Punctuation In Nabokov's A Letter That Never Reached Russia

Effectively, his deliberate use of syntax creates a structure in his essay which immerses the reader into the passage and allows his message to be conveyed. Often in the essay, he adopts compound-complex sentence structures to maximize his level of description and to fully establish the imagery he intends to create. Moreover, when he establishes depictions of action, motion, and speed, he creates considerably longer compound-complex sentences; using five or more clauses and at least one dash to thoroughly depict action, to eliminate any sense of pause, and to fully intrigue his readers. Such a usage of syntax is also parallel to when he writes that “...it was filled with motion, speed.” His lack of “and” but rather the word “speed” preceding a comma further represents the elimination of a sense of pause and his use of syntax in order to create a sense of speed and intensity. In the last paragraph, he continues his extensive use of compound-complex sentences and he suddenly slows down and ends his final part on shorter complex sentences.

This story’s general setting takes place in nineteenth century Russia. But, there are also many particular settings throughout this narrative that largely affect the characters and create many problems the narrator and Anna Sergeyevna have to face. In the beginning of the story Gurov and Anna find themselves taking vacations in the same city to get away from their other lives. But, when they have to part they realize how much they actually mean to each other. This can be seen in the following excerpt when Gurov realizes that Anna has not left his mind ever since they went home, “He would pace a long time about in his room, remembering it all and smiling; then his memories passed into dreams, and in his fancy the past was mingled with what was to come. Anna Sergeyevna did not visit him in his dreams, but followed him about everywhere like a shadow” (Chekhov 172). Therefore, the conflict that the setting creates is the distance between Gurov and

The syntax is used to produce a tense and suspenseful mood. The short, sharp sentences composed by Silvey create a jolting, erratic rhythm, generating tension in the gut of the reader and combining with feelings of discomfort and suspense. As they “shuffle into Mad Jack Lionel’s lounge. There’s a rifle mounted on the wall. [Charlie] step[s] back.” (p. 302) and so the passage continues, using choppy sentence structure. This jerky method of language crafting intensifies the mood of suspense; catching the reader of guard and retaining their interest with the string of disjointed phrases. Each sentence seems to be unrelated to each other, adding to the tension and not allowing the reader to ignore the

Gurov, dissatisfied with his monotonous life, goes to Anna because he needs the scandal to relieve a numbness that has taken effect, not because he loves her. She merely reciprocates his affection, not out of love, but to escape the entrapment she feels from her marriage. In a subtle climax during his return home to Moscow, Gurov feels the agonizing absence of anyone he can talk to meaningfully about the personal secrecies of his life, specifically Anna. This intolerable sensation sends him to “S—,“ to find her. Only when Gurov is standing outside Anna’s house does he actually relate to her situation and form some genuine connection. “Just opposite the house stretched a long grey fence adorned with nails…One would run away from a fence like that," thought Gurov, looking from the fence to the windows of the house and back again…He loathed the grey fence more and more, and by now he thought irritably that Anna Sergeyevna had forgotten him, and was perhaps already amusing herself with some one else, and that that was very natural in a young woman who had nothing to look at from morning till night but that confounded fence” (p.230). With Gurov’s realization, he actually escapes his fenced in world and partially enters her miserable one. In sharing a connection, their emotions and psychological needs start to blend together and they become entrapped by the same fence, where inside, the two of them are alone and vulnerable in a shared arena. This isolation

Both the poem, “Walking at Night With my Son, James,” by Joe Bruchac, and the excerpt we read from the novel, Dinner at the Homesick Restaurant, by Anne Tyler, despite having vast differences, shared a common theme. This theme was that everyone must come to a time in their life where everything changes. This can be scary, but it can allow for people to see the world in a whole new way, and do things that they had never before thought possible. The tone of the poem is nostalgic, as a young boy is coming to the end of his childhood, and becoming an adult. His father watches proudly, but sadly, as he knows that soon his son will be living independently. However, for the time being, the father and son are just spending a nice afternoon together,

She started to see beautiful things from her window that represented her new life. She wasn’t used to seen those things like this when her husband was around, because she was submissive to her husband and trapped. Another part of the story that i found ironic was when Kate Chopin started to describe the scene outside the window. She described the outside as “The delicious breathe of rain, the notes of a distant song, countless sparrows were twittering and patches of blue sky”. At this point is when i realized that she wasn’t sad for her husband and this was a sign of a new life.

