Pussy Riot Research Paper

'If it is a mistake it is my mistake',Rihanna is a well know star from all over the world for about 12 years. Rihanna became a start because her unique singing. Although, this is not the only reason. She has made many songs that have became number 1 hits. She has the most like and followed pages. Also Rihanna knows what genre fits her voice type.In 2003 when Rihanna was 15 a teen one of her friends introduced her to a famous music producer. The music producers name was Evan Rogers.Evan noticed her talent and him and his partner Carl Sturken helped her record her first song.Her first son was sent to various companies. Jay z who is a famous rapper signed her to def jams. When Jay Z heard her sing, he was impressed. He noticed she had great potential he was extremely convinced she was a good singer.This is how she became extremely successful in the music industry. As of today Rihanna is still one of the most well known singers. She usually go by the name of RiRi or Caribbean Queen.She changed the world with her unique voice. Also she became well known for her signing and fashion.She donated money to charity and also helped the unprivileged.

The Russian Orthodox Church has a very dark unspoken past. The Russian Orthodox Church changed many policies over the years leading to many casualties. The Russian Church to many people was a sign of fear and change they were uncomfortable with.

The hierarchical and patriarchal structures of Kievan societies can in part explain the relative obscurities that surrounded the rights of Russian women. The society autonomously called for unwavering obedience and allegiances within the limits of Christian belief. Of course, the obedience did not extend to

“Pussy Riot: A Punk Prayer” is a documentary about three women who are involved in a feminist group. The documentary is located in Moscow, Russia. Based on the location, one can a conclude that feminists views are very different than the United States. In order to express how the feminist group feels, they create many protest disturbances around the area. The three women try to fight for their rights throughout the whole documentary. They want to stand up for all the women in the Russia area, and also around the world. The feminist group wants women to feel powerful and useful to the world. The movie involves many techniques including conflict theory, rebellion, police discretion, and criminal justice system.

The Guerrilla Girls are a group of women formed in 1984 after an art exhibition hosted by the Museum of Modern Art in New York City where it became clear to them that the art industry was gender bias with women artists not being acknowledged. Since then they have been devoted to fighting sexism and racism within the art world, their mission to bring gender and racial inequality within the arts into focus. They have done this by producing factual and humorous posters that comment on these issues and that challenges and confronts society to realise the injustice.

Gender stereotypes are prevalent in all forms of media; Pussy Riot is working against this idea. A verse that specifically defies gender stereotypes is in the second verse. “Vaginas gonna win the race, vagina gonna play in space” (Pussy Riot). Athleticism and space exploration is seen as more masculine in society. It is also stereotyped because “you might stereotype women as uninterested in sports. This stereotype could keep you from noticing that many women engage in sports” (_____ 107). This is the point that Pussy Riot is pointing out. They are showing that women win races too and women are interesting in space exploration despite these stereotypes.

It is said that people fear what they don’t understand. The unknown has always inspired anxiety in us as a species. Feelings such as that are to be expected, even healthy, to have. If we had no fear, it is quite unlikely humans would have survived until now. Self-preservation is paramount to survival; yet, in the era in which we live it is often used against us. Fear mongering is a device used by advertisers, media, and politicians. Russia’s government is a perfect example, as mentioned in Maia Szalavitz’s essay, of how fear can blind one to long-term damage while concentrating on instantaneous threats. Governments such as Russia’s use so called politics of fear as a weapon to maintain control over their people by repressing or removing those who oppose them; this is exceptionally evident in the assassination of Putin critic, Boris Nemtsov (Gel’man 8).

The NYC Radical Cheerleaders describe their activity as, “[A]ctivism with pomp poms and middle fingers extended. It’s screaming F*CK CAPITALISM while doing the splits” (qtd. in Adams and Bettis 36). Since their inception in the mid-1990s, the feminist Radical Cheerleaders have given women a stronger voice in the activist sphere while they scream, shout, and protest against a myriad of social issues. These range from the patriarchy, LBGTQ discrimination, and beauty standards, to police brutality, sexual assault, and capitalism, but they are all linked to the fight for human rights. In their protest, they subvert the stereotypical image of the white, blonde, thin cheerleader, looking to incite public interest and engagement. Ultimately, radical cheerleaders channel the theatricality and obscenity of the women’s liberation movement to reclaim their rights in the public sphere with curses, vulgarity, and action.

