Progressive Rock 1970s

The decade of the 1960s can be said to be a subversion of the United States. From the civil rights movements, anti-Vietnam war demonstration, Kennedy’s presidency, to the assassination of the civil rights leader Martin Luther King, the impact of the surging social movements and political turmoils to the American society is extremely far-reaching. There has been a lot of researches on the various social movements in this period. However, people 's attention seems to be limited to another important cultural phenomenon of this period, that is the prosperity of rock & roll. This paper is intended to analyze the

Music during the progressive era progressed drastically during this time period. Songs became more complex, and sophisticated. They told the stories of individuals lives, or the lives of a certain group of people. The songs showed how people felt about political issues and personal matters. Not only did music change, but new forms of music were created. Brilliant musicians and songwriters were discovered during the progressive era. All and all, some amazing musical discoveries happened during the progressive era.

Music is an outlet to all aspects of life and culture is a significant way of forming people and the way they live. Although not always seen directly culture has an overbearing influence on the music that is produced and made popular. The political Climate of the early seventies was full of fire with issues such as Vietnam and constant protest throughout the county. Later in the 70’s the end of the Vietnamese conflict brought the rise of the Watergate scandal and Iran Contra. These issues swept headlines and ingrained people’s thoughts. Social issues also played a big role in the developing culture of the seventies. Protests and constant outbreaks about gay rights and women’s rights seemed to

However the arguments put forward on the notion that the social and political context of the 1950’s was the reason behind the emergence of rock n roll is undermined by Peterson who states that the birth of Rock n roll can not be purely based and credited to the individuals mentioned above. That is not to say he is undermining their talent but instead such talent can be found on a wider scale, however only a few make the forefront.

Rock ‘n’ roll and 20th Century Culture      According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from.      According to Albert

It is believed that the Hippie movement began in San Francisco, California but it quickly spread throughout the United States and Canada as well as in Europe and other parts of the world. The individuals involved in the hippie movement were from a wide range of different backgrounds. Many of them parted with their families and the places that they were raised to follow their own paths. Many of these individuals experimented with LSD and other drugs such as marijuana. Of all the contributions that this counter culture made to the United States, the music produced during this period was arguably the most influential. Musical icons such as Jimi Hendrix and Bob Dylan made their claim to fame in the 1960s and 1970s. This paper will consider three popular artist and

Teenage Rebellion is a major influence on the popularity of rock and roll in the 60’s. Society as a whole was well reserved and private about their personal and sexual lives. A struggling economy left most families spending the majority of income on basic living needs. Few households had disposable income.

“The warden threw a party in the county jail. The prison band was there and they began to wail. The band was jumpin' and the joint began to swing. You should've heard them knocked-out jailbirds sing.” These lyrics from Elvis Presley’s hit song “Jailhouse Rock” clearly illustrate how teenagers reacted to his new brand of music, Rock ‘n’ Roll in the 1950s. Elvis and his music came in a time when the baby boomers were teenagers and beginning to identify themselves and discover music. The civil rights movement was just about to begin, and the tension between whites and blacks was just beginning to decrease. The two races found companionship when listening to music, and Elvis helped to connect the dots even more. Elvis was a music icon that the

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

Rock ‘n’ roll presented us with the emergence of a cultural phenomenon, which the book lays out for us. Altschuler sees rock as a “metaphor for integration, as the focal point for anxiety that cultural life in the U.S. had become “sexualized”, a catalyst

The music is rebellious and its uncompromising intensity is uncatagorizable for its urgent flooding past genre definitions. Miles’ music of the five-year period is unlike any music that preceded it, and still, 30 years later, so original, so Progressive, and so inadequately described.

Rock and roll has developed a long way throughout the years from a dance craze in the 1950’s to a political and cultural landscape that is recognized worldwide. Rock and roll has come to define the roots of teenage rebellion, people who don’t follow the norms, and have disrespect for authority. The style of rock and roll itself is a melting pot of music, a combination of sounds that include jazz, country, blues, ragtime, gospel, swing, classical, and ethnic music. It can be a simple variation of three chords to a complex chromatic scale combination. It can convey emotions such as love, hate, fear, lust, sadness, joy, disillusion, or a strong sense of reality. Many things can be said about rock but the fact is that it is the most widely

The time of emergence of the ‘grunge-era’ is of great significance. It was during this time that America saw several changes under the policies of President Ronald Reagan. People began to feel frustrated at the rising levels of poverty. Students were dissatisfied with the minimized financial aid they were granted. In her paper ‘Grunge and Blues, A Sociological Comparison: How Space and Place Influence the Development and Spread of Regional Musical Styles’, Tara Talley states, “… many young Americans in the late eighties and early nineties did indeed feel disenchanted, isolated, and somewhat hopeless. The popular music of the time did little to express this mindset” (Talley 232).

The British Invasion took place during the mid-1960’s. British musicians began to look toward their American counterparts for inspiration, copying their styles and advertising to fans in the United States. By this point, British youth had been interested in American rock and roll since the 1950’s, captivated by its pronounced beats and suggestive lyrics (Robbins). However, Britain did not have the same musical background as the United States. In the States, rock and roll emerged from a coalescence of Country and Western, Rhythm and Blues, and Pop music (Stuessy). Because of this, rock from the United States had deep roots, while rock from Britain before the mid-1960’s lacked depth and was simply an imitation. Eventually, rock began to take off in Britain from two main locations: Liverpool and London. This music became insanely popular in both Britain and the United States (Robbins). When studying the British Invasion, it is important to analyze the musical differences between Liverpool and London, as well as look at why this music became so popular in the United States.

During the 1960s Music was heavily influenced by the political and social events happening at the time. At this time civil rights movements were common as many people were trying to spread the emancipation of racism and segregation. As a result the music of the time tended to reflect this counterculture of peace. This “culture” encompassed civil rights, anti-establishment and, inciting revolution. This was a vital time in history for civil rights activists as well as anti-war revolutionaries and the music industry. From folk music to rock music, everyone was affected by the war and chose to express it through the most international form of art, music. Anti-war activists and counterculture enthusiast craved the music that truly expressed