Punch-Drunk Love

The same applies to a dramatic scene where the music may be deep and frantic to convey to the audience the feeling of anticipation. A scene i would like to focus on is the scene in which Garry and his father have a final ‘showdown’, if you will, at the front of the house. The scene consists of the father imposing himself on Garry and proceeding to continually beat him down time after time only for Garry to rise up and face his father on each occasion. This scene evoked a feeling of pride and admiration from the audience as to Garry’s courage and determination to convey the message to his father that he is ready to stand on his own two feet and defy him. This is a very powerful scene within the movie which initiated powerful emotions within the audience. All of this was accomplished with the notable absence of music of any form. The omission of music in this scene created an atmosphere in which the dramatic affect was amplified due to the silence.

     Monteverdi combines styles and forms of music here to create a true masterpiece. Even though I have not studied composers very much you can get a feeling of true accomplishment by listening to this piece. AS a whole piece it flows well. The instruments accompany the voices well and the piece is fun tp listen to.

Overall I found the movie to be quite interesting and exciting at times but a bit slow in others. The story itself was very clear to me and didn’t cause any confusion. It had a good flow also, just as you were on the verge of falling into boredom with a scene they switched it up on you to keep you

Serendipity, How to Lose a Guy in 10 Days, Pretty Woman, Overboard, and Bridesmaids. What do all these movies have in common? For one, they are all obviously romantic comedies. But, what makes them romantic comedies? Probably the most obvious trait they share is that each of these movies creates a lighthearted, whimsical, and amused feeling for their viewers.. There are no times during the movies that the audience feels uneasy or confused. The filmmakers for these movies also creates characters that the viewers like and root for. For these reasons, Punch Drunk Love is not a romantic comedy. When compared to the previous examples it’s clear that Punch Drunk Love does not provide any of the traditional romantic comedy feelings. In fact, it makes the viewers feel anxious and very confused. Additionally, the main characters are much different: they are awkward, to say the least, and the audience does not relate to or like them. Clarity, light heartedness, and a positive relationship with the characters are important assets to be considered a romantic comedy.

In my opinion, that is the reason why we listened to this piece of music. To try and be exposed to a work that has a large supply of instruments and a choir at the same time. From listening to it, they did a very good job of incorporating the choir with the music. The choir was also very synchronized as well. They did not get too high or too low as a group. One of the differences with this piece of music is they incorporate different types of music and the choir sings from the very beginning. One thing that was very enjoyable was how strong and powerful the choir sang at the end of the piece. Once, again, the most difficult thing about listening to this piece was the lack of understanding any of the

Upbeat moments such as the film’s opening are appropriately coupled with orchestrations that complement the scene as expected, but there are some moments that feature compositions that don’t truly fit the tone of the film. For example, right before Buddy and his cousin begin counting their change, the music inelegantly changes from and calm and well composed tune to an unsettling and overactive bridge that doesn’t match the scene at all. This part sounds more as if some sort of unfortunate event were about I take place, but instead, the duo begins a simple conversation about a contest they had recently entered.

Overall I actually enjoyed the piece more than I thought I would. It had a nice tempo that allowed listeners to be engaged and even when the volume dropped the violins played a softer texture as if they were inviting you to listen closer and pay more attention. Generally, the theme was also joyful which I took notice of and enjoyed. Lastly, I didn’t notice any musical mistakes, and thought the piece was well played.

The music in this film doesn’t go with the setting and time period that the film and novel take place in. The music is very upbeat and poppy, something you might hear on the radio today. It really does not go with the whole 1920’s

There were some reactions that I experienced when I watched this movie a couple times. The first time that I watched the movie, I thought it was sad and predictable. The very first scene shows the two men just missing each other at the Texas Market, than the rest of the movie was about their life being sad. I pretty quickly saw that the two would eventually run into each other and find the love they were missing in their life. It was sad to see that they were so unhappy in their lives. Since I was a kid, I grew up with a family that believed in equal

Wes Anderson is a world-renowned filmmaker known for creating vividly colorful films that are consistent with his auteur signature. Though he has only directed 7 films (not including his upcoming film and two short films), he is a perfect example of how even a small body of work can demonstrate auteur theory. Anderson’s films have frequent themes, visual and methodological style and he even uses a lot of the same actors in most of his films. The Life Aquatic with Steve Zissou (2004) is a great example to demonstrate Wes Anderson’s stylistic use of pastel color schemes, symmetrical shot composition, and thematic use of story elements such as trust, acceptance, child-like

This film got it right because I am sure that many people can relate to this film. Many us have probably gone

I feel that the fourteen members of chamber orchestra and the two vocalists did an outstanding job. This piece was well put together. I loved the harmony that was brought forth between the orchestra and the vocalists. The two vocalists a tenor known as Paul Groves and a soprano known as Anna Larson, did a beautiful job staying in tune. The way that their voices went back and forth in harmony was just beautiful.

This clearly explains the significance of music and the role that has in motion pictures. Music has to match the emotions that the actors are showing and the environment they are in. If fail to do so, the movie could be a dreadful thing to watch.

Comment: I found this film very tough going- it is undoubtedly a well made film and has some clever and quirky moments. However I lost interest around halfway through the film and could not engage with the film and its clunky style. A lighter touch would have made a huge difference to the viewing experience. Perhaps as an artistic statement it deserves more than three stars but as a movie going experience it was only a little bit better than average.

Overall, the music in the Godfather Trilogy fits perfectly with whichever scene it is in or whatever mood it is trying to convey. Nino Rota and Carmine Coppola, the main composers in this film, are very talented and good at what they do. In my opinion, “Speak Softly Love” is the best piece of music in the film because of the meaning that has been put into it and all of the emotions that come out of it. The Godfather Trilogy has some unforgettable and legendary music themes. The