A) Why is Karinna Moskalenko a target? She was a prominent anti-Kremlin human rights lawyer. She was probably a target to frighten her and prevent her from traveling to Moscow to appear in a pretrial hearing in the Anna Politkovskaya case.

These two girls, both named Maria, are probably about twenty years old or so, and therefore would have been born immediately after the end of World War II. Though their youth would have shielded them a bit, it was a time of great transition for the country as it was under Nazi occupation first before being taken over and held by the Soviet Union. They probably would have grown up hearing about the great freedoms that their parents experienced before the war when they were a free nation and as a result, that seed would have grown within their minds that they too wanted that freedom of expression denied to them under the “Worker’s Paradise” of Soviet Communism.

Major Claim: In the Second Wave of Feminism, a group of feminist artists enacted the group entitled the "Guerrilla Girls". In addition, this group of activists fight against the discrimination amidst the world of art by creating various medias of the Arts through literature, studio art, advertisement, public and public display. This is to counteract their oppressors within the field of art. In Anne Teresa Demo's Essay "The Guerrilla Girls' Comic Politics of Subversion", she analyzes the rhetorical approaches the association utilizes in aid towards resistance.

My working citizens of Russia had come to visit me! However, it was not as positive at it had seemed. They had not come to greet me, but had instead come to petition for better working conditions, freedom, and a national legislature. And that is when the shooting had begun. I was terrified beyond belief, too scared to look out the window to figure out what was happening, but my curiosity had overridden my fear. I gazed out of the window, dazed, and to my horror I had seen my palace generals and police firing into the crowd of protestors! My beloved citizens were dropping down like flies, and I was too paralyzed to move from my position and call off the guards, that was one of the largest regrets of my life. That day, known as “Bloody Sunday”, has remained imprinted in my soul, and the repercussions of it, can never be forgotten, it had become a scar on the heart of Russia

The Guerilla Girls are a women’s activist art group. They are masked women who came together to make change in the world of art and women’s involvement in society. GG emerged in 1985 and still are active today in New York after 30 years of the emergence of the group. The Guerilla Girls used posters with real statistics to show awareness of sexism in the art world and the discrimination of women in politics as well as in the mass media. The Guerrilla Girls spread awareness of sexism in art, discrimination in politics and the mass media through their workshops, performances, and posters.

In Putin’s Kleptocracy: Who Owns Russia?, Karen Dawisha relates Russian President Vladmir Putin’s rise to power. She overarchingly claims that Putin is an authoritarian leader who has obstructed and even reverted Russia’s path of democratization, citing, amongst many factors that enabled his ascension, his “interlocking web of personal connections in which he was the linchpin” (100), money-laundering to tax havens and personal projects, and the complicity of the West. With copious research, journalistic interviews, legal documents, and even sporadic informational diagrams, it is evident why her book is so popular amongst scholars and history enthusiasts. Unfortunately however, in spite of the grand yet oftentimes substantiated claims she generates, a more subtle yet noteworthy assumption is made: that the state is a protector, as Olson proffered. She employs this theoretical underpinning from the beginning, though is not representative of Putin’s actual authoritarian regime.

The present day Russian Federation involves a democratic system, given the presence of elections, an independent judiciary, and the supremacy of law. Yet, in democracy, the crux of it involves an inevitable paradox: law limits state power, but the state must have the power to enforce the law. However, finding the balance of the ability to enforce laws, and therefore maintaining order, while not infringing on civil liberties, requires a mutual understanding, a social contract, between the rulers and the ruled. This requirement has not found its place in the Russian political arena, especially since “creating a rule-of-law-based sate out of dictatorship is not easy” (Bressler 2009). In addition, the Russian psyche views authority as a source of force and violence (Yakovlev 1996), an etymological result of a continuity beginning from imperial Russia. Although the Russian Federation, the Union Soviet Socialist Republics, the Russian Empire, and the Tsardom of Russia differ significantly, a strong state remains prevalent in the core of Russian history and politics. In short, the nature of political rule in Russia involves a never ending tug of war between the seemingly undying authoritative soulless entity known as the state and the equally undying Russian people’s hunger for liberty.