Protest Songs And Its Effect On Social Change

The evolution of the 1960s “protest song” has typically been associated with Joni Mitchell, but the expanding range of protest songs in the 1970s defines her continued presence as a leader in terms of environmental activism. More than just a vestige of the late 1960s, Mitchell continued to write protest songs long after many other artists from the 1960s had changed their lyrical content. In the “mellow turn” of early 1970s country rock and folk music, Mitchell represented a new environmental shift that moved away from the proto-typical antiwar songs of the 1960s. Mitchell, along with other musicians of this era, defined a shifting musical focus on songwriting and musical presentation during the early 1970as:

The Sixties were an exciting revolutionary period with great cultural change. Some people called it the “decade of discontent” (Britannica) due to the race riots in Detroit and La, and the demonstrations against the Vietnam War. Other people called it the decade of “peace, love, and harmony” (Woodstock 69). This decade was identified as such as a result of the peace movement and the emergence of the flower children. (Britannica) The sixties were about assassination, unforgettable fashion, new styles of music, civil rights, gay and women’s liberation, Vietnam, Neil Armstrong landing on the moon, peace marches, sexual freedom, drug experimentation, and Woodstock. All of these components caused a revolutionary change in the

In a broader context, protest musicians composed songs about student protests in which they firmly sided with the protesters, supporting their actions and condemning those trying to stop the protests. (OnlyEverArabella, n.d.). The ideas were expressed in music as it served as a form of publicity and promotion for the counterculture community during this era. The government continuously tried to prevent media coverage about these movements but their music simply spoke the

The 1960’s was an era of revolution and social change in the United States. Painters, dancers, actors, musicians and many more artists all wanted to portray societies immoral issues through their art. Musicians played a very prominent role in providing society with an outlet on the importance of this change. Within these musicians was a folk rock singer and songwriter by the name of Robert Allen Zimmerman, or as America knows him, Bob Dylan. He is known and honored around the world for his influence on popular music and culture, however, he is much more than that (Wood 313). The beginning of Bob Dylan’s career as a singer and songwriter was marked by his repetitive emphasis on social change throughout his protest songs which include “A Hard Rain’s a-Gonna Fall,” “Masters of War,” and “The Times They Are a-Changin’”; with each song, Dylan exposes many issues that affected, not one, but many lives as he aimed to spread social and political consciousness to society.

Terry H. Anderson The Sixties takes us back to that controversial decade where citizens not only believed change was important but demanded it to occur. The author beings his discussion on the Cold War era and how it seeded the growth of the sixties. The conventional and orthodox of the fifties was a vast improvement for many of the old-generation who lived through the great depression. The decade was referred to as “Happy Days,” however, it was only truly happy for white American males. The rest of the population was tired of the unfair treatment and the lack of national problems being addressed by the government. This anger was beginning to manifestation and would eventually take center stage in the era of the sixties.

The 1960s was crammed full of many impacting events and important figures. From Hitchcock releasing one of the greatest thrillers of all time, Psycho, to Marilyn Monroe’s untimely death, to the infamous Woodstock festival. This era changed history completely and made the United States think twice about its youth. Events of the 1960s are still impacting our country as we know it today. The sudden pull from the conservative ‘50s changed America’s views on all aspects of life, including fashion, entertainment, and lifestyles.

With the overwhelming amount of Levittown houses, the obsession to obtain the perfect American “ideal family” as seen on TV and the unspoken agreement to fear any and all foreign ideas and values, the 1950s were revealed to be a decade of prosperity, conformity and consensus. Just ten years later the atmosphere in America was shockingly different; the 1960s were a decade of turbulence, protest and disillusionment due to the ongoing struggle for civil rights, arising feminism, and the Vietnam War.

Since the Constitution of the United States was written, Americans have practiced their right to freedom of speech as a way to express their point of view on issues facing the country. Over time, voicing one’s opinion went from outspoken newspaper articles to large rallies, and during the Vietnam War, music was a prevalent tool in aiding the protests. Allowing political messages to be shared nationally, the music had touched the lives of the younger generation. Author Jerome L. Rodnitzky explains in his journal, “The Sixties between the Microgrooves: Using Folk and Protest Music to Understand American History, 1963-1973”, how music was “trying to be all things

The 1960s in America brought a host of movements that pushed for equality, power, and change. Each movement helped to shape and effect the other

Historians tend to portray the 1950s as a decade of prosperity, conformity, and consensus, and the 1960s as a decade of turbulence, protest, and disillusionment. These stereotypes are largely true, though, as with everything in life, there are exceptions to this perspective. Therefore, the historians’ portrayal of the 1950s and 1960s is accurate for the majority of Americans, though some groups were clearly exceptions.

