Pride In The Iliad

In the modern world, people, as a society, have always given themselves a goal or goals that they would like to attain at some point during their lifetime. Many people seek to attain riches, love, happiness or high stature within society. When we people set that goal, we tend to mold our lifestyles around it. As people work throughout their lives to achieve this ultimate goal, it becomes apparent to others what it is we are working so hard for. Just as this pattern is evident in modern society, it can also be seen in the times of Homer, particularly in the great Greek epic, the Iliad. This distinct pattern can be seen in Achilles, one of the most vital characters in the story. Achilles, being the ultimate most powerful warrior of all

In ancient Greek culture the gods were seen as taking a very active role in the development and course of human history.  The entire Olympian pantheon, as well as many other less important divinities, meddles in human affairs to no end.  The people of the many city-states that composed Greece firmly believed that every aberration from normalcy was due to an act of the gods.  Homer, the author of The Iliad, coined the prevalent religious beliefs of the time in his epic poems, showing the gods as temperamental and willful, meddlesome and dynamic.  Homer’s entire poem is replete with instances of divine intervention in mortal lives, and no single major occurrence comes to pass unless it is the will of one of the many Olympian gods.  Few major decisions are made without consulting the gods first, and the handful of instances in which one leader or another takes initiative almost always fails miserably.  Life, according to the Greeks, is almost entirely rooted in their religion, as there is a god or goddess governing every aspect of the universe, and also because the gods so actively involve themselves in the everyday lives of mortals.

In the midst of the Trojan war, King Agamemnon is distraught after his loss of Chryseis. As a form of compensation, Agamemnon demands that Achilles forfeit his war prize: Briseis, princess of Lyrnessus. Unhappy with this course of action, Achilles withdraws from the war. Generals, trusted advisors, soldiers, and healers under King Agamemnon’s rule deliver deliberate speeches and debate as to if and why Agamemnon should keep or return Briseis to Achilles for his return. Speaker 1, who spoke in favor of Agamemnon keeping Briseis, incorporates all three rhetorical appeals and adopts a commanding tone of voice in order to persuade the soldiers to continue battling despite the loss of Achilles. In contrast, Speaker 14, who was opposed to Agamemnon keeping Briseis, explores pathos and demonstrates the effectiveness of repetition while directly addressing Agamemnon.

Achilles retaliates with even harsher words to Agamemnon once Athena disappears, calling him a coward who sits behind the scenes whilst his men fight and die for him and vows to not take any part in the war from this point forth, for he has been scorned by the wordings of Agamemnon.

The gods were more involved in the Iliad than in the movie Troy. In the Iliad they manipulated people’s emotions, the weather, the outcomes of battle; they would disguise themselves to trick the characters into the move they wanted them to make, physically trip them up to give the opponent a better standing. In the movie the gods had no visible role they were more of a believe system and a thought process. The characters believed that there were signs from the gods letting them know how to proceed. An example of this is when determining wither to go into battles after a farmer saw a sparrow with a snake

Regardless of the time frame, Virgil’s Aeneid and Homer’s epic the Iliad share both a copious amount of similarities and differences. For example, many common themes such as heroism, fate, and destiny are apparent in both works. Within the Aeneid and the Iliad, it is seen that the wars going on during that time were glorious that is why the role of gods were significant in leading both Aeneas and Achilles and influencing fate. In both texts, it is clear from the beginning that the role of the gods is to make Aeneas and Achilles fulfill their journey The Iliad focuses on the end of the Trojan War and the damaging power, while the Aeneid is focused during the aftermath of the war and underlies the foundation for the new civilization. This paper will address and argue the comparison of the role of gods and how each of the authors representation of the gods have influence on the lives of mortals.

Before his death the Trojan leader Hector exclaims, “Well let me die⎼but not without struggle, not without glory, no, in some great clash of arms that even men to come will hear of down the years,” (22.359-362). This proclamation reveals an important theme in Homer’s Iliad. Throughout the epic poem, the concept of honor and shame constantly reappears, from being the cause of the plot to personification as Greek and Trojan heroes to the dichotomy of honor and shame within the gods. Homer uses honor and shame as a major theme of the Iliad to show how important these attributes are to the human condition.

