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Procedural Happy Valley Characters

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Throughout the 20th century, hard-boiled detective novels were very popular and the public quickly devoured these male-centered stories. They had a major focus on plot and the characters in various novels often fit the same stereotypes, such as the cynical and isolated detective and the seductive femme fatale. However, as the years have gone on, there has been a rise in female detectives that do not fit the mold of the previous crime fiction pieces. Sally Wainright’s BBC police procedural Happy Valley gives way to a woman that is flawed, but does her best to succeed in the police force despite the various problems she faces. She is not just a female version of these male detectives, but rather carves her own path in the police force and the genre. In addition, the format of the series itself is different from the predecessors since it is character-driven and the plot is only secondary.
One of the most distinguishing characteristics that separates Happy Valley from other pieces of crime fiction and police procedurals is how the audience knows who the
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She is typically considered to be a bombshell, very seductive, and has dangerous intentions. The detective in the story is attracted to her and cannot seem to leave her, no matter how manipulative and cunning she is, and she is often placed in juxtaposition with the protagonist. Although she is often a criminal and has feminist beliefs, she has no physical flaws and is not representative of a typical woman in society. One of the most well-known examples of the femme fatale is Brigid O’Shaughnessy in The Maltese Falcon. She is able to charm Spade the second she meets him and uses her sexuality as a weapon to obtain control over the men in her life. In an attempt to get away with murder, she emphasizes her physicality and tries to cover up for her crimes by seducing
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