Psycho Film Analysis

American Psycho is an incredible film with an even more brilliant cast; Christian Bale, Willem Dafoe, Jared Leto, and Reese Witherspoon, to name a few. When the scene opens, you see Patrick Bateman (Christian Bale) going about a normal healthy life as a wealthy investment banker. But then you start to see the secret life he is leading as a serial killer. When he and his friends flaunt their business cards to each other, he gets jealous of coworker Paul Allen’s (Jarod Leto) card, he murders a homeless man and his dog out of rage. Bateman went to a Christmas party and was mistaken by Allen for another

Have you ever had a discussion with someone person and the first thing you hear, that person is a psycho? What the individual is really describing is a person who is believed to be insane or crazy based off of the way the person interacts with others or along. The movie that I chose to watch is American Psycho. This movie is about a materialistic, wealthy Wall Street investment banker who has a double life in which one of the lives he lives is as a serial killer.( Harron, M Director ,2000, April 14). He is addicted to drugs, sex, and conspicuous consumption. He is obsessed with designer clothes, business cards, alcohol, and music such as Whitney Houston, Robert Palmer, Huey Lewis, and many other artists. Most people think they know the answer after watching this movie but director Mary Harron's answer might surprise you there is a long list of evidence supporting the claim that Patrick Bateman has to be imagining everything.

Psycho is a 1960 American film directed by Alfred Hitchock. The screenplay of the movie written by Joseph Stefano was inspired by the novel of the same name by Robert Bloch on the year 1959. This film is categorized into the horror-thriller genre of film. The starring was Anthony Perkins as Norman Bates, Janet Leigh as Marion Crane, Vera Miles as Lila Crane and John Gravin as San Loomis.

Hitchcock’s Psycho is a great representative of horror and thriller genres. The director masterfully creates an atmosphere of suspense and creates tension. Hitchcock blends characteristics of a thriller with horror, making the audience terrified. The director creates situations that can happen to anybody of the viewers, and thus, makes such scenes even more scaring and disturbing. For instance, the scene of the murder in a shower impresses the audience to a

For this paper, I have decided to compare two Hitchcock films. Ever since I can remember, I have seen Alfred Hitchcock films; Psycho, The Birds, North by Northwest, I enjoy his work because I like the suspense, and visual effects that he was able to accomplish. Out of all of his films, I believe that my favorite Hitchcock films would have to be Rear Window (1954) and Vertigo (1958), because I think that the two incorporate everything that is “Alfred Hitchcock”. Hitchcock films are known for being mysterious, cynical, as well as suspenseful and they are all similar because of his use of symbolism, light, repetitive actors, and repetition of theme.

American Psycho is a movie adaptation directed by Marry Harron released in the year 2000 that was based off of the 1991 novel of the same name authored by Bret Easton Ellis. The movie focuses on the main character Patrick Bateman who is an investment banker in New York in the era of the early 1980’s. Patrick is a perfectionist whose life by day seemingly rotates between his picture-perfect job, his superficial relationship with his fiancée Evelyn, and his shallow interaction with his co-workers and peers. By night, Patrick is a textbook Psychopath and a serial killer.

Alfred Hitchcock also used cinematography in a uniquely stylizing way. Hitchcock not only uses the camera to create dramatic irony, but he also uses the camera to lie to the audience and create anxious suspense. For example, in his film Psycho, when Marion is in the shower Hitchcock frames the scenes very tightly. Marion is in a confined and very personal space. This makes her incredibly vulnerable. Then Hitchcock heightens the suspense by creating dramatic irony with the reveal of a shadowy figure closing in on Marion, unbeknownst to her. This creates a lot of anxiety for the audience, knowing the protagonist is vulnerable and in danger with no way of altering the inevitable. Hitchcock then manipulates the audience by “revealing” a brief silhouette of an old lady as our shower killer. Hitchcock uses this “reveal” to lie to the audience, he makes the audience think they have more inside knowledge confirming their already growing suspicions, when in reality the audience is misled entirely and the murderer was Norman all along. The way Hitchcock uses the camera to reveal both inside information and misleading information truly keeps the viewer engaged and not knowing what to believe until the truth is finally revealed. By using this unique technique of controlling the audience by only showing what he wants you to see, Hitchcock masterfully defies expectations and creates suspense.

In my list of movies that always make me cry is the movie “Ghost” which was released on July 13, 1990. This movie made that summer really worth while and gave us romance, comedy and much to think about. The movie starred Demi Moore, Patrick Swayze and Whoopi Goldberg.

The first half of this course focused on Alfred Hitchcock and how his techniques are now recognized as iconic. From class discussions and film screenings, it is clear that Hitchcock pays every attention to detail when he crafts a scene. Many Hitchcock films we have seen this semester highlight how he builds suspense through cinematic elements such as shadow, dialogue, and composition. While many of his suspenseful scenes stir feelings of intensity and uncertainty, Alfred Hitchcock builds a more romantic suspense in his 1955 film To Catch a Thief in the fireworks scene (1:06:35-1:11:00).

The movie Blow is the story of George Jung, the man who established the American cocaine market in the 1970s. The film starts with George as a child, showing what his childhood was like and what his relationship with his parents was like. As it progresses George grows up and moves to California. While there he become caught up in the marijuana scene and eventually starts selling it for money. George expands his market and eventually becomes very wealthy. But, George becomes too complacent and gets caught by the police and sentenced to prison. While there he meets and makes friends with Diego Delgado and learns about the drug Cocaine. Together they find a way to traffic it into the United States and again George becomes extremely wealthy.

character. In a way, I believe that American Psycho can almost be seen as a more modern

Though we are disturbed at the evil things he is doing, we feel a sense of sympathy towards him. We feel for him because of how his mother had treated him. We in turn teach our sub consciousness to start blaming the mother for all the murders that have been committed, just like Norman does. Both Norman’s façade of normality and our ambivalence towards his character verifies him as a quintessential psychopath.

Using the character development, even the least of serial killers are depicted in a sense that draws out a sympathetic feedback from the public; marginalizing their wrongdoings and leading to a connection with the audience and the murderer’s felonies. In the movie American Psycho, Patrick Bateman, the main anti-hero, is a serial killer who targets hookers and young ladies. Compared to his normal physical appearance with the guy he is at night, his horrifying mischiefs are contrary to the events which display his lavish young upwardly mobile professional lifestyle. He is described as an uncertain person who assumes that he can assimilates, nobody will recognize the difference in how he conducts his self publicly and

Alfred Hitchcock’s attention to detail in his films is one of the many things that makes him one of the most recognized film auteurs of all time. He was very particular what about he wanted seen on screen and how he wanted to get those shots. From camera movements to the things found in the mise-en-scène, Hitchcock was very precise about every little thing that is seen in his on screen worlds. He would strategically place objects throughout the mise-en-scène and have characters wear certain clothing. By doing this, Hitchcock is able to let the audience know things about the characters and the plot without it having to be said on camera. Hitchcock once said that “If it's a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on” (Tiffin). That’s why there’s no surprise that when Hitchcock finally made his first color film, he began to use color as another way of communicating with his audience.

asks if she is OK. I think most people would if you saw this woman