Psychoanalysis of William Wilson

Poe is greatly inspired by Simms's Martin Faber, so much so that this villain is the basis for ‘William Wilson.’ “Many similarities exist between the two. Both Simms's Faber and Poe's Wilson self-condemn their sinister deeds and must confront their conscious minds, represented by Gothic "double" figures” (Jett). These ‘doppelgangers’ are the villains conscious. For instance, Martin’s doppelganger is his friend William Harding. William is responsible for “bringing Martin to justice for the murder of Emily Andrews” (Jett). Wilson's doppelganger is a schoolmate who has his same name and challenges him whenever he gives into his evil side. Their selfish needs motivate Faber and Wilson. “However, the major difference between the two centers on Wilson's inability to express guilt over his sins and Faber's perpetual need to confess his. Consequently, Poe failed to establish a dynamic Gothic villain in William Wilson—one capable of demonstrating feigned remorse in multidimensional facets Wilson commits only trivial crimes, hardly comparable to Faber's crime of murder” (Jett).

“Glory” and “Scandal”, or in other words Mary and John, two characters from the novel “The Secret Lives of Sgt. John Wilson” who fall in love but eventually end their relationship on a tragic note. Many events occurred through-out the novel that caught my interest such as; the way they fell madly in love, the transition into John becoming more of a ghost then a husband, then a more twisted unforeseen plot that caught most readers entirely by surprise. The love affairs between the characters in the novel plus the twists and turns you experience while reading is the main contributor as to why I love this book. Two polar opposites who started a life together, followed by scandal and deceit, then ended in a most unspeakable way.

Poe's economic style of writing is a key instrument in making this story amazing. In this story, he uses his style to truly bring out what he intended for the story - a study of paranoia. In example, "I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! Yes, it was this! One of his eyes resembled that of a vulture -- a pale blue eye with a film over it. Whenever it fell upon me my blood ran cold, and so by degrees, very gradually, I made up my mind to take the life of the old man, and thus rid myself of the eye for ever. " it is easy to see that Poe used short sentences, to capture the rapid thoughts of a twisted mind.

1. He is not a reliable narrator because he is insane. Though he repeatedly states that he is sane, the reader suspects otherwise from his bizarre reasoning, behavior, and speech. ‘‘True—nervous—very, very dreadfully nervous I had been and am; but why will you say that I am mad?'' The reader realizes through Poe’s description of the narrator’s extreme nervousness that the protagonist has in fact descended into madness, as anxiety is a common symptom of insanity. He apparently suffers from some form of paranoia. Besides, the narrator claims that he loves the old man and has no motive for the murder other than his growing dislike of a cloudy film over one of the old man’s eyes. His madness becomes

When it comes to the mind of the of the narrator, we see through his telling of the story as being a part of his past, his attempt at making us believe he was sane. In my mind, it was more of an attempt for him to make himself believe he was completely sane.

Edgar Allan Poe was an extraordinary author whose horror and mystery stories leave an impression on readers even today. In some of Poe’s works, the narrator’s thoughts and actions make the reader question the narrator’s sanity. Two good examples are Poe’s poem “The Raven” and his short story “The Black Cat”; there is plenty of evidence to support that both of the narrators are not completely sane. In Poe’s “The Raven” and “The Black Cat,” both narrators exhibit symptoms of mental illness, including hallucinations, illogical thinking, mood swings, and substance abuse.

Some readers may argue that the narrator is sane because he constantly explains that his actions are sane. However, the narrator is actually insane because the actions that he justifies are very abnormal. The narrator explains that he concealed the body by, “ First of all, [dismembering] the corpse. [He] cut off the head and the arms and the legs” (Poe l 133-134). Clearly, the narrator’s actions mentioned above are not normal. No sane person would be proud of how carefully they concealed a dead body. The narrator is just trying to explain his peculiar actions in a normal way, which he hopes will convince the reader he is sane. Although the narrator justifies himself, the actions he carried out are not even something a sane person would do, therefore making him insane.

