Psychosocial Aspects of the Old Man and the Sea

As Santiago continually states, women are cruel and have no control over their own doings. Women are also deemed by Santiago not to be worthy opponents, notice how he refers to the marlin as a “he” even though he has not seen it yet. Numerous examples in this section include:

In both competitions, Santiago demonstrates a great sense of will power and perseverance. For example, the arm wrestling match was also a test of endurance, just like his battle with the marlin: “They had gone one day and one night with their elbows on a chalk line…the odds would change back and forth all night…but [Santiago would] raise his hand up to dead even again” (70). Similarly, he fights the fish for three long days and does not give up. After this twenty-four hour arm wrestling game, “everyone called him The Champion” (70). This defeat was important for Santiago because it proved that Santiago once had enough strength to beat the strongest man on the docks, who is implicitly compared to the marlin. It is also interesting to note that during this part of the narrative, Santiago also remembers another worthy opponent: Joe DiMaggio, another hero who shows an amazing strength of will that helps him overcome adversity. With this flashback, then, Hemingway establishes a sense of heroic virtues as spiritual rather than physical qualities.

The epic journey of “The Old Man and the Sea” describes struggle, discipline and manhood. The main characters relationships exemplify how faith and skill overcome man’s adversity during life on the sea. Santiago’s growing relationship with the boy idealizes his statute as a father figure and develops his integrity and values towards the boy. Hemmingway shows us how an old fisherman’s will to overcome the sea’s obstacles proves his manhood to himself and the young boy. His skills and knowledge of the sea provide a positive influence for the young boy to become a great fisherman someday.

Even though he is an adolescent boy, Manolin loves spending time with Santiago. He loves to go out fishing with him but, his parents no longer will let him. The reason for this is because Santiago has not caught a fish for eighty-four days. As a result of this unfortunate occurrence, others deem Santiago the term salao, or the worst kind of unlucky. Knowing the struggle Santiago is facing, Manolin tries to help him in as many ways as possible. Manolin brings Santiago drinks, food and the newspaper so they can talk about baseball and the great Joe DiMaggio. In spending all this time with the old man, Manolin develops a form of respect for him. He comes to understand that despite the recent unlucky situations, Santiago remains hopeful as well as prideful. This is why Manolin looks up to the old man so much. “Santiago… I could go with you again. We have made some money. The old man had taught the boy to fish and the boy loved him” (Hemingway 10). Along with just loving Santiago for himself, Manolin also looks up to him because Santiago taught him how to fish. Manolin understands that he is a large part of Santiago’s life and feels honored and

Life is full of obstacles. The Old man has many, but chooses to push through life. One of his obstacles is the fact that he lives a lonely life. Santiago lost his wife and never remarried. He has no children or family to comfort and support him. The only companion Santiago has is the local boy. The boy is fond of Santiago, but his family is not. The boy’s parent do not think Santiago id good for the boy because the man is unlucky. The boy brings Santiago food and companionship. Even though the boy is a friend to Santiago he still has an empty part that should hold family. The old man continues through life with no wife or children and on to his next journey with the sea.

'What 's that? ' she asked a waiter and pointed to the long backbone of the great fish that was just now garbage waiting to go out with the tide. 'Tiburon, ' the waiter said, 'Shark. ' He was meaning to explain what dare grapple happened. 'I didn 't know sharks had such handsome tails. ' 'I didn 't either, ' her male companion said." (page 109) these two tourists who speak are hardly differentiated from the group to which they belong. They are all metaphors for individuals who are spectators of the human scene rather than participants in its activity. They see, but they see without fully comprehending. They are only faintly curious, only passingly interested, only superficially observing, they have not been initiated into the mysteries that Santiago understands. These tourists live their lives as tourists, skimming the surface of life, without resolution or clarity. Their life reflects that of all people who live their lives ashore, who dare not grapple with the mysteries of the ocean, or of life. This is the type of life that Hemingway always tried to avoid, to the point of his taking his own life. Hemingway uses metaphors to reflect his opinions of life and the people that he has met in life. The metaphor of the sea symbolizes all of life and the roles that people must choose to have in life. The lions are a metaphor for the

succeed. He uses his hands and he uses his instincts to master the art of

Santiago, and encourages him despite his bad luck. Santiago, in turn, has wisdom and experience.

Santiago of The Old Man and the Sea is the quintessential “Hemingway Hero”-a type of fictional character created by Hemingway in all of his books whose basic response to life appealed very strongly to the readers. The Old Man begins the narrative with all the elements of such a hero despite his senescence and poverty. He shows strength, determination, and dedication to himself despite his struggles. Santiago relates back to readers as a strong failure who picks himself up repeatedly.

The relationship between Santiago and Manolin was so essential to the novella even though Santiago was the focus of the majority of the novella. This relationship creates an opportunity for dialogue and an opportunity for Santiago’s character to be revealed.

This is clearly shown in the following which quotes, “The old man’s head was clear and good now and he was full of resolution but he had little hope. It was too good to last, he thought. He took one look at the great fish as he watched the shark close in. It might as well have been a dream, he thought. I cannot keep him from hitting me but maybe I can get him. Dentuso, he thought. Bad luck to your mother (Hemingway 101).” This quote clearly showed luck, with Santiago’s final resolution being bad luck. However, if readers look at the bigger picture, it’s apparent that perseverance was the primary theme in the story. This is because regardless of what he went through, Santiago continued to push through all obstacles.

Everyone that is, except for Manolin. Santiago is Manolin’s idol and he sticks by him through thick and through thin. I loved how the book ended with Santiago being respected by everyone for catching the biggest marlin anyone had ever seen but still keeping to himself and spending time with the boy. This shows that the old man remembers who stood by his side when times were rough and not just when the village accepted him and that is an attest to the type of person he is.

In Ernest Hemingway’s novel, The Old Man and the Sea, Santiago demonstrates the traits of the code hero. The Hemingway’s code hero covers the principal ideals of honor, courage, and endurance in a misfortune life. Throughout the novel, Santiago shows a contrast between opposite attitudes and values which associate his behavior with the guidelines of the code. In this case, the depiction of conflicting values, such as dignity despite humility, perseverance despite despair, and victory despite defeat are aspects that help to describe and understand the role of Santiago in the novel, and reflect the reason why this character is perfectly suited to the heroic conduct established by Hemingway.

Hemingway has a way of making his readers believe that the feats and strengths that his characters obtain in his novels are actually possible. Although this statement may be too critical, and maybe there is a man out there, somewhere on the coast of Cuba who at this very moment is setting out to the open sea to catch a marlin of his own. The struggle many readers have is believing the story of Santiago’s physical powers and his strength against temptation bring forward the question of whether or not The Old Man and the Sea is worthy to be called a classic. Hemingway’s Santiago brought Faulkner and millions of other readers on their knees, while to some, believed Hemingway

“Hemingway’s greatness is in his short stories, which rival any other master of the form”(Bloom 1). The Old Man and the Sea is the most popular of his later works (1). The themes represented in this book are religion (Gurko 13-14), heroism (Brenner 31-32), and character symbolism (28). These themes combine to create a book that won Hemingway a Pulitzer Prize in 1953 and contributed to his Nobel Prize for literature in 1954 (3).