Psychedelic Rock : The Defining Music Genre Of The 1960 ' S

From that moment on rock was there to stay. With an almost empty genre of music, the creative opportunity was infinite, which large scores of bands that took advantage of. Alongside The Beatles, other popular rock bands of the time were The Rolling Stones, Led Zeppelin, The Who, all of whom were British. While British-rock bands dominated the scene of rock-and-roll, American bands began making many variations of the genre, which became known as the aforementioned subgenres. Arguably the most popular in the states was psychedelic-rock, headed by many artists such as The Grateful Dead, Jimi Hendrix, and The Doors. Other mainstream sub genre artists included folk-rock Bob Dylan, blues-rock Santana, and surf-rock The Beach

Into the 2nd half of the decade came the arrival of The Rolling Stones and The Who. These continued along the Blues Rock path pioneered by Cream and Zeppelin, and both had great success. It was these acts that led to the nickname, ‘the swinging 60’s’. 1966 saw the beginning of psychedelic music. It was The Beatles who first began to experiment like this. Adding new

The hippie aesthetic era was an important time in rock and roll during the late 60’s and on into the early 80’s. It was a time were rock had a sense of purpose. They sung about the issues that plagued the country. It was also a time where technology would play an important roll in the sound of music, with the advancement in recording and synthesizer technology (Covach, “The Hippie Aesthetic”). The hippie aesthetic was not immune to the advancement of music. This essay will go over three songs that represent the different aspects of this era. It’ll will review a song that is predominately hippie aesthetic, a song that is a little of both, and finally a song that has no trace of hippie aesthetic.

In 1967, The Beatles released and the album that would change the way people looked at them as a band and as music as a whole. ‘ 'Sgt. Peppers Lonely Hearts Club Band ' ' was The Beatles eighth studio album and took them 5 months to complete. At the time of the release, hippie culture was prevailing and this year is widely remembered as the summer of love. Long hair, recreational drug use, and psychedelic rock music come to mind when quizzed on stereotypes of the decade, but was it all flowers and peace – or did the ‘Summer of Love ' have a dark side? The group battled with inquisitions about their usage of the drug LSD, which seemed

Music as a whole blends together. One style leads to another, the music becomes more progressive. It evolves to fit the new generation, leaving the old generation behind. From the spritual songs of the late 1800s to the gospel of the early 1900s. Then it changed into rhythm and blues, and when the 1950s rolled around it became Rock’ n’ Roll. With the invention of new iconic instruments like the Fender Precision Bass and then the Fender Stratocaster, the sound of the music changed. The sound that was soft and low was now crunchy and loud. While it did not sit well with the adults, it was a hit among the new generation. Even the African American roots of the music didn’t deter the youth listening

In the sixties, the psychedelic music scene was at its prime and the world was full of hippie musicians that loved to drop acid and create some of the most interesting and innovative music known to man. During this time, drugs were a very popular part of the hippie culture and the prevalence of LSD helped to create the distinct genre of psychedelic music known as psychedelic or acid rock. Many bands and artists such as Grateful Dead, Jefferson Airplane, The Beatles, and The Byrds were heavily influenced by LSD, which led to the creation of some very popular music. This decade was full of adventure, music, sex, and drugs, and it was all made possible due to this powerfully trippy drug.

American musicians responded to the British musical stimulus by experimenting with new forms, technologies, and stylistic influences. (Encarta) Rock music Diversified even further in the late sixties, it combined new music styles with the mainstream of American popular music. In 1967 the Beatles released the first rock concept album titled; sgnt Pepper’s lonely hearts club band. This album established new standards for studio recording and helped to portray rock musicians as creative artists.

Rock and roll helped break many people out of the pre-war mindset and into a new, fresh one. Although many adults detested rock, the younger generation felt that it symbolized a break from the war and the “age of anxiety” that the previous World War had caused. In addition, it promoted a promiscuous lifestyle that celebrated sex and drugs. Rock and roll seemed to be associated with this because many of the “rock stars” endorsed in a loose and laidback standard of living. Because many of the performers practiced recreational drug use, followers felt compelled to do so as well, feeling that that way of life was acceptable. Rock and roll was thought to be outlandish, primarily because of the performers’ gyrating and grinding of their hips, their suggestive lyrics, and rebellious undertones that provoked erotic senses in teenagers and upset parents. Rock and roll was said to establish a sense of identity and power in teenagers, mostly because of the new energy that came from the new style of music. Rock music was seen as satanic by the older generation because it seemed to lead to the

Drugs highly influence music in the sixties with bands such as The Byrds, The Doors, The Grateful Dead, Jefferson Airplane, Strawberry Alarm Clock, and The Beatles. These bands took inspiration from the affects that the drugs had on them with their psychedelic properties. Drugs were also just starting to get introduced and people were highly influenced with positive drug propaganda (“The 60 's”). So, the positivity about drugs were influencing the bands and the bands were influencing the people and the more dugs being bought, the more people heard about them, and the more people heard about them, the more they were used, so basically it was just an endless cycle of drug positivity.

