Prejudice In Othello

Brabantio shows his racist ways clearly here; he feels that his daughter could never love Othello unless she had been somehow tricked! When one looks deeper into this mindset we understand how loving Othello, the Moor, could be seen as such an issue to her father. Then and even today color is associated with, “sin, damnation, and eventually, sexual promiscuity” (Hall, 182). White on the other hand is associated with, “purity, virginity, and virtue” (Hall, 183). For Desdemona to love Othello she must give up her innocence. For a “pure” and “virtuous” woman to love a man such as Othello she must be a “sinner” and a “whore.” This “realization” of his daughter’s lack of purity causes Brabantio to die due to pure grief as Gratiano explains to us:

Brabantio rejects Desdemona’s love towards Othello because during the Elizabethan Era, Venice was largely occupied by white people and therefore black people were unaccepted throughout the society. Iago knew that Brabantio was racist towards the “Moor” and used Brabantio’s attitude towards the idea of an interracial marriage to manipulate Brabantio and rile his men against Othello. “Awake! Brabantio! Thieves, thieves! Look to your house, your daughter and your bags! Thieves, thieves!” (Act 1, Scene 1). Iago refers Othello as a thief and accuses him of stealing Brabantio’s daughter. Brabantio would not accept that his daughter; Desdemona have fallen in love with Othello. Brabantio then falsely accuses Othello of using magic to possess his daughter Desdemona. “Damned as you are, you’ve put a spell on her!” (Act 1, Scene 1) William Shakespeare uses the setting in Venice to emphasize the inequality towards the Moors. Everyone is different but no one deserves to be treated

Othello or The Moor of Venice by William Shakespeare is a tragedy of race. Shakespeare creates a hero who does not fall under a racist stereotype, Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago). One of the few characteristics that harms, rather than helps him, is that he is dark-skinned in a society utterly dominated by men prejudiced against those with dark skin. At the start of the play, he appears confident that, "My parts, my title, and my perfect soul / Shall manifest me rightly." (Shakespeare, 1, 2, 36-37) But Iago makes sure to use Othello's race against him as much as possible. As a brave soldier from Africa and recently instated supreme commander of the Venetian army, Shakespeare still allows Othello to succumb to the subtle racism that surrounds him. Most of it comes forward through the dialog, and is directed toward Othello. Shakespeare makes no effort to hide this colorful language, nearly every character uses a racial slur to insult Othello at some point in the play. Even Emilia, who doesn’t trust her own husband, sinks to the level of insulting Othello based on the color of his skin. Though the main character to make racist remarks in Othello is Iago, making him a representation of white supremacy. The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. These black stereotypes show up in the play and lead to the problem with trying to produce

The fear of interracial marriage in Venetian society is used by Iago in an attempt to alienate Othello. Othello himself acknowledges the fact that interracial marriage is frowned upon and that racism still applies to him despite his position. A common attitude in Venetian society is that black men and women are inhuman and animalistic in nature; Iago capitalizes on this idea in order to aid his plan of antagonizing Othello. Brabantio, Desdemona’s father, is a prime example of the attitude of Venetian society as a whole, in the sense that he “loved” Othello as long as he remained a servant of Venice and would rather Othello not intermingle amongst the Venetian society. Initially Brabantio “oft invited [Othello]” to his home and “queston’d [him] the story of [his] life”, showing an admiration and sincere interest for Othello’s

Haply, for I am black/ And have not those soft parts of conversation/ That chamberers have, or for I am declin’d/ Into the vale of years (yet that’s not much) She’s gone. I am abus’d: and my relief/ Must be to loathe her” (III.III. 304-309). As the emanation of social interaction among various races appear within English literature, the vault of new beginnings and change takes hold. William Shakespeare’s Othello, is most notably recognized for the character, Othello. Through various texts of literature, the idea of racial construct and discrimination was never an easy topic to come by. Since the play was written in Europe during the 1600s, the emergence of slave trades in this area further divided races. The play itself follows the tragedy for Othello, and the transition from a military general to a tragic hero. The limitation of power plays a huge role in Othello’s ability to withstand the manipulation of multiple characters. Although he is Moorish general in the Venetian army, he is still indeed a Moor, a socially lower class, muslim man. From this, cultural collision of ethnicity influences how Othello is treated and the disadvantages he faces because of his color. Through the mere jealousy in which Iago, Othello’s standard-bearer, has for Othello’s life, he proposes the idea to manipulate his life by using the one difference between all men, race. When Iago awakes Brabantio, the father of Desdemona, he hopes to initiate his plan to take down Othello. His description

Whether this is what Shakespeare intended, the text is filled with racist commentary, stereotypes, and implications that anything other than the norm, in this case, blackness, is bad and disruptive to the status quo. Othello’s race and complexion clearly set

Prejudice is ever present in today’s society. Every single day people make choices based on split second decisions and judgments about an other. Although prejudice is most often associated with racial and cultural discrimination, prejudice comes in all forms. It is merely premature judgement. When the actions of those held in high esteem are dictated by initial impressions or unfounded judgments their honor is jeopardized. This is evident time and time again in Shakespeare's Othello. Prejudice compromises honor.

Othello, a play written in the 1600’s by the notorious Shakespeare himself, subconsciously peruses and analyzes the standards that society places on merely the tint of skin an individual possesses or the gender of a said individual. It blatantly favors humans with fair skin. Likewise, they give constant approbation to men, leaving the perfect woman to be described as the one who stays home and clips coupons. Othello gives an insight into the lives of minorities in the Elizabethan time period. Othello was written in the 1600’s but contain messages and themes that are still much prevalent in modern society.

