Essay on Quentin Tarentino

The classical Hollywood narrative is one of simplicity, linear continuity, and comprehensive storytelling, something typical American audiences were used to for most of films history. Quentin Tarantino, however, is not one to abide by the rules of cinema. The arguably auteur director reconfigures this narrative style with his 1994 classic Pulp Fiction. This film not only presented itself as a completely new and innovative take on what a film could be, but also created a foundation for which many films since have built their narratives from.

At a very young age of eight, David Fincher’s passion for cinema grew when he was inspired by the movie Butch Cassidy and the Sundance Kid (1969). Born in 1962 Denver, Colorado, David Fincher moved to Ashland, Oregon in his teens, where he graduated from Ashland High School. During high school, he directed plays, designed sets, and managed lighting after school. One summer, he and a friend attended the Berkley Film Institute’s summer program, where he hoped to learn film as a true art form but instead was taught the technical production. Either way he was happy to engage is this and as his early film industry career started, he was a production assistant at his local television news station. Years went by as he directed propaganda films followed by becoming a well-known music director until his first movie feature debut Aliens 3 in 1992. However, the American director David Fincher didn’t become a modern 21st century visionary until his creation of the film Se7en (1995). The huge success from this film started Fincher’s popularity in the film industry. From there he continued to make ironic movies we know today such as: Fight Club (1999), Zodiac (2007), The Curious Case of Benjamin Button (2008), The Social Network (2010), Gone Girl, and The Girl with the Dragon Tattoo.

Within Hamilton, Lin-Manuel Miranda brings history back into the present through his musical. Originally performed at The Public Theater in 2015, the musical was quickly a popular hit and made its way to Broadway. Now performed at the Richard Rodgers Theatre, Hamilton has won 11 Tony awards and multiple honors. Director Thomas Kail and lead producer Jeffrey Seller made many of the final decisions of the production, and through them Miranda’s time and investments, the musical became a success. Now, the musical functions as a public history as it revives the importance of the past, as well as redefines the ways history is made and learned through the integration of rap and hip-hop style in musical theatre.

For more than fifty years, Clint Eastwood has been actively defining and redefining cinema as an art form. His experiences as an actor on television and in film have greatly influenced his directing style. Across his films, Eastwood incorporates several issues and techniques that help the audience to identify said films with Eastwood's directorial style. Eastwood's aim in his films is to tell stories of the human experience. Francois Truffaut and Andrew Sarris have aimed to define the qualities that make a director an auteur whose works stand out above the rest. The qualities defined by Truffaut and Sarris can be seen in Eastwood films including Unforgiven (1992), Million Dollar Baby (2004), and Changeling (2008) and help to establish Eastwood as an auteur.

The art of Fernando Botero is widely known, revered, paraphrased, imitated and copied, For many, his characteristic rounded, sensuous forms of the human figure, animals, still lifes and landscapes represent the most easily identifiable examples of the modern art of Latin America. For others, he is a cultural hero.To travel with Botero in his native Colombia is to come to realize that he is often seen less as an artist and more as a popular cult figure. In his native Medellín he is mobbed by people wanting to see him, touch him or have him sign his name to whatever substance they happen to be carrying. On the other hand, Botero's work has been discredited by those theorists of modern art whose tastes are dictated more

Juan Nepomuceno Seguin – Was a 19th-century Texas Senator, mayor, judge, and Justice of the Peace and a prominent participant in the Texas Revolution. Juan Nepomuceno Seguin was born in San Antonio de Bexar on October 27, 1806. He was the older of two sons of Erasmo Seguin

When thinking of New York City, more often than not, the first things one visualizes is the beautiful skyline, the bright lights, and Times Square. But without a second glance, one might miss one of the important things about the city. New York is the most heavily Dominican populated city in the United States. It’s ironic that the first non-native American to migrate to and reside on what is today New York City, was from Santo Domingo, the capital city of the Dominican Republic. Throughout history, Dominicans have migrated to the US in search of economic opportunity. This is the factor that influences nearly every immigrant group that migrates to the US in history. In the early 1900s, The United States and the Dominican Republic had a very close diplomatic relationship, to the point where the President considered annexation. At one point, the United States completely controlled the Sugar industry, one of the country’s most profitable markets.

Raphael was one of the most important artists of the Italian Renaissance. Raphael painted and designed many brilliant pieces of work and the stanzas inside the Vatican. He was a master at such necessities of modern art such as depth and perspective and the use of light and shadow, and was the turning point styles of paintings like the use of Madonnas in paintings. Through his short life, Raphael would make some of the most awe-inspiring, beautiful, and influential works of art during the Italian Renaissance.

