Psychoanalytic and Femisnist Theories in A Farewall to Arms by Ernst Hemingway

Ernest Hemingway’s novel of A Farewell to Arms depicts the harsh veracities of World War 1, based on Hemingway’s personal accounts. His novel, written with simplicity and sensory detail, develops a zealous affair between an injured ambulance driver and his nurse. Hemingway’s illustration of lovers amidst a war allows readers to create their own interpretation of how the story evolves. His writing entails the reader to examine the chaotic circumstances throughout the novel. For example, on page 172, Hemingway writes, “Well, we were in it. Everyone was caught in it and the small rain would not quiet it. ‘Goodnight, Catherine,’ I said out loud. ‘I hope you sleep well. If it’s too uncomfortable, darling, lie on the other side,’ I said. ‘I’ll get you some cold water. In a little while it will be morning and then it won’t be so bad. I’m sorry he makes you so uncomfortable. Try and go to sleep, sweet!’ I was asleep all the time, she said. You’ve been talking in your sleep.” Hemingway collaborates all the lovers’ troubles into a simple understanding. He allows the reader to acknowledge frustration and concern in daily life and plan how to overcome such obstacles. On page 169 he writes, “When we were out past the tanneries onto the main road the troops, the motor trucks, the horse-drawn carts and the guns were in one wide slow-moving column. We moved slowly but steadily in the rain, the radiator cap of our car almost against the tailboard of a truck that was loaded high, the load

    There are two major themes in A Farewell to Arms that Hemingway clearly conveys: war and love. The war theme is obvious because the book is set during the World War. The theme of love is less obvious, it begins faintly because of the uncertainty between Frederick Henry and Catherine Barkley. Neither desire love or commitment to anyone, but act upon their desires of passion. As the story progresses, so does their love. The strength of their love is enforced by various understandings and agreements. Love is the theme that closes the book, leaving a final allusion of what their love is about.

Ernest Hemingway wrote A Farewell to Arms, a celebrated historical fiction, amidst a time of war and personal suffering. Hemingway believed at this time that “life is a tragedy that can only have one end” (Hemingway, VIII). He continues further, calling war a “constant, bullying, murderous, slovenly crime” (Hemingway, IX). Hemingway also suffered at home, in addition to his issues regarding the state of the world. His wife had just endured a difficult pregnancy and delivery, which contributed to the last bitter chapter of his story. Keeping in mind the tortured and surly mental state of Hemingway, it is difficult to swallow the idea that he would write a wholesome, well founded love story that attracts people. To some readers, A Farewell to Arms tells of a whirlwind romance between an ambulance driver and a nurse that is based on an unbreakable foundation of love, trust, magnetism, and compassion. Anxious modernists, like Trevor Dodman who are cited in Joel Armstrong’s nonfiction text, will come up with a remarkably different outlook on this tragedy. With aid from “‘A Powerful Beacon’ Love Illuminating Human Attachment in Hemingway’s A Farewell to Arms”, the loveless relationship between Frederic Henry and Catherine Barkley will be seen as rushed, meaningless, and mentally destructive to the parties involved.

In A Farewell to Arms, Ernest Hemingway uses his idea of the code hero to introduce us to an amazing character. Hemingway takes his own ideas and conveys them through Frederic Henry. During World War I Frederic Henry proves to us that war and lost love can change a strong and willing man. Most men are not willing to change and Frederic Henry realized that in order for him to survive the many problems he was faced with, he would have to become a more mature man, love and solider.

Hemingway uses a variety of literary elements to portray his message. The setting of the story is the summer of 1919 in a small Oklahoma town. World War 1 just ended two years prior and the main character, Harold Krebs, explains his post-war experiences (Meyer 129). Krebs is the protagonist who is “suffering from an inability to readjust to society” (Imamura para. 3). He is a dynamic, round character. At first he “did not want to talk about the war

Having left the war behind, Frederic is finally ready for peace and quiet. Hemingway, however, has other plans for his character. Catherine dies during childbirth, as does the baby. Thus, Frederic is confronted again with death. This time, however, he is unable to detach himself emotionally as he did with the deaths he witnessed in war. His neat and happy world is collapsing and there is nothing that he can do about it.

Seeing as there can be a number of different themes in a story, Ernest Hemingway does not hold back from ever giving the reader a chance to fall in love with the story. The reader’s first glimpse of reality in the story is shot through the depths of the theme. One of the most common themes in the book is war. War marks and defines the characters in the book. It is the death in their eyes and fear in their hearts. The reader knows this. Because the reader can easily define war as one of the major themes in this book, the reader can also feel the loss and pain that the characters experience throughout the story as well.