Shukhov could not dwell on his past even if he wanted to due his situation in the camps. Little by little he forgot what life was outside of it. With spending 8 years in the labor camps, Shukhov had little to remind him what home looked like. “As time went by, he had less and less to remind him of the village of Temgenyovo and his cottage home. Life in the camp kept him on the go from getting-up time to lights-out. No time for brooding on the past” and “Since he’d been in the camps Shukhov had thought many a time of the food

The summer of 1919 is a difficult time for Krebs to accept because although the town has moved on from the war, he wishes to hold on to what he believes, is still the present. Hemingway uses the setting to bring the reader a clear understanding that war was a strong impact on soldiers who had been participants of it. The setting reveals the big picture; nothing is over until’ you let it go. Hemingway portrays the soldier’s hometown to be very similar to the war, in the perspective that his hometown is very confusing, complicated, and restless. The title “A Soldier’s Home” brings irony to the setting in the sense that

Anton Chekhov hardly restrained from writing the dreary aspects of life during his writing career. Noted as one of Russia’s most prominent realist writers of the late 19th century, Chekhov’s work ranged from critical issues concerning the mental health system in “Ward No.6” to illustrating the tiresome cycle occurring for ordinary people sensing they are incomplete with their dull, normal life in “The Lady with the Dog.” “The Lady with the Dog,” in particular portrays characters of Chekhov’s facing an unreachable desire; Gurov and Anna. This desire emulates two contrasting forces represented by the double-lives the couple lives, one being that of realism and boredom, and the other of strict passion and romanticism. Gurov and “the lady with

But it is also this spiritual deterritorialization that follows Nabokov throughout his life that makes his account of his life seem more artistic and disconnected, even if there is a profound emotional impact on the reader in the end. While some moments in his life might evoke sympathy, like his retelling of his father’s death, or make readers to take a side, such as the incident with Nesbit during his time in Cambridge, Nabokov keeps the reader at a distance by concealing his feelings in rhetoric. An example of this is the “short biography” (173) of his father. Using vivid details to describe his father, one can feel the spiritual resonance the experience had on Nabokov. “And behind it all there was yet a very special emotional abyss that I was

Similar to Marx, Ginsberg is against the idea of a small fraction of the people having significant control and power. Even though the poem is harsh on America, the goal of the author is not to shun or shame the country but try to better it. He is an extremely critical patriot trying to correct America’s flaws.

With reference to Ginsberg's emulation of Walt Whitman's content, the Norton Anthology, Postmodern American Poetry, states that, "Ginsberg proposed a return to the immediacy, egalitarianism and visionary ambitions of Blake and Whitman." (130). His poem "America" caters toward themes of democracy, something Whitman's poetry also does. Yet unlike Whitman, Ginsberg takes a more questioning stance on America and does not use his poem to praise the nation.

Ginsberg reflects on the satire of people worshipping American culture when it is actually the cause of their trouble. Which glorifies a civilization restricting you to normality, and destroying the best minds. These parts take the reader behind Ginsberg’s belief of the “best minds” American culture changes across the fundamental desires to destroy them.

Many authors, critics, and everyday social readers define Ernest Hemingway as the prime example of 20th century American literature. Hemingway’s works transcend time itself, so that even readers today analyze and criticize his works. His works, of course, have drawn praises and animosity from all corners of the globe. Critics often applause Hemingway on his short simple prose, for which many people recognize him for. His writing builds upon the masterful usage of “short, simple words and short, simple sentences” (Wagner, 3) to create clear and easy to

In the second stanza, Ginsberg changes from addressing America to addressing himself. This is an important transition because it is here where he comes to the conclusion that there are two Americas. "It occurs to me that I am America. / I am talking to myself again." (P-M 369) This revelation comes by way of Time Magazine, which he is obsessed with and reads religiously. "It's always telling me about responsibility. Businessmen are serious. / Movie producers are serious. Everybody's serious but