Prejudice and Racism in The Jewel in the Crown and Heart of Darkness

In "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a

In the article "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist views toward the natives of Africa. After one reads Achebe’s critique, it is clear that Conrad wanted the novella to be perceived as a racist text. Conrad depicts the uncivilized treatment of nonwhites during the period of colonization without condemning such actions. After analyzing Achebe’s famous work and Conrad’s novella I have come to agree with Achebe; Conrad “was a thoroughgoing racist.” (Achebe) Heart of Darkness portrays this position clearly. Throughout the novella, Conrad describes and represents the Africans and Africa itself in a racist way. According to Chinua Achebe, the harsh behavior of English people towards the natives, the lack of equality felt by the English towards the Africans, and the word choices of the English to and about the savages reveal Conrad's racist position in the work.

Heart of Darkness creates a prejudice way of presenting Africa, Joseph Conrad shows the African Congo through the perspective of the colonising Europeans, who describe all the natives as savages, which perpetuates the stereotype of the uncivilised African in the eyes of the European readers.

Imperialism has been a constant oppressive force upon societies dating back hundreds of years. Heart of Darkness, by Joseph Conrad, illustrates this oppression by providing an instance of its occurrence in the Congo of Africa, while simultaneously setting the stage for The Poisonwood Bible, which is essentially the continuation of the story. The Poisonwood Bible, by Barbara Kingsolver, demonstrates how the Congo is still affected by modern circumstances and ideology. Conrad’s novella acts as a sort of precursor to the events later depicted in Kingsolver’s novel, and this very connection between the stories illustrates the perpetual oppression of imperialism. This oppression is shown through the characterization of the pivotal characters

Joseph Conrad’s Heart of Darkness has allowed me to view the world through a multitude of new lenses. In seeing Kurtz and Marlow’s disintegration when removed from society’s watchful eye, I began to understand that all people have a streak of darkness in them under the right circumstances. While the narrator, and many readers at the time of this novella’s publication, believed that the African natives being colonized were “savages”, this book sheds light on the true brutes in this scenario: the thoughtless Europeans. The other complexity that I never truly understood until reading this book, is the idea that there is a single story told about Africans in Western literature. Africa is portrayed as weak, primitive, and impoverished in most books

Africa, being the second largest continent on earth, has always enticed foreigners to exploit their land and way of life. The biggest offender of trying to diminish their way of life is the western presence, always attempting to alter their normality into their own because they see it as the best way to live, which is not always the case. Throughout history, Africa has been under the impression of the white man and their customs, which can be demonstrated in the novels The Posionwood Bible, by Barbra Kingsolver, and The Heart of Darkness, by Joseph Conrad. Both Conrad and Kingsolver display the futile efforts of the western presence to “civilize” Africans with their numerous points of view, clever symbolism, and conveying diction.

In these lines from Derek Walcott’s “A Far Cry from Africa,” the speaker emphasizes the natural human tendencies to “inflict pain.” Similarly, in his poem, “Sympathy,” Paul Dunbar explores pain from the point of view of a bird being trapped in a cage. It flaps its wings and tries to escape but it cannot. The bird symbolizes an African American bound by slavery and unable to escape. On the other hand, in Claude McKay’s poem “The Harlem Dancer,” the dancer feels as if

Although it is said that slavery ended on 1865, there is still racial inequity in the system that was designed to protect the people and that system is known as the criminal justice system. After the end of slavery, prison became the new path to provide cheap labor not only for big businesses, but also for plantations and the United States government. It is clear that our problems we face today are from a racial and prejudice perception. We must also look at the history of racism, which can be linked to crime, race, and location. When most think of incarceration, we believe it to be thought of as a positive form of punishment and negative form of punishment. In the play all of the male characters have encountered an experience with being incarcerated.

The presence of Europe in Africa in the late nineteenth century was one of extreme power. The countries of France, Britain, and Germany had especially large claims to the African continent during this time. The motives of imperialism for these countries greatly define Europe at this time. Insatiable desires for economic markets, power and political struggles, the motivating belief in Social Darwinism, and the European idea of superiority were the driving forces at the European home front in the late nineteenth century. Many of the causes for imperialism in Africa were evident in Joseph Conrad’s turn of the century novel, Heart of Darkness.

Racism is a relative term. While many people argue that Conrad's novel, Heart of Darkness, contains the theme of racism, they tend to ignore the fact that this novel was written around the turn of the century. During this time period it was accepted practice to think of a black man as savage because that was how the popular culture viewed the African American race. If someone called a black man "savage" today, that someone would be considered a racist. Of course, this turn of the century view of blacks is inexcusable but it was the accepted norm of the time. The problem is that modern critics tend to apply modern thinking to all novels, including those written in a specific time period with

In Heart of Darkness by Joseph Conrad, the imperialism of Africa is described. Conrad tells the story of the cruel treatment of the natives and of the imperialism of the Congo region through the perspective of the main character, Marlow. Throughout the novel, Marlow describes how the Europeans continuously bestow poor treatment to the native people by enslaving them in their own territory. Analyzing the story with the New Criticism lens, it is evident that Conrad incorporates numerous literary devices in Heart of Darkness, including similes, imagery, personification, and antitheses to describe and exemplify the main idea of cruel imperialism in Africa discussed throughout the novella.

Joseph Conrad’s novella, Heart of Darkness, effectively exposed the racism that was common during his lifetime. Through the harsh behavior and word choice of the characters and narrator, Conrad displays the uncivilized treatment of nonwhites that occurred during the period of colonization. Edward Garnett, an English writer and critic, summarized the plot of Heart of Darkness as being “an impression… of the civilizing methods of a certain great European Trading Company face to face with the “nigger” (145 Heart of darkness backgrounds and Criticisms). Conrad use of harsh language and terrifying situations, which were based off of his own experiences, capture the audience’s attention and helps them see the cruelty of the European

Throughout the novel of To Kill a Mockingbird by Harper Lee, there is a clear argument of racism and prejudice. Lee unearths the bigotry amongst the various people of Maycomb through her use of dialogue and diction, and the message is still relevant today in society.

In Heart of Darkness, by Joseph Conrad, the interpretation of pre-colonial times is interesting in a way that supersedes other books I’ve read because it’s very honest with how the world worked it that era. The central aim which the shipmates in Heart of Darkness are pursuing is the expansion of their home countries’ empires. Yet many people are hurt in this enterprise, and it’s not only the colonized territories that are impacted negatively by imperialist Europe. Europe’s explorers that go to the Congo are constantly dying of sickness. Compare the ways in which the consequences of imperialism affect the different groups of people in the book, the more one can understand about characters’ actions.

But when reading it, one must take into consideration the experience of its author in Africa. Indeed, the most part of Heart of Darkness is the product of a real exploration to the Congo during the nineteenth century. It retells the story of a man who has been there and who understood the fragility of identity. Hence, it explores the deterioration of human beings and how they have completely changed when they are not at their right place. This is reported by the old doctor at the beginning of the novella as he says “it would be interesting for science to watch the mental changes of individuals, on the spot” (27). Furthermore, Caryl Phillips shares the opinion of Bhabha who argued that “what is disavowed [in the colonized culture] is not repressed but repeated as something different--a mutation, a hybrid." To explain, Heart of Darkness demonstrates how the two cultures affect each other for better and worse. Thus, it may be seen as a symbol of the English obsession with richness and power and as the cruelty and brutality of the natives. As a matter of fact, the novella makes us realize the “difficulty of understanding the world beyond the self, about the ability of one man to judge another,” as Phillips