Psychedelic Music In The 1960s

From that moment on rock was there to stay. With an almost empty genre of music, the creative opportunity was infinite, which large scores of bands that took advantage of. Alongside The Beatles, other popular rock bands of the time were The Rolling Stones, Led Zeppelin, The Who, all of whom were British. While British-rock bands dominated the scene of rock-and-roll, American bands began making many variations of the genre, which became known as the aforementioned subgenres. Arguably the most popular in the states was psychedelic-rock, headed by many artists such as The Grateful Dead, Jimi Hendrix, and The Doors. Other mainstream sub genre artists included folk-rock Bob Dylan, blues-rock Santana, and surf-rock The Beach

In the 1960s, Rock ‘n’ Roll was replaced in popularity by other branches of rock such as Acid Rock, Psychedelic Rock and Hard Rock as a hippie counter culture arose, mainly to protest against the Vietnam war. These new forms of rock provided social commentary on the wide range of assassinations and anti-civil rights actions that infested the country, and united those that wanted to end them. They too celebrated anti-authority actions, but now they were used to promote peace and drugs. Americans—mainly college students—were still rebelling against societal constraints, but instead of fighting against the conformity of white suburbia and their parents, they were uniting to fight against U.S. governmental authority. Rock in the 1960s still mainly appealed to the younger generations, but its influence was spreading. Folk Rock (Bob Dylan) was playing in protest, reminding the individuals there that they were fighting for peace, and Psychedelic Rock—which replicated or enhanced the mind altering experience of psychedelic drugs—created a soothing and new atmosphere in the U.S. Music festivals such as Woodstock in 1969 sprung up to promote peace, do drugs, listen to music, and enjoy being alive and young.6 However, this element of extreme partying and pleasure, eventually brought a few stars to early deaths, such as Janis Joplin and Jimi Hendrix. In the

Into the 2nd half of the decade came the arrival of The Rolling Stones and The Who. These continued along the Blues Rock path pioneered by Cream and Zeppelin, and both had great success. It was these acts that led to the nickname, ‘the swinging 60’s’. 1966 saw the beginning of psychedelic music. It was The Beatles who first began to experiment like this. Adding new

In the sixties, the psychedelic music scene was at its prime and the world was full of hippie musicians that loved to drop acid and create some of the most interesting and innovative music known to man. During this time, drugs were a very popular part of the hippie culture and the prevalence of LSD helped to create the distinct genre of psychedelic music known as psychedelic or acid rock. Many bands and artists such as Grateful Dead, Jefferson Airplane, The Beatles, and The Byrds were heavily influenced by LSD, which led to the creation of some very popular music. This decade was full of adventure, music, sex, and drugs, and it was all made possible due to this powerfully trippy drug.

The beginning of Pink Floyd was something Britain had never seen, and really shined light on this band. Of course, they did not invent psychedelic rock by any means but did begin their own twist within this genre. There was several bands in the US that had played this genre before Pink Floyd in the late 1960’s. Their first official non-live album was Piper at the Gates of Dawn, which Britain considers this album a prime example of psychedelic rock. On August 4, 1967 this album was released. The album showed avant music, such as whimsical rock all the way to melancholic rock. Pink Floyd was not loyal to one specific genre, but ventured out beyond

As this movement continued to gain momentum, pop music icons the Beatles began to use LSD as a way to help their artwork gain some depth. Their later studio albums reflected this, with the use of experimental sounds and instruments, such as the sitar or the synthesizer. These later tracks illustrate how popular music can shift in response to the increase in a specific drug use directly, in that a popular music band actually did change in musical style after experimenting with the drug. When the mass media became aware of how large of a movement psychedelic rock is, it became popular in pop music as well as in the subculture that actually used the drugs. The psychedelic movement is now recognized as one of the most important movements in American popular music history.

The Sixties were an exciting revolutionary period of time with great social and technological change. Some people called it the “decade of discontent” because of the race riots in Detroit and La, and the demonstrations against the Vietnam War. Other people called it the decade of “peace, love, and harmony”. It was called this because of the peace movement and the emergence of the flower children. (Britannica) The sixties were about assassination, unforgettable fashion, new styles of music, civil rights, gay and women’s liberation, Vietnam, Neil Armstrong landing on the moon, peace marches, sexual freedom, drug experimentation, and Woodstock. All of these components caused a revolutionary change in the world of popular Music.