“Life is hard. After all, it kills you,”- Katharine Hepburn. Life during World War I, was an era of pessimists. Few people truly supported the war as it brought destruction and death. As a result of the war and the many deaths, people deviated from old traditions and practices, losing the will to live, and becoming a rebellious bunch. Enduring the hardships of life at the time, people became bitter realist always looking at the negative aspects of life, their views often ending in tragic death. Hemingway’s development of Frederic, Catherine, and religious scenes in the novel reflect the theme of lost spirituality due to progressive love, destructive war, and meaningless death.

Novels published after a major war are often the most deeply emotional, profound ruminations on human nature. The authors of these novels were once soldiers, living in fear and enduring sleepless nights. These authors channel their experiences and emotions into their work, often creating masterpieces of literature. A Farewell to Arms is one such novel. Its author, Ernest Hemingway, was in the Italian ambulance corps in World War I, much like the protagonist of A Farewell to Arms, Frederic Henry. The themes in A Farewell to Arms reflect his mentality and the typical soldier’s disillusionment in the institutions and values he had always held close. A Farewell to Arms explores the far-reaching disillusionment that seems to plague Frederic. The theme of Frederic Henry’s disillusionment of all that he believes in appears through his desertion of the war, the deterioration of his relationship with Catherine, and his thoughts on life.

Ernest Hemingway’s novel A Farewell to Arms covers a romance that takes place during World War I. The novel itself came out shortly after the war, and was the first of Hemingway’s books to become a best-seller. Essentially, the novel contrasts the horrors of war with the romance of Henry and Catherine. Throughout the plot, Hemingway, a World War I veteran himself, uses the events of the book to make a statement about his thoughts on war. The core message of Hemingway’s A Farewell to Arms is that war damages the soldiers who fight in it both physically and emotionally, which is primarily illustrated by the number of deaths caused directly and indirectly by the war, the actions Henry is forced to take over the course of the book, and Henry’s growing cynicism towards war.

In A Farewell to Arms, For Whom the Bell Tolls, and The Sun Also Rises, Ernest Hemingway uses damaged characters to show the unglamorous and futile nature of war and the effects it has on people. Hemingway wants readers to know that war is not what people make it out to be; it is unspectacular and not heroic. Hemingway also feels that war is futile by nature and that most goals in war have almost no point. He also shows readers that military conflict often causes people to have shallow values and to hide their pain for their own protection.

Ernest Hemingway's WWI classic, A Farewell to Arms is a story of initiation in which the growth of the protagonist, Frederic Henry, is recounted. Frederic is initially a naïve and unreflective boy who cannot grasp the meaning of the war in which he is so dedicated, nor the significance of his lover's predictions about his future. He cannot place himself amidst the turmoil that surrounds him and therefore, is unable to fully justify a world of death and destruction. Ultimately, his distinction between his failed relationship with Catherine Barkley and the devastation of the war allows him to mature and arrive at the resolution that the only thing one can be sure of in the course of life is death

Many of the passages of the novel reflect his life. Hemingway writes: “But man is not made for defeat," he said. "A man can be destroyed but not defeated.” This has been shown through his life, as Hemingway wrote the novella to prove he wasn’t finished as a writer. This is also reflected during his time in World War 1. Hemingway was wounded by Austrian Mortar fire, and yet despite his injuries or “defeat,” Hemingway carried a wounded italian soldier to safety. Hemingway wrote: "When you go to war as a boy you have a great illusion

Ernest Hemingway’s A Farewell to Arms tells the tale of two young, star-crossed lovers in the midst of World War I. A powerful romance and stirring history of the war, this semi autobiographical novel meshes the contrasting worlds of love and war, setting war as the backdrop of love. The novel’s portrayal of love is an issue that has attracted critical debate, prompting many academics to reflect on its existence, form, and role in the plot. Joel Armstrong is one such academic. His literary criticism entitled, “‘A Powerful Beacon’ Love Illuminating Human Attachment in Hemingway’s A Farewell to Arms,” asserts that love is the centering principle of the novel, and that the narrative’s world is one in which “love illuminates all of life” (Armstrong 79). As Armstrong asserts, love is the centering principle of A Farewell to Arms because it serves as an anchor for Frederic Henry and Catherine Barkley during the tumultuous events of war, motivates them to go through significant struggles, and works along with loss to lend more meaning to significant events in the plot.

Ernest Hemingway the winner of the Nobel Peace prize lived a troubled life over his Sixty-two years of life and experienced many struggles. He went through a few marriages, different faiths and in the end, he lost his battle with depression. However, though all of this he made an impact on the world with the style and theme of American literature he wrote and is a significant influence to many authors and readers alike. During his life, there were many things that were an influence and help shape his writing into what it is today. Hemingway heavily focused on the theme of war during his career and was a topic of several of his novels one of those novels being “For whom the bell tolls” (Hemingway) The recognizable effects of Hemingway’s influence on literature is still witnessed around the world in the many tributes to him to this day.