In literature, slavery and the African American race are often analyzed and interpreted by numerous authors. Mark Twain reveals numerous hitches and aspects of society’s view towards different races throughout many of his novels. In Pudd’nhead Wilson Twain describes the status of African Americans in society, as well as how they are portrayed or believed to act in the eyes of other townsfolk. The portrayal of Roxy and the status of Tom and Chambers both help Twain show the wrongs of the

To begin with, Poe is the speaker in the short story, he tells the story as if he is proud. For instance, the speaker states,” But you should have seen me. You should have seen how wisely I proceeded - - with what caution - - with what foresight - - with what dissimulation I went to work.” (Poe 1) A

Poe uses first person narration all throughout this story. He does this by using past tense language as if he was telling you this in person. By using this element of first person narration it is able appeal more to the reader in an emotional way. The reader feels as if the protagonist is

Edgar Allan Poe wrote a series of psychological stories, among these being “William Wilson” and “Angel of the Odd”. William Wilson is a mysterious story about a supposedly evil doppelganger, while Angel of the Odd is a bit more light and about the dreams a drunken man has about strange incidents. These two stories are clearly contrasted in tone but can be compared in many ways based on the storyline and underlying ideas of the writings.

This essay will discuss the themes in Poe’s writing that mirror his personal life and, in addition, the fear and supernatural motivators for his characters. First, I will discuss Poe’s background and explore how he became best known as a poet for his tales of mystery and macabre.

In Edgar Allan Poe’s ‘The Tell-Tale Heart,” the narrator explains how he is not mad, how cautious he is in planning a murder. A person can argue however with the narrator of ‘The Tell-Tale Heart’, which he is indeed mad. The anxiety the narrator experiences through out the story makes him mad, it is also the guilt that brought on more anxiety to the narrator at the end of the story. The narrator constantly speaks of how he is not mad; he constantly as the reader why would they think he is mad. “True! –nervous-very, very, dreadfully nervous. I had been and still am; but why will you say that I am mad?” (Poe 884). The narrator does not believe that he is a mad man, much less have any mental issues. In “Overview: ‘The Tell-Tale Heart’” the

Authorial intrusion, which is uncommon in most works of contemporary fiction, is arguably the most important literary device Poe uses to construct the narrator’s manic voice. Though the entire story is written as a confessional, the unnamed chronicler frequently interrupts his recount to attempt to convince the reader that he actually isn’t insane. After explaining his egregious crime along with the motivation; the narrator proceeds to state  “You fancy me mad. Madmen know nothing. But you should have seen me” (92). These erratic sentences interrupt the flow of the writing but are extremely important in developing the narrator's voice as it further  Following the quote he explains the methodical lengths he went through; lengths that only an absolute psychopath would find rational, and attempts to justify them as his own cunning intellect rather than an insatiable desire to kill. He reiterates a similar variation of this sentence multiple times throughout his recounting of the events, “If you still think me mad, you will think so no longer” (95) and “have I not told you that what you mistake for madness is but over-acuteness of the senses?” (94), which again helps to reinforce this idea that the narrator is truly unaware of his own madness.

The psychology or mental state of the narrator of Edger Allan Poe’s short story “The Black Cat” is a broad area to analyze. The human mind is one of the most articulate system that is made in this world. It’s difficult to understand everybody’s actions and doings because everyone possesses their own unique patterns of thinking. Today, the world of psychology is hard at work to try to figure out the best answers to the questions we have about the mid. Even before the subject of psychology was produced, some writers loosely described the psychology and everything that goes into it. Edger Allan Poe was one of them who portrayed his characters in way that the reader could look further in to their actions and their behaviors to understand the mind better. Poe seemed to have an understanding and fascination for the human, and “The Black Cat” is one of them. The protagonist of the story and his psychology has brought into light in this short story. In this work, Edgar Allan Poe presents the main character, the protagonist, who becomes victim to many complex mind issues such as guilt, perversity, superstitions, revenge, and reverse psychology.