Propaganda Analysis Of The Magazine In The 1950s

“In any era, fashion is a reflection of the time and what is going on in the culture politically, socially and economically.”1 The 1920’s witnessed a variety of dramatic changes for women; these changes, such as shorter dresses and stronger attitudes occurred primarily after World War I in spite of the prolonged development of women 's’ rights through 1914 and 1920. With their new hair, fashion styles, and attitudes, women had started what became known as the “Flapper Era”.

There have been and still are hundreds of fashion designers in the world. But only a few of them have had any major impact on fashion industry today. And even fewer have revolutionised the fashion industry completely. One of these revolutionaries is the renowned Christian Dior. He reestablished Paris as the centre of the fashion world, and created his name as a symbol of elegance, quality, and modernity. I will be looking into how Dior’s context informed his practice, by using three of his most iconic and popular designs; The Bar Suit, Venus Dress and the Cygne Noir dress. And how these were a direct representation of 1945-1950 France.

Women everywhere used household items, including cellophane and pipe cleaners, to create shoe decorations. Everything was recycled, giving rise to such advertising, Vogue’s “Make Do & Mend” campaign. (Keogh). Shoe factories were told to limit the height of shoe heels to one inch and allowed for only six color choices. For women, nylons stocking were banned. Magazines and beauty salons helped out by offering tips on how to paint legs with back seams and tan using makeup. (Keogh). Clothing was also made to be comfortable. Since women were replacing jobs for men in factories there clothing had to be loose fitting and comfortable. In 1947, Dior introduced the “New Look”, featuring longer lengths and fuller skirts, they were being to look more like women again.Women’s fashion changed to a soft, feminine and romantic image, this set the stage for fashion of women in the next decade.

The 1920’s fashion was a period of liberation, change, and even more importantly a movement towards the modern era. Fashion in the 1920’s varied throughout the decade but one could see the noticeable change from the previous fashion statements and eras. At the start of the decade, women began emancipating themselves from the constricting fashions by wearing more comfortable apparel. As women gained more rights and World War I forced them to become more independent, flappers came to be, mass-produced garments became available, and artistic movements increased in popularity, one can see how the fashions from the roaring twenties characterized the time and redefined womanhood. (1920s clothing 1)

In this essay I want to examine how the corset evolved from a staple of the British feminine wardrobe of the Nineteenth Century into a symbol of an outmoded tradition – only to later return as a statement of female liberation. I am going to look at different aspects of this development including technological advances, economic facts, external events, particularly the First World War and changes in social, political and aesthetic attitudes. I will also look briefly at the role of Chanel on the silhouette and how this impacted on the corset: focusing on the trend to towards ‘opulent androgyny’ in the 1920’s. Finally I will examine the resurgence of the corset

Let’s take a look at the women’s of the 1920’s, the changes that took place in fashion and the roles of women in society. Women’s fashion will be compared from early days up until the 1930’s, with a brief comparison of the roles of women before and after the 1920’s. A discussion of the different avenues that opened up for women after 1920 and the impact that it has had on modern day women will also be covered within this paper. you need a stronger introduction

A thorough and broadened knowledge of American clothing’s history opens wide, the opportunity to explore the American identity. Helen Sheumaker’s “American Fashion” discusses the relationship between political values and their influence on different clothing styles. The Reader’s Companion to U.S. Women’s History provides insight about how the clothing fashion was indicative of a person’s class. Certain clothing styles distinguished specific communities like the wealthy and the working class yet simultaneously gave a clear distinction of the liberal American style from the proper and trim of the

Throughout the 1920s through the 1950s Women’s clothing in America was affected by World War II, which lead to the exploration of different styles, the encounter of new trends and the exchange of ideas and new styles.

As more American ladies entered the military or took regular citizen employments in industry to bear on the work of men who had gone off to war; ladies needed designs that were less frilly and more suitable for work. They likewise needed apparel styles like the outfits worn by their men. When all is said in done ladies ' apparel got to be uninteresting and viable and limited however most importantly; utilitarian. There was little frill on the first things in light of the fact that beautification obliged extra fabric and materials. However ladies as often as possible connected their frill: like bows and periphery; to emerge in a swarm. Ladies ' shirts and coats embraced the square shaped - square carried look of the military uniform by sewing modest shoulder braces into the

Fashion reflects the attitudes of a society more than any other art form. Like art, fashion is a material record of the ideals that swayed the nations at the time of their creation. Through examining the styles, and tastes of a particular era, we can realize where the interests and priorities of a time lie. As Frank Parsons wrote in his 1920 study, The Psychology of Dress, "There is surly no better field in which to trace the devious paths of human thought than in that of clothes, where man has ever given free play to self expression, in a way which, thought not always a credit to his intelligence, is yet quite true to his innermost self, whether he will acknowledge it or

Changes in Women’s Fashion during the 1850’s and Now Fashion is an enormous part of a woman’s everyday life. From magazines to television shows, the latest trends encircle American women daily. Fashion was a current topic yesterday, is one today, and will be tomorrow, although, this is nothing new. Women in the 1850’s were dedicated to keeping up with the ideal fashion, just like present day, except there were some differences. Even though there are obvious reasons how women’s fashion from the 1850’s differ from today, not all of it has to deal with what they wore.

This paper will first go back into the 50s and explain the effect the fashion during this time period on the country. Fashion in the 50s was a direct result of the post war suburbia

The 1920’s, also called the roaring 20’s, was a time of change. During this time period the fashion for both men and women was changing immensely. The aftermath of WWI caused America to enter a vigorous era. As a result of the role of women during the war, many customs and morals were changing. The Stock Market started booming, many new dances and music came about, and women got the right to vote and enter the workforce. There was an uprise in almost every activity, and fashion was definitely one (Tirocchi, Anna and Laura). Although fashion varied throughout the decade, one could notice a drastic change from the prior fashion.

This essay will be considering the historical development of haute couture by analysing Charles Frederick Worth’s (father of haute couture) key factors in the success of haute Couture. I will then discuss Coco Chanel’s thriving impact on haute couture as well as ready-to-wear caused by the second world war. Saint Laurent’s drift to ready-to-wear and the high street fashion system will also be discussed in order to answer if haute couture is relevant in fashion today. The books I will be analysing and referencing are ‘A Cultural History of Fashion in the 20th Century’ by Bonnie English, ‘Couture’ by Ruth Lynam, ‘How Fashion Works’ by Gavin Waddell. Which will thoroughly breakdown the evolution and historical development of fashion by cultural, economic, environmental and social changes to finally come into a conclusion.

Women and Men both were fashionable from the thirties but women were more fashionable as compare to men. “Women’s fashion during the early-to-mid thirties reflected the American culture and this ideology of