Purple Hibiscus Quotes

The evangelists are very accepting, as they take in the osu, outcasts from the clan. They offer salvation along with freedom, which Nwoye has been searching for for a long time. However, because of Nwoye’s action, Okonkwo disowns him. Later, when Obierika goes to visit Okonkwo, he finds that “Okonkwo [does] not wish to speak about Nwoye.” Moreover, Okonkwo tells his other children that “if any one of [them] prefers to be a woman, let him follow Nwoye” (Achebe, 172). Okonkwo then asks himself how he could have “begotten a woman for a son” (Achebe, 153). According to Okonkwo, Nwoye has become weak because he has joined another religion. Since Okonkwo believes he is the most masculine man in Umuofia, it is unbearable that his child turned out to be such a failure. This unbearable change in his family creates a ripple effect of events that become worse and worse for Okonkwo.

Okonkwo’s oldest son, Nwoye, has to achieve high expectations, to be just like his father. If he falls short of Okonkwo’s near perfection, he will face consequence usually in the form of physical harm. Okonkwo wants Nwoye to be strong, powerful, independent, and hard-working. He must be like is father, and not like his grandfather, Unoka, or his mother. Unoka was an absolute failure in Okonkwo’s eyes, and a terrible father, who did nothing to help the family. Okonkwo is a man and wants his son to be a man too, not womanly like his mother. Okonkwo wanted “his son to be a great farmer and a great man” (33). Okonkwo is “worried about Nwoye....my children do not resemble me...too much of his mother in him” (66). Okonkwo knows that Nwoye resembles more of his mother than him, but also knows that he resembles Unoka too. Both fathers want their sons to be just like them, but do little to ask what they want in life, and neither father will budge on what they want for their sons.

The novel also explores the negative impact that inequality has on the lives of Nigerians. Characters experience both gender inequality and inequality between different classes of society. In the story ‘Tomorrow Is Too Far’ the author highlights that how her grandmamma treats her and brother differently. Her grandmamma taught her brother Nonso how to pluck the coconuts but not her. Because ‘girls never plucked coconuts’. Nonso was always given the first sip of coconuts and grandmamma cooked meals with him in mind, not his sister. Nonso’s sister was told instead ‘this is how you will take care of your husband one day’. And also her mother used to end her brother’s nightly goodnight ‘ho-ho-ho’ laughing, but never left her room laughing. That’s all because Nonso is grandmama’s ‘sons only son, who would carry on the Nnabuisi’ name. This demonstrates that the importance of name and that these beliefs lead to gender inequality. The author also shows the negative impact of gender inequality.

For Nwoye, after Ikemefuna's murder Nwoye seems to have finally given up on his father and loses reverence towards him. When Nwoye was at the stage of confusion he experiences an epiphany after being drawn to the new religion that made him “feel a relief within as the hymn poured into his parched soul” following his exposure to Christianity (147). This was an escape for Nwoye to finally find meaning in his life and ultimately make the decision to start a new life and leave the past behind. Compared to Nwoye, after Okonkwo’s time of crisis, he is faced with a transformed village and culture seeing that at the time of Okonkwo’s life many things were changing. This causes Okonkwo to experience denial and “mourn for the clan, which he saw breaking up and falling apart” (183). Drowned with memories of the past, Okonkwo misses the time at which he knew and was comfortable with. Ultimately, Okonkwo chooses to end his own life in fear that no longer exists in his clan and feels he is no match against the white men, as compared to Nwoye who chooses to live life

African society, influenced by its traditional economy, held strict gender roles, and Ekwefi stayed in the home and focused on traditional female tasks. Although African American society in the twentieth century prized women and elevated females to powerful matriarchal positions in the family, pre-colonial Nigeria in no way tolerated women outside the bounds of the home. Ekwefi lives “in perpetual fear of [Okonkwo’s] fiery temper,” and pours herself into raising her daughter, Ezinma (Achebe 13). Because Okonkwo fails to respect the religious customs and “beat” his wife “very heavily” during the “Week of Peace,” others in clan lose respect for him and his family, and Ekwefi can do very little to change this (Achebe 29) . To deal with her husband’s inadequacies, Ekwefi pours herself into Ezinma and raises her to exhibit strength and bravery. Because Okonkwo and traditional Nigerian society hailed masculinity as supreme and despised femininity, Ekwefi knew that in order to appease Okonkwo’s anger, she must raise her child to exhibit these characteristics, despite her gender. Her strategy proved successful, as “Okonkwo was specially fond of Ezinma,” but only showed his “fondness on very rare occasions” (Achebe 44). Furthermore, Okonkwo repeatedly states that Ezinma “should have been a boy,” (Acehbe 64) because he loves her, but continually

-After Nwoye is lured into the Christian religion and abandons his culture and family, Okonkwo is ashamed and states, "you have all see the great abomination of your brother. Now he is no longer my son or your brother. I will only have a son who is a man, who will hold his head up among my people" (172). Nwoye's father disowns him only because he chooses a path untraditional to his culture. The serious, frustrated, and unhappy mood that is created in Okonkwo's statement gives the reader an idea of how much the Ibo culture values tradition, choice, and family.

