Primitive Beginnings in Herman Melville's Moby Dick

Throughout the first chapter of Moby-Dick, a theme of inevitability is brought up time and time again. In a contest of free will and fate, it seems that fate has – and always will – win; this lack of control, though interestingly not viewed by Ishmael as distressing, sets the stage for future events.

Published in 1851, the story of Moby-Dick is not just the tale of one mans search for control over nature, but also the story of friendship, alienation, fate and religion that become intertwined amidst the tragedy that occurs upon the doomed Pequod. The crew itself are an amalgamation of cultures, from the cannibal Queequeg, to Starbuck, "a native of Nantucket." The Pequod can thus be seen as a microcosm for immigrants and whaling within America. In Moby-Dick Herman Melville examines both the exploitation of whaling and the reality of being born outside of America.

    One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter.  However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville.  While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces.  However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the

Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.

Moby Dick, a book about the voyages and pursuance of a white whale, was imagined by an incredible man. Herman Melville was a talented writer who wrote many fantasies and adventures, including Moby Dick. He’s most infamous for his work about the tale of the white whale and known less for his works of Typee: A Peep at Polynesian Life and Omoo: A Narrative of Adventures in the South Seas. (“Herman

The central religious themes of Uncle Tom's Cabin and Moby Dick reflect the turbulent and changing religious climate of their time. In their use of themes from both traditional Calvinism and modern reform, the syncretic efforts of both of these texts offers a response to the uncertainty and change of the period. However, their uses of these themes are different; while Stowe used a precise focus on a Christian polemic against slavery, Melville intentionally de-centralized his text in a way that asks the reader to look beyond the medium of expression to the truth which lays behind it, but cannot be contained in it.

Herman Melville’s short story “Benito Cereno” or “The Other Moby Dick” as Greg Grandin, a contributing writer for Mother Jones magazine, refers to it, is a fictionalized account of an encounter that an American ship captain and seal killer/trader by the name of Amasa Delano had in February 1805 in the South Pacific (Grandin). Delano, who was “quick to flog his men,” was “the sort of American sea captain Melville knew well and hated” (Stuckey 271). Delano chronicled his encounter in “A Narrative of Voyages and Travels, in the northern and southern hemispheres: comprising three voyages around the world, together with a voyage of survey and discovery in the Pacific Ocean and Oriental Islands” (Boston, 1817). Arguably one of Melville’s best works, “Benito Cereno” in all of its ambiguity is more than a fictionalized account of a seafaring vessel and its less than admirable captain, it is a historical reflection of what was happening in the world during the time it was written.

A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.

Moby Dick is the most adapted and diversely depicted of American literature, and I attempt to work with the community to research the collective consciousness we all share that links itself to the various facet of the text. I will be continuing to create works that are related to Moby Dick during the Guttenberg residency, but mainly focusing on extending these imageries

Analysis: Returning to his theme of respecting, even revering whales, Melville gives an image of opulence when he references creamy milk and marble in connection with the white whale. The trunk was made of marble, not flesh or any less expensive stone. The imagery here is purposefully placed to make the reader see Moby Dick as more then just a whale or a monster. He wants to show the white whale as something great and almost beautiful. Ishmael’s image of the whale, in all of its glory, is shared with his audience. This helps readers to understand the greatness this whale in particular commands.

Herman Melville was born in New York City in 1819 into a wealthy family. In 1832 the death of his father led his family into poverty which caused Melville to leave school. After leaving school Melville began working immediately to support his family. Then at the age of 22 Melville set sail aboard a whaling vessel, and after his time as a whaler he enlisted in the navy. Melville’s time aboard many ships influenced his writing tremendously. His friendship with Nathaniel Hawthorne also influenced him to write a masterpiece of American literature and one of the greatest novels of all time, Moby-Dick. A major theme of Moby-dick is sexuality. Melville does not hold back when discussing homoerotic and sexual topics in the novel. Nonetheless the intense language used in the novel helped it become such a remarkable and well -known novel today. Herman Melville’s influences for Moby-Dick along with the homoerotic themes found in the novel leads many

Aboard the Pequod, as the ship is bustling with activity, Melville describes the scene as the crew performs the grueling task of processing a whale. Large, bubbling try-pots of oil blubber fill the deck of the ship and a heavy smoke blankets the air as harpooners and sailors work regardless of the conditions. Through this familiar scene, Melville layers the setting and characters to build up a distinct mood for this passage. Specifically, he pulls dark romanticism into his writing by paralleling Ahab’s monomania and the deterioration of the crew. To establish an ominous atmosphere and describe the impending doom of the voyage, Herman Melville combines many forms of figurative language like sinister similes and the eerie personification of the Pequod with suspenseful imagery.

Moby-Dick is considered to be one of, if not the, best novels in American history. Harper & Brothers first published it in 1851 in New York. In England, it was published in the same year under the title, The Whale (“Moby Dick”). Melville explores topics and themes that were scarcely spoken of and never even seen in a novel. In the novel, the Pequod, which is the ship, is named after a Native American tribe that was exterminated when the white settlers arrived. It is a symbol of death and doom and foreshadows event that occur later in the novel. Melville brings some very controversial themes to light in the novel. Revenge is one of the main themes of Dark Romanticism and Melville uses it to drive every action taken by Ahab. This is seen early on in the novel as Ahab explains to the crew why he has a peg leg and that he wants to enact his revenge on Moby Dick (Melville 160-161). “Moby Dick is, fundamentally, a revenge tragedy. It’s about one man’s maniacal obsession with vengeance. It’s about finding an object on which to pin all you anger and fear and rage, not only about your own suffering, but also about the suffering of all mankind” (“Moby

Literally, Moby Dick is a men's club, with only a glimpse of a woman in the background, or reflected in the stories of the sailors. They seem to have no sexuality, nor any personality. The two full blooded, dialogue speaking characters in the novel are both servants. Mrs. Hussey ladles out ³Clam or Cod³ to Queequeg and Ishmael, bans harpoons from her house, and busies herself like some cosmic washerwoman. In the novel, she is a laughably comic figure

Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.