Pride In Creon InAntigone, By Sophocles

Creon is a man who has just become the king of Thebes and has a flaw of having too much pride. He can’t control the power of being over other people and he lets the power go to his head. “ I now possess the throne and all its powers. No, he must be left unburied, his corpse carrion for the birds and dogs

perspectives. Creon 's pride causes him to be afraid to admit that he has made a

Secondly, Aristotle suggests that to be a tragic hero, one must not be perfect although his character is pre-eminently great. This is certainly true of Creon’s case. For example, in the above paragraph, we proved that Creon is essentially good because he chose to punish Polyneices. However, his choice of punishment—not burying Polyneices—does not rank as high on the moral spectrum. In fact, Antigone believes that Creon "dishonors" Polyneices by not burying him, by not "honoring what the gods have honored" (line 89). By going against his people’s centuries of beliefs, Creon’s character finds its imperfection.

Hero. Hero comes from the greek word heros meaning “A person who faces adversity, or demonstrates courage, in the face of danger.” Growing up we have always read stories about heroes coming to save the day; for instance, Captain America. Being that our whole lives we were mostly exposed to heroism, have you ever asked yourself what is the opposite of a hero? A villain is the opposite of a hero, but their is another opposite form of a hero; a tragic hero. A Tragic hero is “A literary character who makes a judgment error that inevitably leads to his/her own destruction” (“Tragic hero as defined by Aristotle”). For instance, in the play written by Sophocles Antigone, the tragic hero is Creon. Creon who is Antigone’s

“A man who thinks that he is only wise, that he can speak and think like no one else, when such men are exposed, then all can see their emptiness inside.” (Lines 802-805) Haemon says this to his father meaning a man of his kind is only going to be seen as a failure from words when their true self is exposed. Haemon’s words, actions, and ideas contrast with Creon’s character to the point of these two characters having conflicting motivations. These conflicting motivations cause the characteristics of disrespect, careless, & selfishness to be highlighted within Creon’s character. In the end, these conflicting motivations develop Creon as a tragic hero by Haemon’s choice of word to his father and the character interactions advance the plot and develops the theme by

Of the many characteristics that can describe Creon, prideful is one of the strongest descriptions of him. Throughout the tragedy, Creon reveals indirectly that he has a major tragic flaw: Self-pride. Antigone is considered to have the tragic flaw of excess ambition, exemplar by this quote: “…Is less of importance; but if I had left my brother lying in death unburied, I should have suffered. Now I do not.” (Sophocles 2. 79-81) Her ambition lies in this quote because she is defying the King Creon. However, many characters in stories have the ability to obtain the trait of ambition; whereas self-pride is a more unique trait. Creon’s pride may have gotten him into a bad situation and his trait may have caused him to pay for his own consequences, but a tragic hero has the ability to learn from their own actions. Creon learned

Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.

Creon is first portrayed as a leader with rational laws and consequences for breaking them. But by the end of the play, Creon is a completely different character; he has let his excessive pride and hubris take over him. He doesn’t realize his change in character until it is brought to him through the prophecy of Teiresias, when it is already too late. Creon can be identified as a tragic hero because he shows great signs of stubbornness and pride. Considering he is the King of Thebes, he follows his rules and laws without listening to his citizen’s concerns, nor does he care about the gods wishes. His role as a hubris influences many of his choices, he believes in only his own thoughts and wishes. Creon abuses his power just because he can, without thinking of the consequences.

Pride acts as another major theme; it is what got Creon in this situation in the first place. Creon has too much pride to admit to anyone that maybe he was wrong. Even when he has Antigone he has too much pride to let her go. Creon's own son questions him and he replies, "Am I to stand here and be lectured to by a kid? A man of my experience"(1063)!Creon shows that here he is too proud to change his decision for his own son even if he made the wrong choice. The king's friend the Leader tries to convince Creon to change his mind by telling him "My king, ever since he began I've been debuting in my mind, could this possibly be the work of the gods"(1050). The Leader was trying to tell

Since Creon acted like this, his pride caused a string of deaths. The first death being Antigone as she hung herself in her cave, then Haemon followed when he failed to kill his father; he killed himself with his sword. Finally, Creon’s own wife Eurydice, committed suicide by plunging a dagger in her heart because of the news of Haemon’s death. These deaths are all examples of how pride can lead to faulty

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

Tragic hero’s all have a tragic flaw, or a hamartia in the play that leads to their downfall. Creon expresses a tragic flaw of a hubris. His hubris or excessive amount of pride led to him not thinking clearly and making intelligent decisions. In the text it states, “What mortal arrogance / Transcends with the wrath of zeus?” (II. 13-14).

Creon fits Aristotle’s tragic hero traits as a significant person who is faced with difficult decisions. Creon is significant because he is king. This makes him both renowned and prosperous. Creon is not completely good nor completely bad; he is somewhere in-between, as humans are. The audience can relate to this and they admire his qualities of intelligence in political affairs. They can also relate to his ability to make hard decisions with apparent ease. These hard decisions are

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

The death of Antigone is truly a tragic episode in the Theban Plays, where she hung herself with a woven linen of her dress. By convention, her death would be characterized with feminine quality. However, Antigone, one of the few female characters in the book, possessed distinguishable female characteristics that are as remarkable as a male hero. Antigone was determined when she made up her mind to bury her brother. She was an agent of her words and took up the risks that accompanied to her deeds. Antigone was very passionate from the beginning to her death and she displayed tremendous courage when facing the death penalty. Moreover, Antigone, as a female individual, confronted bravely with the state and the authority of Creon. Throughout