Music in the 1960’s took a major turn. Psychedelic drugs began to influence bands and songwriters, resulting in a wide variety of new genres. Some of the popular bands included Pink Floyd, the Grateful Dead, Jefferson Airplane, Janis Joplin, and the Beatles. In 1969, the small town of Woodstock in upstate New York hosted a three day event known throughout the world as The Woodstock Festival: An Aquarian Exposition: 3 Days of Peace and Music. Thirty two artists performed in front of an audience of 500,000 people. This event was highly influential and considered by many as one of the greatest moments in music history. Throughout three days, the bands listed above, and more played and young hippies gathered, listening to the music, experiencing sexual and drug influenced days.

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis

"The zeitgeist of the time was the final collapse of a certain kind of thinking. The seeds were sown for feminism, for the whole notion of cyberspace, ecology, and the whole philosophy of Gaia." Suzy Hopkins, formerly Suzy Creamcheese, a dancer and inspirational figure on the underground scene in Los Angeles and London, remembers the visceral way psychedelic culture affected the senses. "There's a difference between a drug and a psychedelic. Drugs make you drugged and psychedelics enhance your ability to see the truth or reality," she says. For her, LSD and music created a kind of alchemy. "When I start to dance, at a certain point, the dance takes over and the music is dancing me. Dancing is this electric enhancement of your spine by sound." Many psychedelic bands explored this sense of abandonment in their music, moving away from standard rock rhythms and instrumentation. The Grateful Dead of San Francisco, for instance, created an improvisatory mix of country rock, blues, and acid R&B on albums like The Grateful Dead (1967) and Anthem of the Sun (1968), while another 'Frisco band, Jefferson Airplane (fronted by the striking vocalist Grace Slick), sang of the childlike hallucinatory delights of an acid trip in the 1967 Top Ten hit "White Rabbit." In Los Angeles the multiracial band Love played whimsical,

In an interview hosted by CNN, author Ken Johnson stated: “I think any work of art encourages you to imagine your way into a state of consciousness that may not be your normal state, so you kind of suspend disbelief and allow yourself to be imaginatively seduced into a different way of relating to the world so that you study things more carefully, you think about how things are affecting you.” Johnson also stated, “but they start thinking about how our perceptions work and how interesting it is the way we think about the world, so we think about our thinking.” This proves that in the 60’s many people discovered that drugs, such as LSD, were a way to see the deeper meaning behind things because it rearranged the whole way your brain may have thought. Another reason that psychedelic art was so popular in the 60’s was because all of the art pieces, more specifically rock concert posters, they “tried to visually express the feeling of tripping out.” (visualartsdepartment.wordpress.com) An article on arthistory.net titled “Psychedelic Art,” says that many of these art pieces were also popular because of their “visually captivating styles.” Obviously, many people enjoyed these feelings because they could avoid mainstream thinking without having to actually use said drugs. The 60’s were a period of experimenting, not only with art, but with things like fashion to music

For thousands of years, music has been influencing people in extraordinary ways. The Beatles Sgt. Pepper's Lonely Hearts Club Band should not be mistaken as an ordinary album. Without a doubt, Sgt. Pepper's Lonely Hearts Club Band, an incredibly innovative album, stands as the most influential album of all time; it stands as a true masterpiece. People all around, especially artists, were influenced greatly by the innovations the album brought to the world of music. Many people have said that from the moment they heard the first track of the album, it was life changing. Like the first falling domino tile of a domino show, June 1, 1967, would mark the start of the influence of many generations of music to come. The album helped popularize concept albums, in which songs are connected to a theme, which would inspire many musicians to do the same. Sgt. Pepper’s Lonely Hearts Club Band was a psychedelic rock album; a manifestation of life in the 1960’s. This genre of rock is home to the work of numerous artists who were influenced by the album’s use of this style of rock. The hours of work put into by the Beatles to create this album surpassed those of any of their albums. Not only that, it altered the way music was recorded by creating their own recording techniques. Surely, these recording techniques and tactics were used by future artists in their work which then led to the creation of legendary music. Sgt. Pepper’s opened the gate to innovation; an album whose impact on