'Pursuit Of Knowledge In Mary Shelley's Frankenstein'

As the novel goes on everyone Victor once cared for are decimated in the path of his creation. "I was possessed by a maddening rage when I thought of him and desired and ardently prayed that I might have him within my grasp to wreak a great and signal revenge on his cursed head" (Shelley 103). Now, due to his unwavering lust for knowledge, all that was once good and innocent has been stripped from him. This has left him as a former shell of himself, to be compared with his own creation, solely driven by vengeance.

Victor pursuit of desiring to build a creature makes it seem as if he was an evil and mad scientist. Shelley demonstrates Victors madness by saying “a resistless and almost frantic impulse urged me forward; [he] seemed to have lost all soul and sensation but for this, one pursuit” (55). This reveals that because Victor was emotionally attached to his creation, he was willing to have sleepless nights just to create a creature. Victor is beginning to show signs of madness scientist because he starts to lock himself up trying to bring this hideous monster to life. Because Victor starts to “lock himself up in his apartment” Shelley makes it seems as if Victor is turning into a mad man and evil scientist (52). Victor’s fundamental quest for knowledge leads to his isolation because he locked himself in his apartment for 6 years without having any connect with his family in Geneva and becoming so fanatical with creating the monster he craved for in his

“Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge, and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow” (Shelley 60). In Mary Shelley’s Frankenstein, she expresses her beliefs regarding the danger of pursuing happiness through the attainment of knowledge, because true happiness is found in the emotional connections established between people. The pursuit of knowledge is not necessarily an evil thing, but it can cause destruction when it is pursued beyond natural limits. Victor Frankenstein becomes a slave to his passion for learning in more than one way; first his life is controlled by

The ultimate consequences of Promethean ambition are characterized through Victor and Walton, who parallels Victor, yet is able to turn from the ‘intoxicating draught’ of superiority and unbridled ambition. This juxtaposition of character reinforces the significance of moral responsibility, as Shelley ultimately mocks the hateful bond between Frankenstein and his child, the Monster. The harsh consequences of disrupting nature and forfeiting moral conscience are conveyed, connoting the inevitable demise due to loss of self and identity.

In Mary Shelley’s 1818 novel, ‘Frankenstein’, a recurring motif of ambition and the quest for knowledge is present among the characters of Victor Frankenstein, Robert Walton and the creature. Victor’s obsessive ambition is his fatal flaw, ruining his life and leading to the murder of his loved ones and eventually his own death. Robert Walton shares a similar ambition

Victor Frankenstein was obsessed with knowledge, and thought knowledge was the key to unlocking nature and become a pioneer in science and challenging God. “I have described myself as always having been imbued with a fervent longing to penetrate the secrets of nature” (Shelley, Frankenstein, 21). Victor always had to push boundaries, and his passion drove him closer to science and immorality and farther from his family and friends. Once Victor sees his abomination animated, his potential come alive, he wishes for nothing more than if it had never happened. He moves on to a new obsession – fleeing his past. It consumes him and his health.

Shelley uses Victor’s lack of humanity as a metaphor for mankind’s negligence of the dying essence of romanticism in the time the book was written. It is evident in the chapter where Victor uses the serenity of nature to attain tranquility in a troubled mind. The visual imagery created in Montanvert accentuates the

Throughout the novel, Victor ignores and shows no interest or empathy towards human beings. He is an alchemist himself who is interested in making things come to life from the dead specifically. He was unable to differentiate the “impracticability” of this creation he had in mind (Shelley 54). Victor has this big idea of taking body parts of the dead people and creating this creature that also becomes known as the Monster. He does not think about the future of the

Through her use of language of curiosity, Shelly states that one’s passion for knowledge is overpowering. Frankenstein is talking to Walton about his mistakes through his quest to acquires knowledge. He explains that it is better for people to think they are the only people in the word than to try and become greater than their nature will allow. He starts telling Walton his story. He states , “No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success” (54). Through his use of the simile, “like a hurricane,” Frankenstein explains the forceful and destructive nature of passion. Also, his use of the word “hurricane” shows that passion is also natural meaning it is unpredictable and

Victor uses his knowledge not for the benefit of society, but for his own purpose of experimentation which ends up turning out the opposite way that he imagines. Knowing his own vanity, Victor says "lean from me, if not by my precepts, at least by my example, how dangerous the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow" (Shelley 38). After creating the monster and all the hardships Victor had to go through, he realizes that a person should be happy with the world around him/her and not try to change it. He admits that trying to become a man greater than who he could be drove him mad and his knowledge went in tow with it. From

In the novel, Frankenstein, Victor Frankenstein shows the cruel karma that joins in the achievement of attaining knowledge. With countless examples to support this statement, the opinion of this reader holds strong with the opinion of Mary Shelly, that the power of knowledge, though incredibly tempting to grasp hold of tightly, can be a dangerous achievement that can lead to more destruction than it can recover.

At this point Victor is responsible for two deaths and must keep this all to himself. By suffering through the guilt and the illness it is clear that his decisions that were made in order to deepen his knowledge of the scientific world are becoming dangerous to himself and the people close to him.

During this Era, the romantics believed it was an individual’s imagination that would create an understanding of the world around them, leading to a more perfect version of humans throughout society in which they lived. Here, it is clear Victor is occupied by nothing but worldly concerns and unattainable ideas. CD 3: “Natural philosophy is the genius that had regulated my own fate” (Shelley 24). SD 3: Victor displays sensibility in that is he often driven by nature.

Victor expresses the misery he feels regarding his actions in relation to the monster with zeal, but his remorse proves to be false when viewed with

Indicating that as the reader is aware of certain events due to the narrator hinting what has happened beforehand, it increases the dramatic tension within the novel. On the other hand, this stylistic choice can have the reader strongly evaluate whether it is nature or nurture that is to blame for ‘Adam’s’ amoral actions. Particularly in Victor’s case as his reflection on life has Shelley allude to Dante’s Inferno to which Victor “became such a thing that Dante could not have conceived” arguing that like Dante, Victor experiences hell, purgatory and finally paradise through his death of “eyes closed forever.” Which reinforces that Victor should feel guilty for his ignorance for letting Justine “sacrifice” her life for William’s death, but also the fact that Victor let this ‘agonizing ordeal’