Production Music Definition Essay

Three major performing rights organizations exist in the United States: the American Society of Composers, Authors and Publishers (“ASCAP”); Broadcast Music, Inc. (“BMI”); and SESAC, Inc.

In the past decade, the role of the music publisher has shifted due to the popularization of digital music and streaming services. Digital music and streaming services necessitate various kinds of licenses, rather than the simpler nature of radio licensing.

Musicians are protected under the First Amendment equally as any citizen in the United States of America. They deserve the same basic human rights we all practice, "however the freedom of expression has special relevance for musicians (Hald 1 of 8). "This offers a special protection of musicians against arbitrary censorship and persecution" (Hald 1 of 8). Not only does censorship of music threaten the freedom of speech, but it also threatens a musician's right to promote their work through free enterprise. "Musicians have the freedom to play music in public or private domains, give concerts, and release CDs" (Hald 1-2 of 8). Some concert

The purpose of this research paper is to discuss the legality of downloading music over the Internet. The paper will reflect the different methods available for Internet downloading such as subscription and peer-to-peer sharing.

For songwriters and composers, music publishing has been an integral part of their professional lives, and quite possibly one of their most valuable and lucrative income streams. At its core, music publishing can be defined as the promotion, sale and administration of music catalogs and copyrights. (Strasser, 2010 p.18) However, historically - in the late nineteenth century, before musical recordings existed, publishing was based around the distribution and sales of printed sheet music for people to perform. (Rutter, 2011 p.92) Soon after though, the development of alternative entertainment such as radio and TV would also call for the duty of the music publisher to be widened to what it is today. (Strasser, 2010 p.18)

Over the past fifty years, the British Music Publishing industry has undergone dramatic changes. It has evolved as an entity with innovations in technology, changes and creations of laws and new mediums to promote and exploit songs to a wider audience. Therefore, the way in which the music publishing industry operates and exploits its assets has completely transformed, and continues to do so at a rapid pace. This paper will attempt to explore the ways in which publishers exploit song copyrights and the way in which this has changed over the past 60 years. It is important to define what is meant by copyright and its role within the industry. The Performing Right Society website states: “Copyright

In the same episode, the background music is used throughout the show. The music brings about a dramatic effect on the flow of the show, enhancing the reality of the situation and keeping the audience engaged in the specific scene. The opposition between the two main characters, in this case; Paul Sr. and Paul Jr. assist the audience in

After a rapid development over the past 10 years, the music market is currently undergoing significant changes. These changes are caused not only by marketing competition but also by the challenges from external marketing environment.

A musical film is a genre of movie where songs sung by characters are added into the storyline, occasionally complemented by choreography. The musical numbers in these films do not always develop the plot and characters, but they do give the films a more exciting quality. The primary difference between musical theatre and film musicals is the use of extravagant scenery that would be extraordinarily unreasonable for a stage performance. While making movies, the individuals involved have the luxury of being able to shoot multiple takes and have the time to move backgrounds around or change their entire location. Stage performances, on the other hand, must have scenery that can be easily and efficiently moved on and offstage when it is needed. In order to be able to thoroughly comprehend this relatively recent- in the grand scheme of things- form of entertainment, one should understand the history behind these musical films, be aware of some of the “big names” that are well-known, and recognize major titles that revolutionized musical film forever (Scaruffi, P., 2005).

Music and concerts are an everyday occurrence for people. Changes through the generations of the music industry has become more complicated and confusing. To defy these issues certain organizations were created to help songwriters, composers, and music publishers. Well known organizations such as Broadcast Music Inc. and The American Society of Composers, Authors, and Publishers help people in these positions with legality and protection of their music publicly.

Performance Rights Organizations (PRO) were established to help protect the creative minds behind musical compositions. The first PRO was established in France in 1851. The United States later adopted this idea and founded their own Performing Rights Society in 1914. This society helped protect the copyright of songs when it comes to live performances. While the music industry began to grow, the responsibilities of PROs did too. The first PRO that was founded in the United States is called the American Society of Composers, Authors and Publishers (ASCAP). However the largest PRO today is Broadcast Music Incorporated (BMI) which was founded in 1939. The main purpose of any PROs is to make sure songwriters and/or

Ambient music has a soft tempo that provides a melodic backdrop allowing one to focus speech or activity. It can be used in reflective scenes of a production, documentary, corporate slide, or movie.

the years to come. By this time the music was ceasing to be merely and extra

Over the past decade, the use of CDs has been replaced with online streaming and retailing. This has eliminated much of the record companies revenues as they were used to making most of their profit off of distribution and promotion of physical copies of artists albums (Niemen). This has caused for a major shift and remodeling of major players in the music industries business models. Companies such Sony, Warner Music Group and Universal Music Group have started to completely rethink the way they conduct business (Forbes). In the past record labels were not only responsible for production, distribution and promotion of an artist and his/her music, but they also acted as a bank (Forbes), funding the artists tours and recording sessions. Recently, these music giants have been moving towards becoming more of a modular network organization. What this means is that they are less occupied with the nitty gritty, and more focused on what they do best which is distribution and promotion. This also allows for more freedom of creativity for the artist as well as fairer split of profits (Forbes). This adaption of new business models clearly shows the versatility of the music industry in adapting to new times and technologies.

Introduction: Setting the trend for the future, the distribution and consumption of recorded music transformed dramatically with the launching of Apple’s iTunes in 2001. The proliferation of online music subscription services and other music sharing services exerted a great pressure on the conventional music distribution business model. Combined with this transformation, piracy of digital music had a profound impact on the whole industry. These worsening conditions in the market place for recorded music forced both established and upcoming new artists to experiment with new ways of selling their music.