Putting Life To Work Analysis

In this article Mexicans: Pioneers of a Different Type Gonzalez gives us an outlook different from what we generally read when taught about American History. His effort is to explain how each of the different Latino groups came. What was happening in their home towns that caused them to leave. If people want to accept it, eventually they will have to. That this country is bound to go through an enormous Latino population explosion. Gonzalez writes “Mexican Americans meanwhile, face a frustrating identity problem like that of Puerto Ricans” (pg97). Being a Mexican American myself I could agree that it is at times frustrating identifying. We are either too American to be Mexican. Or too Mexican, to be American. In 1749 because of what was called the promise

Since the beginning of time, artists have labored extensively to find innovative ways to convey sentiment, passion, and feeling. Telling stories and trying to unlock the minds of people through different avenues of artistic labors. Art touches and affects people in unique ways; it can have special or unusual meaning on the person depending on how one views it. Artists’ rendering of their art is interpreted in numerous ways by others who view it unless it is explained by the artist on its meaning giving a clear example of what they are portraying. Two people looking at the same painting, sculpture, portrait, or photo may come to different views on the arts meaning even though they are looking

Over the years, I have flirted with visual art. It started with pencil drawing, continued as an affair with marker illustration, then a dalliance with lettering, and I now have a relationship with photography. However, my favorite art will never be displayed in museums or galleries. It is not static and immutable. Rather, my chosen medium is fluid, living, volatile. No matter how well rehearsed, it will never be the same again. That’s the beauty of performance art.

Thomas Merton once said "Art enables us to find ourselves and lose ourselves at the same time". This is completely true. Throughout the semester we have gone through almost as many as 300 pictures we view, learn, decompose into the criteria it meets and talk about the controversial things it has, while we do this we don't recognize that we also identify the form, content, iconography, and context. All four areas are what the paint, picture or sculptures identity is. I was lucky enough to visit my buddy out at WIU. There are many works in the art gallery, around the union and even outside walking around, but one that did catch my attention and had me thinking about it for quite some time. It was a painting called Memorialized by Tyanna Buie, was made in 2011 and measures 38’’x50’’. The content it has is beautiful, the form is wicked, context is superb and iconography is permanent. It reminds me of artwork we've gone through the semester. The painting was being showed at the art gallery in end of March. It’s now May and I can still picture it in my head so detailed, without even looking at a picture of it. It’s a piece of work I have connected to, yet lost myself in.

Professor Mondloch first briefly discussed the concept of interface in the context of art. She argues that the way we see and experience art works “is as important as what we see.” To illustrate her argument, Professor Mondloch used Bruce Nauman’s Live-Taped Video Corridor as an example of how our experiences of an art work can become its meaning.

Works of art have molded my personality by creating scenarios and eliciting emotions that may have otherwise never been felt in such form as can be presented by an artist, his vision exacting and considerate of his audience’s developmental needs. As a children’s author would write of basic experiences, the artist sympathizing with a young adult such as myself would analyze the complex emotions that the reader must come to terms with as an adult; therefore, my exploration of books, movies, video games, and musical works has taught me how to live and sometimes what it means to live. They have been at times my counselor and at others my guide to living.

The second portion of this assignment is to create and artwork that is inspired by the theme of style of the chosen artist. This should go beyond a master student

As a graphic art design major I am often faced with the challenge of expressing my thoughts using art as a language. This is not an easy thing to do since art can mean many things to different people. Art is a form of symbolic speech. With the freedom to manipulate my thoughts by

The recognition of expressive qualities within an art piece – whether it be features of a face in a painting, gestures of a thespian during a theatrical performance, or the timbre of a guitar at a concert – are able to be used by the audience member for their own purposes. Barwell argues that the audience seeks a particular emotion from within themselves while engaging in an esthetic experience. For example, she says, “If I want to express a feeling…which is somber, serene, and mystical, I might find that Mark Rothko’s huge abstracts in the

Peter Goldie states Conceptual artist are authors of meaning rather than a skilled craftsman, since it is the idea, the notion, the concept and not the outcome or art object that is at the heart of this artistic experience.

By using the works of Kahlo and Duchamp, it will be argued that art is the purest form of expression as a result from the multitudes of induced meanings and emotions that present themselves in art.

The labour process under a capitalist society has become distorted over time. James Rinehart explores this in his book “The Tyranny of Work,” where he ponders the recent evolution of labour in relation to the human condition. (Rinehart, 2006) An action which should look to promote personal and communal development now leaves employees alienated in several forms. We’re given a visual representation of this through the short movie “The Necktie,” and real-life examples of experiments conducted in Dan Ariely’s Ted Talk, “What makes us feel good about our work?” (Canada, 2017) (Ariely, 2017)

Conceptualism can be said to be a creative and critical strategy establishing a firm link between contemporary and classical African art where the concept or function of/behind the artwork is of primary importance, with the aesthetical qualities being secondary. A said by Sol Lewitt (1967) “ In conceptual art the idea or concept is the most important aspect of the work…The idea becomes a machine that makes the art…Conceptual art is not necessarily logical. … The ideas need not be complex. Most ideas that are successful are ludicrously simple." ( Salah M. Hassan and Olu Oguibe) Conceptual art highlights the idea of concept versus idea. The concept becomes a visual representation as the idea takes precedence over form. Hence one can say it establishes a relationship between word, idea and representation and the artwork. The conceptual element of the artwork are used to create meaning along with being seen as a ‘framework for

The belief that work is morally good is the definition of work ethic provided by The American Heritage Dictionary. Work can mean different things to different people. Usually, when we first think of a word and its meaning, we look at its definition. When defining what is morally good, one must remain open to past societal meanings of what was considered moral. Work ethic has developed and changed through different cultures over centuries. Historians and philosophers have developed great insights and theories pertaining specifically to the meaning of work ethic and its meaningfulness in today's modern employment, while some have praised it and some have cursed it. Which leads us to the question, do workers today have a calling or

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing