Purity and Civility in The Praise of Folly by Desiderius Erasmus and Of Cannibals by Michel de Montaigne

    Candide on the surface is a witty story. However when inspected deeper it is a philippic writing against people of an uneducated status. Candide is an archetype of these idiocracies, for he lacks reason and has optimism that is truly irking, believing that this is the best of all possible worlds. Thus Voltaire uses a witty, bantering tale on the surface, but in depth a cruel bombast against the ignoramuses of his times.

Voltaire’s Candide is a lively satirical work wrought with black humor and caricature-like characters. Apart from being a humorous and entertaining masterpiece, Candide explores the metaphysical conflict humanity faces in attempting to make sense of the world and its struggles. In his work, Voltaire uses his characters to serve as caricatures or parodies of various contrasting philosophies which each in their own way attempt to confront and remedy this existential conflict. He frames these characters’ worldviews in such a way as to create a philosophical spectrum with optimism and pessimism being at opposite extremes amongst other worldviews, such as meliorism and quietism, within the spectrum.

In the book Candide, by Voltaire and in the “Essay On Man” by Alexander Pope, both authors write about similar ideas. However, they also have some drastic differences, such as Voltaire's sarcastic over exaggeration of ideas that oppose his to make a point. Both Voltaire and Pope make conflicting arguments for a general ideology but Voltaire depicts in opinion much stronger.

In many parts of the world, humans live in a civilized society where law and order are organized and enforced. But within a lawless society, savagery surfaces in an ungoverned setting of bloodshed and harm. In Lord of the Flies by William Golding, Civility and Savagery are differentiated with Ralph and Jack, Ralph establishes a community compared to Jack who damage and divide civilization. Because of how Jack and Ralph use their democratic and dictatorial authority, through the examples of the declined civilization, the increase of savagery and the different ways of power by Ralph and Jack.

The Merriam-Webster Dictionary defines satire as: “literary work holding up human vices and follies to ridicule or scorn.” Besides this definition satire can also be seen as the particular literary way of making possible the improvement of humanity and its institutions. In the three works: Moliere’s “Tartuffe,” Voltaire’s “Candide,” and Swift’s “A Modest Proposal” the authors indirectly criticize and ridicule human behavior and characteristics but with the goal for improving these faults rather than just demolishing them.

Swift’s ‘Gulliver’s Travel’ and Voltaire’s ‘Candide’ are typical literature works during the Enlightenment period. Both authors use satire in their works. Satire is literary form which means irony. Therefore, they have some similarities. They both want to expose human vices through satiric tone. Due to different personal styles, there are many differences between two novels.

Candide is a reflection of the philosophical values of the Enlightenment. Voltaire’s novel is a satire of the Old Regime ideologies in which he critiques the political, social, and religious ideals of his time.

     “Everything happens for the best, in this the best of all possible worlds.” This is a statement that can be found many times within Voltaire’s Candide. Voltaire rejected Lebitizian Optimism, using Candide as a means for satirizing what was wrong with the world, and showing that, in reality, this is not the best of all possible worlds.

In the note to Canto V regarding Francesca and Paulo, the Hollanders exclaim that “Sympathy for the damned, in the Inferno, is nearly always and nearly certainly the sign of a wavering moral disposition” (112). Indeed, many of the touching, emotional, or indignation rousing tales told by the souls in Hell can evoke pity, but in the telling of the tales, it is always possible to derive the reasons for the damned souls’ placement in Hell. However, there is a knee-jerk reaction to separate Virgil and, arguably, some of the other souls in limbo from this group of the damned, though, with careful perusal of the text, the thoughtful reader can discern the machinations behind their damnation.

Erasmus’s Praise of Folly is a humor-filled satire of pretty much everything. It is filled with wit and sarcasm which make light of serious problems and blow insignificant issues out of proportion all the while bringing a smile to the reader’s face. It is not stinging humor at the expense of others (unless, of course, the shoe fits), rather it is directed towards everyone. Erasmus even includes himself in the joke, practically parodying himself in the first section (xvi). In Praise of Folly, Erasmus uses this humor to criticize without the harsh judgment of seriousness. His humor parallels the import of his subject. When Folly discusses the

"Of Cannibals,Kings and Culture: the Problem of Ethnocentricity.", Montaigne’s essay and “The Tempest” all display examples and great thoughts on how ethnocentricity has affected our way of thought to give a false sense of civilization. They have shown us that different people see barbarians differently. We see customs that are different from our own as horrible crimes. In “The Tempest” Prospero and Caliban both display examples of arrogance. In all societies certain people have strong ethnocentric mindsets that limit their thinking to blind themselves and others.

Today, Candide is used in the study of European Enlightenment thinkers and philosophers as a first-hand account of the faults within the value systems of government, religion, and society during the 18th Century. Through its sarcastic portrayal of seemingly absurd customs and traditions, Candide illustrates Europe in all of its flawed glory. As a prominent figure of the Enlightenment, Voltaire sought to publicize his views on society in a digestible, entertaining, and condensed medium like Candide (“Voltaire”). Written in a period of exile and fear in his life, Candide acted as Voltaire’s biting response to the crushing weight of outdated societal customs.

In the literary `movements' of neo-classicism and romanticism, Voltaire's Candide and Goethe's The Sorrows of Young Werther represent the literary age in which they were written. In the following composition, textual evidence will be provided to demonstrate how each book accurately represents either the neo-classicism age or the romanticism age. Candide and The Sorrows of Young Werther will be examined separately, and then examined together. After, a discussion about how each age seems to view the nature of man and the significance of moral and spiritual values will be presented. Also, a personal interpretation of the conclusion of each book will be given. Lastly, quotes

The three cannibals complain that the European society shouldn’t be run by a child, but rather an older gentleman to command. They continue to criticize the society by saying that there is variety in wealth, and that it is not a proper place where only half can dine and live in wealth while the other half is hungry.

Envision living in a nation that has achieved the paramount form of society, one that is ideal in its ethical, social, and political facets. Simple to imagine but impossible to replicate, and that is, according to Plato’s Theory of Forms, because the physical world is a poor copy of these ideas, these forms, even the ones closest to perfection are imperfect. That is why a utopia can not be attained in reality. Although, in Montaigne’s Of Cannibals, it is proposed that the natural state is the closest to accomplishing this. The ideas set forth in this work, chiefly the concept of cultural relativism, influenced Shakespeare in his writing of The Tempest, and the characters Gonzalo and Caliban portray