Essay about Prospera, Thy Role Is Woman

Back in the Middle Ages, rulers of many country were men and/or boys. For a women to be in power was usually a last resort. Elizabeth I fell under this situation and became the Queen of England. As people have regarded females, many disliked the idea of a women becoming the leader of England which has forced Elizabeth to use her power and authority to assert her position whereas people who have accepted Queen Elizabeth I has allowed her to act kind, sympathetic, and proud. Majority of the people during the time period were misogyny

The most recent version of The Tempest by Julie Taymor changes Prospero to “Prospera,” a female figure played by Helen Mirren. Consider both 17th-century gender issues and more recent ones in examination of the play’s discussions about virginity, marriage and femininity.

The Tempest is about an ousted Duke of Milan ,Prospero, who has been living in exile on a remote island for the past twelve years with his daughter Miranda. He is a powerful magician, who happens to be the master of Ariel and Caliban, and a guy who really likes his books. When Prospero's enemies wash up on shore, he uses his black magic to seek revenge and restore himself to power. The Tempest belongs to the genre of Elizabethan romance plays. It combines elements of tragedy with those of romantic comedy, and like one of Shakespeare's plays previously, it asks deeper questions that are not completely resolved at the end. The tone that seeps into the play is one of wonder, amazement, and admiration. Mystery is still present , but the magic performed is not black and scary. The version that seems to grasp my attention more, would have to be the Utah Valley University interpretation because it takes Shakespeare’s main purpose and tone but shows it in its own unique way. Furthermore, with its silly drunkards, the play has a certain lightness to it and even the so called killers of the King tell hilarious jokes and are lighthearted. But there is also the tone of revenge and reconciliation in the play. We feel a revenge burning in Prospero while, at the same time, a wish for forgiveness and reconciliation with those who have wronged him.

In Twelfth Night by Shakespeare was written during the Early Modern Period, this was a time where men were more prominent when it came to being in charge. The play Twelfth Night shows this when one of the main characters, a girl named

During the 16th century, Queen Elizabeth I experienced a lot of oppression during her reign in England. Many religious figures opposed the idea of a female ruling a country, saying that it is against God’s will. Other citizens of the country, specifically personal associates of Elizabeth, however, stood behind the queen and admired her bravery, confidence and love for England. Elizabeth responded to the gender ideas in an authoritative way, She had to live with female stereotypes, and used it to her advantage when possible but she asserted that the stereotypes did not completely apply to her and that she was perfectly capable of ruling England.

A different representation of Sycorax’s in the adaptation reflects a change in cultural values with a feminist attitude. Taymor’s The Tempest is faithful to the setting and plot but deviates in order to create characters relatable to the real world of the audience, particularly regarding discriminatory ideologies against women. Taymor’s The Tempest changes her audience’s understanding of the representation of gender stereotypes between protagonists and antagonist. By making Prospera magic darker, Taymor “blurs the opposition between Prospero's supposed white magic and Sycorax’s black magic” (Vinson 53). Most significantly, Taymor’s inclusions and exclusions of lines and representations of Sycorax make the character more sympathetic because it softens the representation of Sycorax. Including explicit similarities between Prospera and Sycorax’s as a witches. There is a space generated for an excuse of their magic and explanations for their exile. This further makes Sycorax sympathetic because “her identity and role as an evil witch are reshaped and she can begin to be understood not as an implicit antagonist” (Vinson 53). The result of Taymor’s adaptation is not plugged by gender stereotype and She put efforts to remove gender stereotypes embeded in the characters. By removing stereotypes, Taymor allows audiences to

Gender stereotypes are not a modern notion and as such expectations and limitations have always existed for both men and women. Fortunately women, who have formerly beared great burdens of discrimination, now have very liberated roles in society as a result of slowly shifting attitudes and values. Shakespeare was integral in challenging the subservient role expected of women in the 16th century. Throughout the play, ‘The Merchant of Venice’, women are expressed as powerful characters who behave, speak and live in a way that breaks away from the conformist role of females during the 16th century. Therefore, the submissive stereotype expected of women in Shakespearean time is confronted and defied through

Aime Cesaire’s A Tempest is a ‘new world’ response to Shakespeare’s The Tempest. In Cesaire’s adaptation, the characters and plot are generally the same. However, there are a few small deviations from Shakespeare’s The Tempest that make a significant impact on the play as a whole, and lead the play to illustrate important social issues occurring in the time of the adaptation.

The second difference between the play and movie “The Tempest” is the time that it’s written and the time shown in the movie. The play takes place during Shakespeare’s time, the early 1600s. When Shakespeare was writing “The Tempest”, “people still believed that the sun went round the earth.” (Shakespeare 115-121) England was a Christian country and was educated by the Church’s education and, grammar schools taught Latin. The setting of “The

Often when women are placed in a leadership position it is immensely challenged by some part of the male society. It is not only the leadership role that are stereotyped through the play but also the stereotype of blaming women for another mans demise.

The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly. The epiphany of this however, is realized at the end of the play.

In Shakespeare's play, “The Tempest”, Prospero, the main character, is the rightful Duke of Milan. He found refuge on a distant island after his brother, Antonio, seized Prospero’s title and homeland. These events and experiences of being exiled advance character to become isolated and enriched at the same time. As a comic hero, Prospero start off as being frustrated and vengeful due to his separation from his title and homeland, but is later refined due to those experiences.

William Shakespeare's “The Tempest” examines patriarchy through gender and class. The patriarchal system enables men to have absolute rule over the women within their lives. In the play, Prospero exercises his rights as a father to control Miranda’s love and enact self-righteous deeds. Moreover, Prospero's patriarchal rule does not halt within his family, but rather encompasses the entire kingdom of the island of which he rules. “The Tempest” forces readers to acknowledge paternal patriarchies. Thus making one examine the ways in which the female gender is discredited by the male characters within the text.

The Tempest, often regarded as Shakespeare’s last play, displaces the theme of possession of control and command over other, commonly known as power. Ariel, Caliban and the courtiers from Milan, all demonstrate different levels of control. Prospero, the protagonist of the play, especially displays his ability to cast influence and affect others psychologically. The characters, their relationships and their use of power can be compared to the English government and society of the 17th Century.

The Tempest is believed to be the final play written by English playwright William Shakespeare (Arnold 2009: 1). This allegorical play takes place on an exotic island and describes the master-slave relationship between Prospero the virtuous ruler and Caliban the ugly evil. Approximately three and a half centuries later, French poet and author Aimé Césaire, who objected to colonialism and was concerned about post-colonial issues, published A Tempest (‘Une Tempête’), a post-colonial adaptation of Shakespeare’s work.