Essay about Psychoanalysis, Culture, and Trauma

“But evil things, in robes of sorrow, Assailed the monarch’s high estate;” Poe’s palace has suddenly been invaded by the “evil things,” that can easily stand for macabre thoughts and unpure desires. He then pauses to “mourn” over the “desolate” landscape that’s never to return to its once “stately” place in the first stanza. The “glory” soon disappears from the palace, that is now nothing more than an old past memory that is “entombed.” The mind has now become troubled and amoral to the narrator a place that can never regain its past life.

It is a well known fact that Edgar Allan Poe‘s stories are famous for producing horror or terror in his readers beyond description. However, it is one of this essay’s attempts to precisely describe these two characteristics present in The pit and the pendulum and The black cat. Horror may be defined as “the feeling of revulsion that usually occurs after something frightening is seen, heard, or otherwise experienced. It is the feeling one gets after coming to an awful realization or experiencing a deeply unpleasant occurrence.” On the contrary terror is described as “the feeling of dread and anticipation that precedes the horrifying experience” These two concepts are thought to be crucial when analyzing Poe’s writings. It is going to be

If Madeline was indeed a figment of Roderick’s imagination, Poe is here exploring the difference between the mental and physical self, and the importance that the two are similar.

In this story, Edgar Allan Poe (such as in many of his works) uses the setting to create a dark image inside our minds. He makes this specially through darkness, therefore the character makes a connection with death. “The physical setting oppresses him in the visions of his graveyard” (1).

The term “Psychological trauma” refers to damage wrought from a traumatic event, which that damages one’s ability to cope with stressors. “Trauma” is commonly defined as an exposure to a situation in which a person is confronted with an event that involves actual or threatened death or serious injury, or a threat to self or others’ physical well-being (American Psychiatric Association, 2000). Specific types of client trauma frequently encountered by which therapists and other mental health workers frequently encounter in a clinical setting include sexual abuse, physical , or sexual assault, natural disasters such as earthquakes or tsunamis, domestic violence, and school or/and work related violence (James & Gilliland, 2001). Traumatic

Edgar Allan Poe is a famous well known writer known for his dark and gothic horror stories such as “The Tell-Tale Heart” and many others. The well-known author had a rough life which dealt with a lot of death, so most of his stories revolve around this idea. In “The Cask of Amontillado” and “The Masque of the Red Death” Poe uses similar themes or darkness to convey tone and conflict throughout the story. His writing style is dark and revolves around one main concept: death. Edgar Allan Poe uses diction and syntax, setting and conflict, and characterization in his writing style to develop his stories.

The deaths of his parents, sister and brother, all taken by tuberculosis, lead to Edgar Allan Poe’s obsession around the subject of death. This obsession enterprises historically ingenious writings, that did not just scare the reading population by inducing a death at the climax or tying in a death to create a gasp worthy ending. Poe’s historic greatness was his ability to use death as a catalyst, not an end. His stories, specifically short stories, strengthened the idea that the end of a life, has so much more meaning, than just the end. This precision was formed by how Poe ingeniously used the knowledge to not only comprise stories involving the subject of death, but used the stories to create deep ideas of the phantom of fatality. The short stories “The Black Cat,” “The Facts in the Case of M.Valdemar,” “The Fall of the House of Usher,” and “The Tell-Tale Heart,” all feature the inventive writing skills of Poe, that have enthralled populations since their publications.

The Speaker of Poe’s poem shows grief, mourning, and a deep sense of loss. In stanza I, Poe wrote “Thy soul shall find itself alone/ ‘Mid dark thoughts of the gray tombstone- / not one, of all the crowd, to pry / into thine hour of secrecy” (Poe, lines 1-4). The first stanza is about mourning a lost one and possibly seeing their spirit as they are alone within a cemetery. The use of personification within the first two lines of the poem shows how alone the speaker really feels. He uses his soul as the object to show how he feels. The speaker is all alone in a cemetery, near a tombstone of a loved one, thinking of deep thoughts of death. Within this stanza the gray

Since Romanticism often places emphasis on the importance of emotion, Romantics may use dream imagery to display the overflow of abundant feelings. Such is the case with Edgar Allen Poe’s “Ligeia”. While Poe’s themes are usually Romantic, “Ligeia” uses dreams to “[dramatize] the romantic's disenchantment with a world drained of its power to arouse joy and a sense of elevated being” (Gargano 338). The fine line of fantasy vs reality is blurred and bestows multiple versions of reality as the narrator slowly descends into madness. Poe’s use of dream imagery is prominent during the descriptions of the house, the narrators reminiscences of his first wife Ligeia, and his opium induced hallucinations. The use of this literary device demonstrates how the loss of Ligeia messes with the narrator's sanity and sense of fulfillment in his life. These dreams enable him to revisit Ligeia“out of [his] own self-consciousness” (Lawrence).

Roderick, who believes he buried her alive, is going insane because when he imagines that she appears in front of her. Poe describes the feelings of Roderick in a manner that one can sense the fear that he must feel seeing someone return from the grave.

Edgar Allan Poe has a distinctive and dark way of writing (Poe & Kennedy, pp.22). His mysterious style of writing appeals to passion and sentimentality. Poe’s most prominent works of fiction are gothic. His stories tend to have similar recurring theme of either death, lost love or both. Poe’s psychologically thrilling stories examining the depths of the humanoid psyche earned him much fame throughout his lifetime and after his death. And this distinctive style of writing made him possess his own style of wiring (Arbor, pp.71). There is a psychological concentration which is an important characteristic of Poe’s literatures, particularly the tales of horror that encompass his best and well-known works, such as The Black Cat and The Raven which

This essay will discuss the themes in Poe’s writing that mirror his personal life and, in addition, the fear and supernatural motivators for his characters. First, I will discuss Poe’s background and explore how he became best known as a poet for his tales of mystery and macabre.

Additionally, Poe uses the repetition of death in his stories in order to illustrate his own feelings surrounding the topic.

This abnormal phenomenon significantly affects the narrator and robs him of his rest. The faint sound of a spirit will only add to his inability to sleep through the storm. Distraught and scared by these events that he cannot rationalize, he decides desert his efforts of sleep and attempt to walk them away. As the narrator’s efforts to suppress his fears fail him he decides to read a story to his old friend Usher, by paranormal activity, the sounds that are written in the book begin to occur parallel in the Usher residence. He finds himself agitated “by a thousand conflicting sensations, in which wonder and extreme terror were predominant…” (Poe).

In many of his stories, it seemed as though Poe craved to see the pain of sorrow in others. The unstable mind motivates the body to act out in such a violent manner in order to satisfy its desires. In “The Cask of Amontillado” the protagonist, Montressor, “[hearkens] in vain for a reply” of agony from his enemy. Poe wanted to hear the suffering of his adversaries; he needed to hear them feel the pain he felt. His desire to force this punishment onto others, questions his sanity and reason. Frances Winwar, Author of the The Haunted Place, suggests that the discovery of a female body found on the Hudson “roused the sleuth Edgar Allan Poe in his alter ego.” (Winwar 226). The darkness that Poe encountered and experienced was the reason he developed the insane characters in his stories.