Ethical Values in Pulp Fiction
Pulp fiction is a movie filled with drugs, violence, gambling, and pop iconography, describing how real-life society is going towards the “death of god” era; a life without morals. A lot of movie critics would say that Jules (Samuel L. Jackson) and Vincent (John Travolta) possess no ethical values, no sense of morality. They also say that the movie does not convey a message. The movie does convey a message; Quentin Tarantino just masks it behind the street-savvy talk and murdering of persons who “wronged the boss.” Pulp Fiction is about a world where cold-blooded murder and greed are socially acceptable. Virtues as Aristotle states are mainly based off of habits, these men’s habits are killing and
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Of course with greed being a main theme and Butch’s “survival of the fittest” attitude he gets a guy to bet on himself with as many bookies as he could and wins the match, he also kills the opponent he faced and shows absolutely no remorse which goes with the norm and theme in the movie; murder. Later on Butch is driving back from getting his watch and sees Marsellus walking across the street which leads to a chase scene into a pawn shop. This is where Tarantino does an interesting thing, he introduces a greater threat, Zed and his brother, to fix the dispute between Marsellus and Butch, this is also when Butch has his redemption/escape moment. Marsellus is the first one to be taken to the back room while Butch is tied up in the chair. Butch breaks free and can run away but decides to rescue Marsellus; this is when Butch has his change of heart. He grabs the best weapon he can find (a katana sword) to save Marsellus. Although Butch doesn’t have a monologue or anything about it, you realize he has escaped the morally wrong world as well.
Vincent never makes the transformation that either of the characters previously discussed made. In fact he completely denies the fact that those missed shots were a “divine intervention,” he considers it a “freak occurrence.” Vincent like Butch was in the beginning is filled with greed but Vincent also seems a little paranoid he thinks killing is the only profession he would be able to do to make money. When Jules
Quentin Tarantino’s films are always controversial, and Pulp Fiction is no exception. The film depicts graphic violence and overt drug usage, while shying away from politically correct language. The film’s controversial topics such as racial stereotypes, has led some critics to hail the movie as racist; however, the movie denies many of these stereotypes, portraying character and character relationships as not exclusive to their stereotype. Furthermore, the movie mocks many of societies stereotypes, and it is not afraid to address, or not to address, uncomfortable racial topics. Thus, Pulp Fiction challenges racial barriers.
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If one were to describe the very base plot of “Pulp Fiction,” to another person, the film would perhaps seem somewhat unremarkable. The movie follows the exploits of several characters around mid-1990s Los Angeles all of whom are in some way related to criminal activities (Pulp Fiction). While this may seem like a fairly typical though potentially promising story it is what Tarantino does with it that makes “Pulp Fiction” unique. The plot of the film is told out of chronological order. Instead of the traditional story structure used in films books and many other forms of storytelling the movie
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“Do you know what a duvet is? It's a blanket. Just a blanket. Is this essential to our survival? No. We're consumers. We're by-products of a lifestyle obsession. Murder, crime, poverty...these things don't concern me. What concerns me is celebrity magazines, television with five hundred channels, some guy's name on my underwear”(29 min.) We are a generation comprised of invidious and conspicuous consumers, desperately trying to meet society’s consumerist criteria; seeking the false promise of the American dream. This is the reality presented in Fincher’s Fight Club (1999), one of “the rawest, most hot-blooded, provocatively audacious, dangerous movies to come of out Hollywood” (Morris, 1999). Through the diverging personalities of the
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