and social acceptance are most important for woman through symbolism, repetition, and tone .

Abbott, Randy L. "Murder On The Orient Express." Masterplots, Fourth Edition (2010):1-3. Literary Reference Center. Web. 1 June 2016.

Lastly, feminism is viewed in The Body in the Library. The detective, Jane Marple is the one who figures out the answer the question of who is the murderer. Agatha Christie creates this book to be more women friendly with more feministic views than some of Christie’s other books. One

“A Jury of Her Peers” is a short story written by Susan Glaspell in 1917 illustrates early feminist literature. The two female characters, Mrs. Peters and Mrs. Hale, is able to solve the mystery of who the murderer of John Wright while their male counterparts could not. This short story had been adapted from Glaspell’s one-act play Trifles written the previous year. The play consists of the same characters and plotline as the story. In both works, Glaspell depicts how the men, Sheriff Peters and Mr. Hale, disregard the most important area in the house, the kitchen, when it comes to their investigation. In the end, the women are the ones who find clues that lead to the conclusion of Minnie Wright, John Wright’s wife, is the one who murdered him. Both of Glaspell’s female characters illustrate the ability to step into a male dominated profession by taking on the role of detective. According to Critical Theory Today: A User-Friendly Guide, written by Lois Tyson, a reader-response critique “focuses on readers’ response to literary texts” and it’s a diverse area (169). Through a reader-response criticism from a feminist lens, we are able to analyze how “A Jury of Her Peers” and Trifles depict how a patriarchal society oppresses women in the early twentieth century, gender stereotypes confined both men and women and the emergence of the New Woman is illustrated.

Women have been experiencing gender discrimination for years. Gender stereotypes for women are formed by unfair beliefs that all men and women are the same. This discrimination leads to certain effects such as how men expect women to do housework, take care of the children, and take on a passive role. Similar gender stereotypes are seen in “A Jury of Her Peers” by Susan Glaspell. In this short story, the murder of Mr. Wright was investigated by a group of men and women in Mr. Wright’s home. As the men search for evidence of a motive upstairs, the women stay downstairs and accidentally find the evidence needed to solve the murder. In Glaspell’s short story, “A Jury of Her Peers”, and in the article “Philosophical and Political Issues Surrounding Gender” it is made clear that gender stereotypes lead to gender discrimination. This discrimination causes men to assume women’s opinions are not as important as theirs and expect women to do all the house chores.

Murder on the Orient Express is more than just a murder mystery. It is a novel that utilizes a great deal of existing social issues of the era in which it was written and formed a commentary on those issues while giving the reader an intriguing yet approachable narrative. Through this approach, Agatha Christie has given the reader an opportunity to see the world through the eyes of the seasoned private investigator Hercule Poirot. In this world, nothing is at it seems and apparent coincidence belies a hidden truth, a world in which the geographical connections created by passenger railways allowed people of different nationalities and classes to rub elbows.

In Evil Under the Sun, Agatha Christie explores several different facets of good and of evil. Murder is presented as the ultimate evil: taking the life of a human being is an act that cannot be reversed. The act of murder is made especially grim when it is committed in cold blood. However, there are also other layers of what can be called "evil" from an ethical framework. Each of these layers pertain to the machinations of the human mind when it seeks to do something counter to ethics or moral righteousness. For example, the two murderers weave a web of deceit and lies. Each of the lies is designed to steer the detective away from the truth about the murder, therefore revealing the way evil compounds itself.

This paper will present a compare and contrast of the short story, "Witness for the Prosecution" to the screenplay of the same name written by Agatha Christie. The focus of the similarities and differences will be, a review of the characters and the story.

Agatha Christie and Jane Austen both reveal the expectations for women in their novels in terms of behaviour and knowledge. Christie shows through her male characters what the male-dominant society expects of women. Simon Doyle is a character who demonstrates the typical ‘man’ in society, and views women in a way where they must follow certain rules and behave in a sane, collected manner, for "[t]here 's no reason why women shouldn 't behave like rational beings," (Christie 77). Simon essentially summarizes the expectations placed on women. Women must always be rational, always keep up a good appearance, while men are excused for

Understanding the cultural context within which a text is written can help readers experience things that they may never experience in their lives. Culture leads readers intellectually and emotionally and deepens their understanding of the character’s history, the society that they live in and their individual lives. Learning culture plays a fundamental role in making readers understand the social and political context in which the novel is written, the people the author associates with, and the larger society that frames the whole work. It is hard to read literature without a solid comprehension of the work through its cultural context. In light of this information this essay will explain how culture influences the plot line, character development,

Agatha Christie is one of the most successful crime novelists and theater writers of the 20th century. Agatha Christie's shy life led her to a world of fantasy and has helped her to evoke many personalities, including famous detective such as Hercule Poirot and Miss Marble.

The drawing of narrative inferences by the reader is very important to interpret the work well. However, the author, while writing a story, can treat some incidents in detail and barely mention or even omit others. He may distort these incidents, may not observe chronological sequence, he can use messengers or flashbacks, and so on and so forth. The function of resorting to these varied narrative techniques is to emphasize or de-emphasize certain story-events, to interpret some and to leave others to inference, to show or to tell, to comment or to remain silent, to focus on this or that aspect of an event or character. The use of the unreliable is a very important and unconventional narrative technique used by authors in