Reasons To Be A Nun In The Middle Ages

In the very beginning Desiree was left on a stone pillar at the Valmonde estate; it is also here that Armand Aubigny sees her and falls instantly in love with her. The stone pillar is a symbol of firm, forced male dominance in a patriarchal society. It is how men were of superior to anybody else. Desiree grew into a beautiful and gentle-hearted young woman and soon found a wealthy suitor asking for her hand. This young suitor was Armand Aubigny. He had known of Desiree’s past but was in love and did not care. Armand Aubigny’s character in this story was racist and despicable but the young bride was in love and looked past his faulty character.

A woman’s alternative would be becoming a nun, giving up all social freedoms and dedicating your life to serving the poor and God. Women who were subject to this life received a much more thorough education than other women, in order to properly learn religious concepts and theory. Otherwise, a woman’s education was limited to basic reading abilities paired with instruction on how to do homely activities. A woman of this time period had utterly no voice in politics. Law was man’s law. The life of these women were controlled by the men who surround them, their opinions meaning little to nothing. The life of a woman in medieval times was bleak and varied little. Romantic literature was on the rise, full of damsels in distress that only further perpetuated negative stereotypes of women during these times. These romances were full of helpless women in situations only a man could get them out of, or else they would be doomed. Despite this cultural oppression of women in this time period, some strong female characters were erected in medieval romances. A perfect example of an abnormally strong and independent female main character would be Enide from Erec and Enide written by Chrétien de

In "The Prologue" of The Canterbury Tales, Geoffrey Chaucer has some religious characters who break the vows they pledge for, to get a place in the Church. Many characters in the story seem to have an awkward characteristic that the writer did not notice. Why do the religious characters break the vow? How do they break it? For example, the monk was a primary part of the church, but as you keep reading, the characters start to change in ways you could never imagine. Some character do not interact with each other depending upon their social class level. The vows that the religious characters break are the Vow of Poverty, the Vow of Chastity, the Vow of Obedience, and the Vow of Stability.

The Canterbury Tales by Geoffrey Chaucer is a story of a contest who can tell the best tale. The rules of the contest were as follows: Each pilgrim would tell four tales for the trip to Canterbury, two on the journey there and two on the way back.. The tales will be judged by the Host for it’s entertainment and moral lessons. The winner of the contest will enjoy a meal paid for by the remaining pilgrims at the Host's Inn. “The Miller’s Tale” had fulfilled the criteria to win the contest. It was a shorter story, but it was entertaining and had a few lessons that can be learned from hearing or reading it. This story is significant because it does a great job of pointing out of some of the problems in the church during that time as well as how the morals of some people were not strong as well.

Marie de France lived in a time when social graces were paramount to a good reputation, lordships and to securing good marriages. A woman was considered less valuable if she lost her virginity; a wife was subjected to her feudal lord, father, brother or son after her husband’s death. According to Angela Sandison’s article “The Role of Women in the Middle Ages”, this was because in the Middle Ages the Church and the aristocracy controlled public opinion and the legal system. These authorities of the times believed a woman’s place was in a submissive role to a man. In The Lay of the Nightingale, we will see how this social and religious hierarchy will impact the behaviors of the three people involved.

She witnesses firsthand all of the hardships the French commoners are enduring and it fuels her rage and anger toward the nobility. Madame Defarge channels all of this anger into exacting her revenge, but we cannot help pitying her for her wretched childhood. We comprehend the reasons behind the madness, but that does not justify her actions.

Thus, we see that in a sense, Catholicism acted as a catalyst in the development of female education. Paradoxically enough though, at the same time, it limited the possible level of knowledge they could attain. The thought of the supposedly foolish, sinful female sex breaking the bonds of ignorance made many people fear the possibility of women reading “forbidden” books. Dante’s “La vita nuova”, the Petrarchan sonnets and the “Decameron” are a few examples of books that were considered lasciviously dangerous and kept off-limits (Grendler, 1989). Indeed, women could be educated, yet within a certain framework. Their level of knowledge only went up to a point, in order to make sure they grew up to be exemplary, pious, Christian housewives.

