Prejudice in Langston Hughes' Novel, Not Without Laughter

Langston Hughes was the leading voice of African American people in his time, speaking through his poetry to represent blacks. His Influence through his poems are seen widely not just by blacks but by those who enjoy poetry in other races and social classes. Hughes poems, Harlem, The Negro speaks of rivers, Theme for English B, and Negro are great examples of his output for the racial inequality between the blacks and whites. The relationship between whites and blacks are rooted in America's history for the good and the bad. Hughes poems bring the history at large and present them in a proud manner. The injustice that blacks face because of their history of once being in bondage is something they are constantly reminded and ridiculed for but must overcome and bring to light that the thoughts of slavery and inequality will be a lesson and something to remember for a different future where that kind of prejudice is not found so widely.

Langston Hughes was one of the first black men to express the spirit of blues and jazz

     People always listen to music, watch movies or plays, and even read poetry without once even thinking what is could be that helps and artist eventually create a masterpiece. Often times, it is assumed that artists just have a “gift”, and people just do not consider the circumstances and situations that gradually mold a dormant idea into a polished reality. This seems to be the case with nearly every famous actor, writer, painter, or musician; including the ever-famous Langston Hughes.

A huddle of horns And a tinkle of glass A note Handed down from Marcus to Malcolm To a brother Too bad and too cool to give his name. Sometimes despair Makes the stoops shudder Sometimes there are endless depths of pain Singing a capella on street corners

James Langston Hughes was born February 1, 1902, in Joplin, Missouri. His parents divorced when he was very small, and his father (who found American racism made his desires to be a lawyer impossible) left the family and emigrated to Mexico. Hughes' mother moved with her child to Lawrence, Kansas, so she and he could live with his grandmother, Mary Langston.

Zora Neale Hurston’s essay “How it Feels to Be Colored Me” and “I, Too” by Langston Hughes, both have a theme of racism in common. Although these works of literature depict racial inequality, the main characters are portrayed as self-confident and proud individuals. They are not discouraged or disheartened by the attitudes of those who try to oppress them.

Harlan Granger was a well respected white man who owned vast amounts of land in Mississippi during the Great Depression (1933). Although Mr. Granger owned so much land, he still wanted the 400 acres that the Logan's owned. Nevertheless, he was a greedy man who would do anything to regain possession of his land. To be greedy (greed) is “an intense or selfish desire for something, especially wealth, power, or food” (Macmillan) There were three incidents in Roll of Thunder, Hear My Cry that depicted Mr. Granger’s greed.

Throughout Langston Hughes' novel, Not Without Laughter, the author introduces multiple characters that reveal their notions of prejudice. The novel explores that prejudice in one form or another is in every aspect of one's life. Prejudice can be defined as an opinion for or against a person's look, race, class, or religion, which is usually formed by a hasty generalization. Most of the main characters, Aunt Hager, Sister Johnson, Jimboy, Harriet, and Tempy contain different accounts of prejudice in the world, which stimulate many of Sandy's thoughts of life as he comes of age. Aunt Hager, Annjee, Harriet, and Sandy, are a multi-generation poor African American family that live in a small home together but are eventually divided by multiple circumstances. The story takes place during the 1910s in the small town of Stanton, Kansas.

Langston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (“Langston Hughes” 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life outside of Harlem (“Langston Hughes” 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. Hughes’ heartfelt concern for his people’s struggle evokes the reader’s emotion. His appreciation for black music and culture is evident in his work as well. Langston Hughes is a complex poet whose profound works provide insight into all aspects of black

Nearly every dictionary defines compassion as a sympathetic pity and concern for the sufferings or misfortunes of others; but this locution goes deeper than a monotonous and heartless rendition. In Langston Hughes's prominent short story, ¨Thank You Ma'am¨, the newly formed relationship between a skinny and ragged boy named Roger, and a large, strong woman by the name of Mrs. Jones, begins to unfold. On the way from work, Mrs. Jones feels a wrench on her purse, and sees a teenage boy-Roger. At this point, the strap was beginning to snap from the boy´s weight, sending him to the ground. Within a matter of seconds, Mrs. Jones commences on gripping Roger by the front of his shirt, dragging him behind her, ignoring his cries to be released.