The Sixties, by Terry H. Anderson, takes the reader on a journey through one of the most turbulent decades in American life. Beginning with the crew-cut conformity of 1950s Cold War culture and ending with the transition into the uneasy '70s, Anderson notes the rise of an idealistic generation of baby boomers, widespread social activism, and revolutionary counterculture. Anderson explores the rapidly shifting mood of the country with the optimism during the Kennedy years, the liberal advances of Johnson's "Great Society," and the growing conflict over Vietnam that nearly tore America apart. The book also navigates through different themes regarding the decade's different currents of social change; including the anti-war movement, the civil

The 1960’s in America was often referred to as an age of protest because of not only the social protests that have taken place, but also for the upbringing of protest music, which became very popular during that era. The roots of protest music were largely from folk music of American musicians during 1950’. Folk musicians, such as Joe Hill, composed labor union protest songs and distributed song booklets, hoping to “fan the flames of discontent.” (Rodnitzky pg. 6) Symbolically, this meant that the songs, the fan, would reduce the uncontrollable social protests that the United States government caused with the misleading information that they did not keep their word on, or the flames of discontent. Other folk musicians, such as Woody Guthrie and Pete Seeger, traveled around the United States spreading their “message music” and becoming involved in political movements. Guthrie and Seeger were the pioneers of protest music, bringing their folk music to New York City and merging it with urban music. Woody’s songs were about the masses, often identifying problems and offering solutions. While Seeger was cautious about referring to his music as folk music, preferring the term “people’s music,” meaning that not everyone may had the same thoughts, but they all expressed it in their own unique musical sense. For both Woody and Seeger, folk music was a necessity in these protests, when the needs

Throughout history, protests have been proven to be the more effective methods of getting a message across, whether it’s to express disdain for the misdeeds of police officers, or to protest the U.S.’s involvement in war. This was seen especially during the Vietnam War, one of the more recent wars this country has been involved in. Many people around the country expressed their opinions about the idea of war, in several forms, including riots, protests, and draft dodging. Along with this form of expression and practicing of free speech, several music artists, including Creedence Clearwater Revival, Marvin Gaye, and Edwin Starr, joined in the anti-war movement by conveying their own two cents about the matter through the lyrics of catchy, impassioned songs. In the song “War” by Edwin Starr, Starr attempts to portray his negative view on war, through the use of pathos to create a more intimate bond with his listeners, a very aggressive, yet passionate tone, and the song’s close resemblance of a protest, in auditory form.

The 1960s are frequently referred to as a period of social protest and dissent. Antiwar demonstrators, civil-rights activists, feminists, and members of various other social groups demanded what they considered to be justice and sought reparation for the wrongs they believed they had suffered. The decade marked a shift from a collective view on politics, to a much more individualistic viewpoint. The 1960s could easily be characterized as a period during which political, ideological, and social tensions among radicals, liberals, and conservatives in American society are seen to have rapidly unfolded. Due to this, the decade has had an overwhelming effect on the decades that have followed. The sixties have had the greatest impact on American society out of any decade in recent history. Whether for better or for worse, the decade has had a profound influence on politics, society, foreign policy, and culture.

“Where Have All The Flowers Gone?” by Pete Seeger became a popular anti-war protest song during the 1960s. This song did not only protest against the Vietnam War but also made their generation more aware about the global problems. Songs like “Not Ready to Make Nice” by Dixie chicks about freedom of speech was written after they received death threats for singing against the Iraq war, protests against the violation of human rights. But music is not only used to protest, it is also used to give hope and optimism. “We Shall Overcome”, a song sung by Guy Carawan together with the Montgomery Gospel Trio and the Nashville Quartet, is perhaps the best known example of civil rights song. Instead of blaming the government, this song registered a feeling of hope and faith among African-Americans during the civil rights movement.