Purple Hibiscus Character Analysis

At the beginning of the novel, Kambili is seen as immature and young because of the fact that she is very observant but does not say anything

She insists Siddhartha should be friendly yet have a powerful voice. She tells him to not become his servant but rather Kamaswami’s equal for she will not take in Siddhartha as a student if he stoops below his position.

Kambili, the narrator of the story, symbolizes the bridge that connects Aunty Ifeoma and Mama. The one similarity that the two maternal figures hold is how they have affected Kambili even with their unalike personas. In the beginning of the novel and Kambili’s journey, she represents Mama and her restrictive house as she is also

When we are first introduced to Amaka in the novel it is clear she believes Kambili is a snob. When Kambili comes to live with them Amaka treats Kambili badly and makes all sorts of nasty comments about her. We can assume in the beginning this is because Amaka truly believes this, but by the time Kambili defends herself in light of an “Amaka comment”, we see that in fact Amaka was treating Kambili the way she was to help her find her voice. Once Kambili and Amaka solidify their relationship, Amaka is like a friend to Kambili; a friend from whom she learns how to be a young teenager. Through Amaka’s influence Kambili learns to laugh, sing to music, respond to teasing about her “love interest”, among other things. These are all things which under her father’s rule are completely wrong and sinful. This illustrates her moving away from her father’s beliefs and control. Amaka is someone Kambili can talk to; someone she learns to open up to, which is reversing some of the damage done to her by her father.

An important relationship in the novel Purple Hibiscus by Chimimanda Ngozi Adichie is the relationship between Kambili and her Aunty Ifeoma, and her family. It introduces Kambili into a less sheltered environment where she is not only free to speak her mind, she is encouraged to question things, and form her own opinions. She also looks up to and admires her cousin, Amaka, who influences Kambili to be more confident and free thinking, like she is. The relationship between Kambili and Aunt Ifeoma’s family also opens Kambili up to new relationships, such as her relationship with Papa-Nnukwu. She begins to

The novel Purple Hibiscus, by Chimamanda Ngozi Adichie, is a story of a young girl , who tries to find her own voice and speak out against her violent oppressive father. The novel is set in post-post-colonial Nigeria, in a time in which the government was run by a military dictatorship. There are a number of symbols used to help develop ideas in the text; the three most important ones being purple and red hibiscuses and Mama’s figurines. The red hibiscuses are symbolic of the violence in Kambili’s life while the purple hibiscuses symbolise freedom, defiance and the freedom to speak out. The figurines are symbolic of Mama’s quiet character and of the violence in her home. These symbols are there to show the

Finally, Jayanti’s first exposure to the world outside her Aunt’s house and the events that lead after, changes who she really is,

Throughout Purple Hibiscus by Chimamanda Adichie, Kimbili and her brother become more defiant. The two learn that standing up for what one believes in is of the utmost importance, even if it means defying those you love. This lesson is most relevant when the reader analyses the narrator's relationship with their tyrannical father, Eugene. Adichie portrays two different views on defiance through Kimbili's father and her brother, Jaja. This stark contrast facilitates the reader's understanding on Adichie's own conflicted stance on the topic of defiance by the death of Eugene and his brutal rule and his family's reinvention of themselves after Kimbili's trip to see her Aunt and cousins.

Nigeria, a barren wasteland, now an uprising land of civilization enters an era of ferocity, dominance, depravity. From the ashes of Nigeria, emerges Chimamanda Ngozi Adichie, the author of Purple Hibiscus. She intertwines Purple Hibiscus with her personal memories; she wrote her tale based on her experience-religion, history, and politics. Purple Hibiscus is a novel expressing the complexity of the human nature. From tragedies to happiness, life is a pendulum of occasions. Life consists of abrupt changes; these changes are caused by external factors such as government. However, when a government is corrupt, two primary courses are presented: to submit or rebel. The corruption within government vastly expands towards major concepts-politics, economy, religion-that influences people’s lives. Therefore, Adichie exposes the detrimental transformation of a tyrannical government through her portrayal of the economic, religious, and political strife throughout Nigeria.

Characters throughout Alice Walker’s The Color Purple can be evaluated and analyzed using Maslow’s Hierarchy of Needs, a five-stage model consisting of fundamental needs and growth needs. His theory states that the basic, lower tiered needs have to be met before the growth, higher tiered needs can be met, to ultimately reach the top tier, self-actualization. In The Color Purple, Walker shows the eventual progress to self-actualization through the protagonist, Celie. Celie’s growth is shown through her letters to both God and her sister Nettie. Celie fulfills her basic physiological needs when she gets married to Mr._ because she is finally able to escape her father’s abuse, beatings, and rape. It takes a while, but Celie gains safety and security when Shug Avery tells her, “I won’t leave… until I know Albert won’t even think about beating you” (Walker 76). The relationship that Celie forms with Shug helps Celie satisfy her belonging and intimacy needs. Their love for each other can be shown when Shug states, “cause she [Nettie] the only one you ever love… sides me” (120). As Celie begins her life in Memphis, she meets the respect/self-respect needs when she opens her own business making and selling pants. Celie feels so pleased and shows her character development when she says, “I got love, I got work, I got money, friends, and time” (218). Celie finally reaches self-actualization by the end of the novel. She has a successful business, is able to be independent in her own house, and realizes that she can bring herself happiness and that through every situation she needs to see the bright side. This is evidently shown when Celie is talking to Mr._ and says, “If she [Shug] come, I be happy. If she don’t I be content” (288). Celie’s evolution to reach self-actualization is clearly displayed in The Color Purple as Celie faces and overcomes hardships and learns to be confident in herself.

1) Five major issues explored in purple hibiscus are; domestic violence, oppression, religion, education and love.

Kambili and Jaja break free from their father, Eugene’s, abusive and controlling ways in the novel Purple Hibiscus. Kambili is a shy and scared girl at the beginning, but by the end she was changed into a beautiful outgoing girl who develops her voice and her laughter. Jaja is more outgoing in the beginning and becomes more protective of his family throughout the book. The change didn’t come to Kambili and Jaja naturally; it came through Aunty Ifeoma and their time away from Eugene. Ifeoma’s rejection of Eugene’s Catholic-driven control inspires Kambili and Jaja to break free.

Purple Hibiscus takes place in Enugu, a city of political conflict in post Colonial Nigeria. The story is narrated by the protagonist Kambili Achike, a teenager and lives with her elder brother Jaja, who excels in academics like his sister but is withdrawn and sullen. Kambili’s father papa is a delightful but a harsh authoritarian whose faithfulness to

She learns from watching Papa Nnukwu doing his morning prayer (p. 167 – 169) that his traditionalism is a very spiritual thing for him and something that made him happy; happiness her family doesn’t feel after saying their prayers. This is a breakthrough for her as she makes the conclusion for herself and understands herself that there is an important something in Papa Nnukwu regarding his beliefs that is missing in their own lives which revolves around their religion. She also understands her grandfather better and sees and experiences that her father is wrong. This matures Kambili greatly and contributes to her independence of her father.

Being the only male child in his father's family, Nhamo was the natural choice in whom Babamukuru's money would supply an education. He was to be the saviour of his family, their only hope of moving up, a fact that Nhamo reminded her of constantly. As time progressed, Tambu did not like the way her brother's education caused him to become embarrassed of his own family, and to despise the squalor in which they lived. His new life at Babamukuru's house at the mission had changed him, alienating him from her and his parents.