The Iliad: Book I, is about the conflict between Achilles and Agamemnon in the beginning of the Trojan War. It shows how vigorous Achilles’ rage was and that he is no one to mess with. The book states “Peleus’ son Achilles, murderous, doomed”. This shows his fury in just a few words. Achilles was a Greek hero who was the son of a Goddess named Thetis. He was an incredible solder; brave, violent and godlike. However, Agamemnon was the commander of the Achaean Army. He was greedy, aggressive and selfish. He was described as “the most grasping man alive”. He absolutely hated Achilles. I feel that he was jealous of how respected Achilles was among the ranks in the army because of his superior skills in the field of battle. Agamemnon claimed Chryseis as his prize, after sacking a Trojan town. Chryseis was a daughter of a Priest of Apollo, Chryses. He offered an enormous ransom to get his daughter back. At first Agamemnon didn’t want it but the people round him persuaded him that it would be best to let her go so they could be released from the plague that Apollo put on them. Agamemnon then poised to Achilles that he is going to steal Achilles prize, Briseis. This is when Achilles’ rage shows at its best. He nearly draws his sword to kill Agamemnon but he is stopped by the goddess, Athena.

“ It could be that a number of gods and goddesses whom we think of as purely Greek

In Ancient Greece the people honored and believe in the deities. Myths, poems, and epics

As we go about our life, we gain many accomplishments and will feel good about it, that is positive pride. But when we close ourselves off and do not accept other opinions and won't take appropriate action, that is when it is negative pride and it becomes hurtful. In The Song of Achilles by Madeline Miller the pride held by individuals in the story becomes very damaging to the people around them. Through the destructive nature of pride it causes Achilles, Thetis, Patroclus and many others to suffer.

      Although they are each strong, courageous and "favorite sons" of the gods, Gilgamesh and Achilles share the same tragic flaw: overweening pride. Gilgamesh must prove his strength and superiority by being first with the women and by physically overpowering the men. The elders of his kingdom suggest that he is unbearable when they mutter, "His arrogance has no bounds by day or night" (14). And Achilles' anger at Agamemnon and his hurt pride only serve to escalate the conflict during the Trojan War. Due to Agamemnon's mistreatment of him, Achilles refuses to fight stating, "I swear, a yearning for Achilles will strike / Achaea's sons and all your armies! . . . Then-- / then you will tear your heart out, desperate, raging/ that you disgraced the best of the Achaeans" (I, 281-87).

“Remind him of that, now, go and sit beside hime, grasp his knees... see how mad he was to disgrace Achilles, the best of the Achaean” (1, 484-490). This pacifies Achilles’ rage briefly while he goes back to the ships and refuses to help the struggling Achaeans on the battlefield because Agamemnon hurt his pride. Another instance that highlights Achilles flaw of anger is when the great Trojan warrior, Hector, kills Achilles close comrade Patroclus. Achilles bursts from his sulking attitude out of the Achaean ships in a rage of passionate fury that even his pride cannot overcome. “My dear comrade’s dead... Hector’s battered down by my spear and gasps away his life, the blood-price for Patroclus, Menotius’ gallant son he’s killed and stripped” (18, 94-109). This signifies Achilles’ zenith of anger and represents the turning point in the epic, along with the transition into his dramatic reversal as a character.

The Iliad opens in the predicament of the Greeks who have somehow incurred the wrath of the gods. It is here that Agamemnon, supreme commander of the Grecian army, demand that Achilles give up his “prize” (Briseis) to replace his own “prize” (Chrysies) which he has to give up to appease the gods. Agamemnon has to

When it comes to fighting, Achilles is the best. No man can best him, and any army with him in their ranks has very good odds of winning. On the other hand, his sense of duty is overshadowed by his arrogance. He fights for the Greeks, but doesn’t obey King Agamemnon as a subject. When Agamemnon steals his prize, Briseis, he gets upset and doesn’t fight, causing a loss in the Greek army. Achilles declares, “What a worthless, burnt-out coward I'd be called if I would submit to you and all your orders, whatever you blurt out. Fling them at others, don’t give me commands!” (Homer, 104) Though Achilles is the mightiest warrior alive, he is unreliable, compulsive to every whim and feeling of discontent. Hector, on the contrary, is