In the very beginning Desiree was left on a stone pillar at the Valmonde estate; it is also here that Armand Aubigny sees her and falls instantly in love with her. The stone pillar is a symbol of firm, forced male dominance in a patriarchal society. It is how men were of superior to anybody else. Desiree grew into a beautiful and gentle-hearted young woman and soon found a wealthy suitor asking for her hand. This young suitor was Armand Aubigny. He had known of Desiree’s past but was in love and did not care. Armand Aubigny’s character in this story was racist and despicable but the young bride was in love and looked past his faulty character.

Many pilgrims in Geoffrey Chaucer’s Canterbury Tales held a religious position. Some of these people’s personal ideas have caused debates and criticism over Chaucer’s opinion of the Catholic Church. Critics have discussed the ideas that were presented both subtly and openly. Two of the pilgrims and their tales will be discussed: the Prioress and the Pardoner. Both of these tales offer points of criticism in the Catholic Church.

The General Prologue - The Canterbury Tales The General Prologue The most popular part of the Canterbury Tales is the General Prologue, which has long been admired for the lively, individualized portraits it offers. More recent criticism has reacted against this approach, claiming that the portraits are indicative of social types, part of a tradition of social satire, "estates satire", and insisting that they should not be read as individualized character portraits like those in a novel.

The Canterbury Tales is a story that incorporates a multitude of stories told by a multitude of characters. Written by Geoffrey Chaucer, he devises a novel in which each character has to narrate a total of four stories as part of a competition; on their way to visit Saint Thomas Becket, the characters would tell two stories going and two stories returning from the journey. The perspective changes through each story, and each story is introduced by a general, opening, third person prologue. Though many of the characters got to share some ideas, Chaucer unfortunately passed away before his story’s entirety. As a result, a winner was never officially clarified. Needless to say, it is evident that the clear winner would be the Miller’s Tale.

       The characters introduced in the General Prologue of The Canterbury Tales each represent a stereotype of a kind of person that Chaucer would have been familiar with in 14th Century England. Each character is unique, yet embodies many physical and behavioral traits that would have been common for someone in their profession. In preparing the reader for the tales, Chaucer first sets the mood by providing an overall idea of the type of character who is telling the tale, then allows that character to introduce themselves through a personal prologue and finally, the pilgrim tells their tale. Through providing the reader with insight about the physical and personal traits of

The Canterbury Tales, a masterpiece of English Literature, written by Geoffrey Chaucer, is a collection, with frequent dramatic links, of 24 tales told to pass the time during a spring pilgrimage to the shrine of St. Thomas a Becket in Canterbury. The General Prologue introduces the pilgrims, 29 "sondry folk" gathered at the Tabard Inn in Southwark (outside of London). Chaucer decides to join them, taking some time to describe each pilgrim.

The Medieval period of The Canterbury Tales is held on April 11, 1387. The writing style of tales are literary skilled. “There is clear evidence in them that Chaucer was familiar with a considerable number of the great book of his time, and it is fairly well established that his writings show a steady increase in his literary skill” (Chaucer xxxvii). Chaucer is a writer of surprise. His stories not only come from plots of other writers but also from his lifetime. “There is of course no explaining where or how Chaucer acquired his ability as a great storyteller. However, the fact that he was a man of affairs as well as a man of books, a civil servant who dealt frequently with people from all walks of life, seem to have had great

In the Canterbury Tales, Chaucer gives a detailed description of what life was like in Medieval times . In the “Prologue”, the reader comes to better understand the people of the time period through the characters words and actions. Chaucer uses a variety of groups of society to give the reader a deeper insight into the fourteenth century Pilgrims customs and values. Through the Court, Common people and the Church, Gregory Chaucer gives a detailed description of ordinary life in the medieval times.