Spain during the 16th century has been described as a time of oppression, a time of exploitation of the subordinate class. For example, in the text of The Life of Lazarillo De Tormes a gluttonist priest offers Lazarillo scraps of an Eucharist bread, that was nibbled by mice. The priest tells Lazaro to take the bread, stating “There, eat that. The mouse is a clean animal.” This shows the how the higher class sees the lower class, it shows how they believe in offerings coming from them should be taken as a gift, even if a literal rodent has tampered with it. Most who could live during this this time usually were those who held high levels of intelligence and were also devious. Due to this, Lazarillo, being a man who holds the fore told

Another element of the gangster genre that is seen in Wellman’s film is the rise and fall trajectory of the central gangster protagonist. In order to avoid glamorizing the life of a gangster and his perverted American Dream, his crimes must be punished. This is a central element to any gangster film created under the auspices of the production code. To obey the rules and regulation of the PCA, any gangster in film will live “a short but glamorous life..that reaffirms the audience’s knowledge that in Hollywood, lawlessness cannot go unpunished” (Køhlert 857). The era under the PCA shaped the narrative of the gangster genre to include the death of essentially every gangster protagonist. In one of the most powerful scenes of the film, after Tom has taken revenge on the rival members, he stumbles, shot, clutching his chest into the raining streets and gutter (The Public Enemy). He is alone, isolated by the rain, and likely going to die. This is not a character the audience is supposed to sympathize with, and this is exactly to goal of the gangster genre. After the audience has seen Powers rise through the world of crime starting as a little boy

It is an underrated way to make you feel a certain way in the scene. We can hear a dark, opera type singing at the part when he is beat. When one hears this type of music being played in certain scenes, it shows a person’s dark side and gives the impression that one is ultimately the bad guy in the movie. Demonstrating violence is one of the most important factors in the film. An important part of the film that shows this, is when Elliott Ness is trying to catch the bookkeeper at the train station. It then turns into a shootout scene between the Mob and Ness. In this scene, at the beginning, slow motion was used to help convey the violence that was happening. When things are in slow motion, it helps to bring about the detail and gore that is unfolding before our eyes. After this, the shooting unfolds, and the slow-motion stops. Next, it was filmed with a wide screen which was effective for showing intricate movements, like this shoot out scene. Throughout this part, quick cuts were used to conveys that things are out of control and this brings out the intensity of the violence. All these techniques help show the violence that played out because of prohibition.

     Charles leaves the room, and intentionally walks toward and past the two men as a challenge. They ignore him, but chase after their suspect (filmed from high above) in a desolate, abandoned lot, quickly losing his track and appearing astonished by his abrupt disappearance. The camera turns up and to the left, discovering the cigar-smoking character in profile on a rooftop. From a cinematography point of view this is the most Film Noir portion of the film. In a dark and dirty setting it introduces us to the good guys and the bad guy, culminating in a chase scene.

As Quentin Compson travels through the countryside with his college friends, the reality of the situation becomes terribly confused by memories and past feelings. After a little girl follows him for miles around town, his own sexuality reaches the forefront of his consciousness and transforms itself into disjointed memories of his sister Caddy. Quentin's constant obsession in William Faulkner's The Sound and the Fury, surrounds a defining sexual act with his sister. Though the physical act never appears in plain language, Quentin's apparent lapse into an inner monologue demonstrates his overwhelming fixation with Caddy as well as a textured representation of their

Juan Domingo Perón is known as the greatest Argentinean politician of all time. However, he is also one of he most controversial. His tactics and alliances are often criticized as are the changes and developments he brought about in Argentina. The one thing that can be concluded by all is that this man led a very complex and important life.

The film that I will be analysing is “The Shawshank Redemption”. The Shawshank redemption is a film that was directed by Frank Darabont in 1994 and it was set in 1947. This film is about a young hotshot banker named Andy Dufresne, who was wrongfully convicted of murdering his wife and her lover. For this crime he was given a double life sentence and he was sent to Shawshank prison to serve this sentence. While in prison, Andy makes a couple of friends and his best friend in prison is named Red. Red runs the black market in Shawshank prison and he knows how to get things. Over the span of 20 years Andy earns the respect of his fellow prisoners and he also earns the respect of some of the guards by doing their taxes for them in return for just a couple of favours. The extract that I have chosen to analyze is the rooftop scene.