It is believed that the Hippie movement began in San Francisco, California but it quickly spread throughout the United States and Canada as well as in Europe and other parts of the world. The individuals involved in the hippie movement were from a wide range of different backgrounds. Many of them parted with their families and the places that they were raised to follow their own paths. Many of these individuals experimented with LSD and other drugs such as marijuana. Of all the contributions that this counter culture made to the United States, the music produced during this period was arguably the most influential. Musical icons such as Jimi Hendrix and Bob Dylan made their claim to fame in the 1960s and 1970s. This paper will consider three popular artist and

     The modern world’s first glimpse into the world of psychedelics was through d-lysergic acid diethylamide, or LSD. LSD was first synthesized in 1938 by two Swiss chemists from the alkaloid lysergic acid found in ergot, a parasitic fungus that grows on rye and other grains. Five years later, on April 19, 1943 Albert Hoffman, one of LSD’s co-discoverers

Music in the 1960’s took a major turn. Psychedelic drugs began to influence bands and songwriters, resulting in a wide variety of new genres. Some of the popular bands included Pink Floyd, the Grateful Dead, Jefferson Airplane, Janis Joplin, and the Beatles. In 1969, the small town of Woodstock in upstate New York hosted a three day event known throughout the world as The Woodstock Festival: An Aquarian Exposition: 3 Days of Peace and Music. Thirty two artists performed in front of an audience of 500,000 people. This event was highly influential and considered by many as one of the greatest moments in music history. Throughout three days, the bands listed above, and more played and young hippies gathered, listening to the music, experiencing sexual and drug influenced days.

Psychedelics, and drugs in general became such an important part of life during the 60’s that it’s influence was inescapable. Nowhere can this fact be seen more clearly than in the music of the time. The most obvious influence drugs had on music can bee seen in the lyrics. Drug references abound, be it Jimi Hendrix’s “Purple Haze” of marijuana smoke, or the Beatles’ “Lucy in the Sky with Diamonds”, obviously referring to LSD. Even the names of the bands were drug inspired, as Garofalo points out in reference to the Doors: “The group took it’s name from Aldous Huxley’s The Doors of Perception, a book about the liberating aspects of drug use.” Even the music itself was influenced by drugs. Take for example much of the music by the Doors. Their song “the End” is a psychedelic journey in to the world of LSD. The slow beat and “trippy” music in the song was probably created with the use of drugs and hence is better appreciated when heard while on drugs. This is also true of the music of the Grateful Dead, although this can be much more clearly seen in their live performances as opposed to their studio work. Much of their music is geared specifically toward those in the audience who are on drugs. Hearing one of their 30 minute jams is a much different experience on drugs, and that is the experience that they intended the audience to have. While drugs were very much connected to the music of the sixties,

"The zeitgeist of the time was the final collapse of a certain kind of thinking. The seeds were sown for feminism, for the whole notion of cyberspace, ecology, and the whole philosophy of Gaia." Suzy Hopkins, formerly Suzy Creamcheese, a dancer and inspirational figure on the underground scene in Los Angeles and London, remembers the visceral way psychedelic culture affected the senses. "There's a difference between a drug and a psychedelic. Drugs make you drugged and psychedelics enhance your ability to see the truth or reality," she says. For her, LSD and music created a kind of alchemy. "When I start to dance, at a certain point, the dance takes over and the music is dancing me. Dancing is this electric enhancement of your spine by sound." Many psychedelic bands explored this sense of abandonment in their music, moving away from standard rock rhythms and instrumentation. The Grateful Dead of San Francisco, for instance, created an improvisatory mix of country rock, blues, and acid R&B on albums like The Grateful Dead (1967) and Anthem of the Sun (1968), while another 'Frisco band, Jefferson Airplane (fronted by the striking vocalist Grace Slick), sang of the childlike hallucinatory delights of an acid trip in the 1967 Top Ten hit "White Rabbit." In Los Angeles the multiracial band Love played whimsical,

Each new music genre introduces the counterculture or opposition of previous generation’s values. Led Zeppelin sparked the beginning of the heavy metal culture-- the counterculture to psychedelic rock. The anti-war movement was also prevalent in this counterculture. Led Zeppelin and the Vietnam War influenced the new, darker, generation of rock: heavy metal.

In an interview hosted by CNN, author Ken Johnson stated: “I think any work of art encourages you to imagine your way into a state of consciousness that may not be your normal state, so you kind of suspend disbelief and allow yourself to be imaginatively seduced into a different way of relating to the world so that you study things more carefully, you think about how things are affecting you.” Johnson also stated, “but they start thinking about how our perceptions work and how interesting it is the way we think about the world, so we think about our thinking.” This proves that in the 60’s many people discovered that drugs, such as LSD, were a way to see the deeper meaning behind things because it rearranged the whole way your brain may have thought. Another reason that psychedelic art was so popular in the 60’s was because all of the art pieces, more specifically rock concert posters, they “tried to visually express the feeling of tripping out.” (visualartsdepartment.wordpress.com) An article on arthistory.net titled “Psychedelic Art,” says that many of these art pieces were also popular because of their “visually captivating styles.” Obviously, many people enjoyed these feelings because they could avoid mainstream thinking without having to actually use said drugs. The 60’s were a period of experimenting, not only with art, but with things like fashion to music

Psychedelia in music has been around for a long time and has changed much of the popular music of today. The dictionary definition of psychedelic is, “of or noting a mental state characterized by a profound sense of intensified sensory perception, sometimes accompanied by severe perceptual distortion and hallucinations and by extreme feelings of either euphoria or despair.” It started in the 1960’s with the discovery of LSD and use of other psychedelic drugs. Psychedelia did not only affect music, it affected people, cities, and the way people think.