There was characters who sincerely admired him for his military prowess and achievements. When Brabantio told of the robbery of his daughter to the duke he promise to find the thief but when he found out that it was Othello he didn't mind after he explained to the duke how she fell in love with him. The duke then told the father “I think this tale would win my daughter too.” The duke had also fell for the love story , so the duke told Brabantio to make at best for the situation as Othello is also “Your son-in-law is far more fair than black” What the duke is implying here is that Brabantio shouldn't put too much importance on Othello’s skin color but more on virtuous deeds and accomplishments as soldier. Before any of these racial slurs towards Othello made by Iago and Roderigo , Brabantio didn't have a negative depiction of Othello ““lov’d me; oft invited me”. Thanks to these stereotypes of the Moor “Barbary horse” characters in the play are looking down upon

In William Shakespeare’s tragedy Othello, there is a double standard for race focused mainly on the main protagonists Othello and Desdemona. There is a drastic contrast between the way Othello is held with high esteem politically yet is ridiculed when brought into a romantic setting. The disdain that is brought upon Othello is one of the contributing factors for his spiral into a jealous rage and his own downfall. Perhaps one of the primary instances of a character presenting Othello as a negative character is when Brabantio discovers that Othello and Desdemona are married in Act I, Scene 3; it is his speech beginning with “a maiden never so bold…” that plants the seed of insecurity in Othello’s mind and reveals the true feelings of not just

Othello was the only black man in the town of Venice, which explains why the society was not accepting of him. Not only was he a man of color, different from the rest, but he was also appointed General of the Venetian Army. This brings a great disliking from many people within the population. However, it is predominant with Brabantio.

To begin, Iago’s encouragement of prejudice leads to Othello’s manifestation of darkness. For instance, when Iago unveils to Rodrigo that he has a plan to attain Desdemona’s affection for him, he in contrast dehumanizes Othello he reveals that “If I the Moor I would not be Iago. In following him I follow but myself; Heaven is my judge, not I for love and duty, but seeming so for my peculiar end. For when my outward action doth demonstrate” (I.i.57–65). This illustrates, Iago’s true nature that he holds prejudice and hatred for Othello by referring to him as a Moor, it proves that he only views him as substandard. Iago will pretend to serve him, but in reality he is only loyal to himself. This foreshadows that Iago will use negative connotations of race to manipulate Othello into thinking he is worthless. Thus, planting in Othello’s mind thoughts of adultery and hypocrisy. Later, resulting in the uprising of jealousy and darkness of Othello’s character. So Rodrigo, can obtain Desdemona’s love. Promotion of racial bias is also, evident when Iago tries to insinuate that Desdemona is unfaithful. He argues that “not to affect many proposed matches of her own clime, complexion, and degree, Where to we see in all things nature tends—Foh! One may smell in such a will most rank, Foul disproportions,

It then hit me that through Iago’s judgments Othello is “the Moor” and should therefore exemplify the common idea of a moor, which is not admiration, self-worth, and fortune; it is one of disconnectedness and dependency. When he says that “nothing can or shall content his soul/ Till he is evened with the Moor, wife for wife” (Act 2: Scene), he means that he is satisfied until Othello’s life is made equal with his involving feelings of inadequacy and jealousy, which are all qualities fitting to a “moor”. Throughout the play Iago repetitively uses derogatory remarks when speaking of Othello so to encourage certain people in the play to endure racism and confirm that it was the norm. Even so, some of Iago’s semantics reveal his own prejudices. For example, Iago only refers to Othello as a “Moor” with the exception of when he refers to Othello as the “black Othello” (Act 2: Scene 3). Iago hates Othello because he is “the Moor” yet does not symbolize the expected role of what is thought of to be a black man in these times. There is neither reason nor logic behind his hatred, but discrimination against one seldom has reason, for it is characteristically irrational thinking. Iago is a clear illustration of what racism is and will justify his irrational thoughts with anything, just as Iago contributes to Brabantio and Rodrigo’s reasoning behind their actions and Othello’s reasons for acting out on

Othello, in the simplest of terms, can be reduced to a play of jealously. Back in the 1940s and 1950s, when scholars focused on Shakespeare’s tale of the Moor, they centered all of their thoughts on the characters controlled by their own jealousy (James). In modern day, we’ve come to a time of civil rights where seeing the insane racism in this play is inevitable. To not see, this is an act of ignorance. Audiences during Shakespeare’s time would have been privy to this aspect as well, though they would not have been horrified as we are today. They would notice the subject of race in the play, but it was something they were used to. As a foreigner in Venice, Othello already has an uphill battle to climb to claim the role of the protagonist. For the majority of the time, an audience wants to see their own lives portrayed, or at the very least, they want to see something they can resonate with.

In many of his plays, Shakespeare demonstrates ideas of gender and racial stereotypes. Othello, a play in which characters are judged based on sex and appearance, is an example of these stereotypes. Othello’s non-white ethnic background provides a platform for racial conflict. The characters of Desdemona and Emilia allow for sexism and gender conflict. These themes of Othello are closely related because of the similar prejudice and stereotypes. The sexism and racism in Othello allow for racist tones and ethnic conflicts.