Prejudice is a cancer that spreads hate among its perpetrators and victims alike. In 1930 Langston Hughes penned the novel, Not Without Laughter. This powerful story, written from the perspective of an African-American boy named James “Sandy” Rodgers, begins in the early 1900’s in the small town of Stanton, Kansas. Through the eyes of young Sandy, we see the devastating impact of racism on his family and those they are close to. We also see how the generations of abuse by whites caused a divide within the black community. Among, and even within, black families there were several social classes that seemed to hinge on seeking equality through gaining the approval of whites. The class someone belonged to was determined by the color

The irony of the story is that it is under the directions of the Grandmother that leads the family into a run in with The Misfit, which is what she told her son she would never do. Throughout the trip we are given examples of the racism that was present during this period. The Grandmother makes multiple racist innuendos such as her observation of the “cute little pickaninny,” and her statement that “little niggers in the country don’t have things like we do” (O’Conner 2). During the ride, The Grandmother convinces Bailey to take a detour down an old, dirt road which supposedly leads to an old southern plantation home she once visited. The road leads them deep into the woods where an accident is caused by The Grandmothers cat, which leaves the car upturned and the family stranded. It is then the family encounters The Misfit, whom discovers them stranded as he was passing by. He approaches the family with two young men and shortly after The Grandmother lets out a scream as she realizes him. During their encounter, the readers are given a small glimpse into the deranged mind of The Misfit. It is apparent that he has an upturned moral compass. He gains pleasure from committing crimes and the meanness that goes along with it. During his conversation with the Grandmother, he slowly has his men take members of the family out

Langston Hughes was an African American writer who took the literary world by storm in the twentieth century. Hughes was known for incorporating African American culture into his poems and plays. Langston Hughes did this so much so that per, "Masterplots II: African American Literature" he was "…recognized as the unofficial poet laureate of the African American urban experience…" (Niemi). Hughes has written several poems in his career. Most of them have a theme of racial pride incorporated somewhere in the poems. By analyzing Langston Hughes's writings, it can be inferred that the poems "The Negro Speaks of Rivers", "Negro" and "I, Too" all have the theme of racial pride.

The grandmother’s bigotry is also on display as the family rides past a black youth standing near his modest home. Her reaction to seeing him is like walking past an adorable dog; “Oh look at the cute little pickaninny!” (12). When her granddaughter June Starr comments on the boy’s lack of clothing, the grandmother explains that “little niggers in the country don’t have things like we do” (12). As the grandmother emits racism through her comments, she is also inserting such notion into her grandchildren’s minds. Nor Bailey or his wife says anything, so it can be suggested that they are used to such comments and may hold the same views as well. The grandmother does not see a reason to be empathetic; the boy waves and she does return the gesture. Instead she romanticizes the boy’s plight as a missed opportunity, suggesting that “If [she] could paint, [she’d] paint that picture” (12).

According to Biography, James Mercer Langston Hughes is considered to be an African American poet who is college educated and comes from a middle-class family (Langston Hughes Biography). He attended college in New York City and became influential during the Harlem Renaissance (Langston Hughes Biography). Although Hughes was a talented writer, he faced some challenges early on and it was stated that his “early work was roundly criticized by many black intellectuals for portraying what they thought to be an unattractive view of black life” (Langston Hughes. American Poet). They believed that his work helps the spread the stereotypes of African Americans. “Hughes, more than any other black poet or writer, recorded faithfully the nuances of black life and its frustrations” (Langston Hughes. American Poet). Langston Hughes’s poems “The Negro Mother”, “Let America be America Again” and “The Weary Blues” were influenced by his life during the Harlem Renaissance and the racial inequality experienced in the late 1920s through the 1960s.