Okonkwo treated his son and daughter very differently. The child-father relationship between Okonkwo and Nwoye was a distant and strained one while Okonkwo exhibited another type of feeling towards Ezinma which is filled with care and concern. This was due to the fact that Nwoye “was already causing his father great anxiety for his incipient laziness” whereas Ezinma was thought to have the “right spirit” and “alone understood [Okonkwo’s] every mood”.

Chimamanda Adichie’s Purple Hibiscus is a story set in Nigeria told from the perspective of Kambili and her journey towards independence; along the way, she looks to the female role models in her life, each which aid her path to liberation. Mama and Aunty Ifeoma are two vital female characters to the development of the story but with stark contrasts; Mama’s submissive and reserved demeanor provides a perfect foil to Aunty’s outgoing and independent personality. They both influence Adichie’s bildungsroman, but how they aid Kambili’s endeavor is strikingly different. Mama and Aunty Ifeoma represent the female figures in Kambili’s life; Mama shows Kambili to submit to the men in her life, while Aunty Ifeoma opens up the idea of being independent and free thinking. Mama stresses submission and dependency as a sacrifice to tradition while Aunty Ifeoma emphasizes independent thought to embrace oneself and progress over all others. The way that these two women uphold themselves throughout the novel, demonstrates how these patriarchal societies, like the one in Nigeria, restrict women like Mama, while women like Aunty are deemed rebellious to society.

An important relationship in the novel Purple Hibiscus by Chimimanda Ngozi Adichie is the relationship between Kambili and her Aunty Ifeoma, and her family. It introduces Kambili into a less sheltered environment where she is not only free to speak her mind, she is encouraged to question things, and form her own opinions. She also looks up to and admires her cousin, Amaka, who influences Kambili to be more confident and free thinking, like she is. The relationship between Kambili and Aunt Ifeoma’s family also opens Kambili up to new relationships, such as her relationship with Papa-Nnukwu. She begins to

Okonkwo considers Nwoke to be weak, lazy and is more feminine than masculine. He feared that Nwoke will turn out to be like Unoka so, “he sought to correct him by constant nagging and beating” (11). Achebe shows that Okonkwo wants his son to be strong and fierce like him, but when this was not the case he feels that harming Nwoke will teach him. Though instead of the punishment helping Nwoke become manly, it had a negative effect on Nwoke leading him to fear and resents his father. In addition, the small relationship they had was completely broken when Nwoke finds an interest for the Christian religion. When Okonkwo hears that Nwoke is among the Christians, he gets furious and disowns his son because he does not want Nwoke to join the church . Likewise, when Obierika ask Nwoke how his father is he answers saying, “I don’t know. He is not my father” (124). This shows that instead of working out their different opinions they fought and in the end tore their relationship apart. One can not miss the reality that if Okonkwo was kind and not hurtful towards Nwoke tun he would have stayed with the Ibo culture. If this was the cause then the father and son would have had a better relationship. In the end the reader can conclude that Nwoke and Okonkwo’s relationship failed because of the actions and feelings they had for each

In Nigeria, Aunty Uju is Ifemelu’s role model and influences her regard towards America. In this time period before America is involved in Ifemelu’s life in any capacity, Adichie’s characterization of Aunty Uju is indicative of life in Nigeria and how happy and hopeful it is for both women. There are issues, regarding Ifemelu’s family life and Uju’s financial security through The General, but ultimately they are happy with their lives and their relationship is

Throughout Purple Hibiscus by Chimamanda Adichie, Kimbili and her brother become more defiant. The two learn that standing up for what one believes in is of the utmost importance, even if it means defying those you love. This lesson is most relevant when the reader analyses the narrator's relationship with their tyrannical father, Eugene. Adichie portrays two different views on defiance through Kimbili's father and her brother, Jaja. This stark contrast facilitates the reader's understanding on Adichie's own conflicted stance on the topic of defiance by the death of Eugene and his brutal rule and his family's reinvention of themselves after Kimbili's trip to see her Aunt and cousins.

The impact of Ikemefuna’s death on Nwoye is devastating. Something gives way inside of him when he thinks of his father and the killing of Ikemefuna. The fear of his father and the horror over the sacrifice of Ikemefuna separates Nwoye from tribal customs and the sense of community. His family’s banishment isolates him further. Hearing the Christian hymns, which cater to

Kambili and Jaja break free from their father, Eugene’s, abusive and controlling ways in the novel Purple Hibiscus. Kambili is a shy and scared girl at the beginning, but by the end she was changed into a beautiful outgoing girl who develops her voice and her laughter. Jaja is more outgoing in the beginning and becomes more protective of his family throughout the book. The change didn’t come to Kambili and Jaja naturally; it came through Aunty Ifeoma and their time away from Eugene. Ifeoma’s rejection of Eugene’s Catholic-driven control inspires Kambili and Jaja to break free.

Lastly, the author had a purpose for making the characters act they way that they did. He chose everything with care for his novel. “How is your father? Oberika asked, not knowing what else to say. I don’t know. He is not my father, said Nwoye, unhappily.” (151/4) With this quote, it shows the reader how Nwoye came to hate his father. Okonkwo pushed him so hard that Nwoye became independent. He had completed his goal but not how he wanted it to happen. “Nwoye turned round to walk into the inner compound when his father, suddenly overcome with fury, sprang to his feet and gripped him by the neck.” (151/4) Okonkwo was still violent with his son because he had converted into a Christian. Which is something that he did not agree with. The author’s purpose for this part in the novel