Questioning the "Normal" American Family in American Beauty

The movie Little Miss Sunshine is about a story of a dysfunctional American family that goes into a bus and heads to California to support their daughter in her id to win a contest called the Little Miss Sunshine Contest. The whole families nerves are set to the limit as everyone travels along their little road trip. The main character is Olive and she is a seven year old girl who really wants that Little Miss Sunshine crown. The structural family theory includes family subsystems that includes siblings,a grandpa,daughter,and father. The purpose of this paper is to do a critical analysis on Little Miss Sunshine using different family communication concepts.

Though it is a very long nonfiction book, I found myself unable to put it down. I cried a lot and literally laughed out loud while reading this book, and found myself extremely emotionally connected to Kunte Kinte. This book did meet and exceed my expectations. It was vey painful for me to read, yet I am beyond grateful that I was recommended to read it. The story-telling was so descriptive, it put a weight on my heart and made me think and contemplate about the book even when I was not reading it. I think the author did everything perfectly, and I have no critiques. I would like to thank the author for such an amazing historical account and piece of literature.

American Beauty, a film that was written by Allan Ball and directed by Sam Mendes in 1999 is a unique piece that demonstrates many sociological themes throughout the development of the plot. The characters strive to portray themselves as the All American Family. They live in a nice house, drive nice cars and seem perfectly normal to the general public, but the audience is allowed to view the deep set issues that plague the main characters; Lester Burnham (Kevin Spacey), Carolyn Burnham (Annette Bening), Jane Burnham (Thora Birch), and Jane's best friend Angela Hayes (Mena Suvari). As the plot develops there are many obvious parallels relating the lives of the characters to Merton's Strain

Frontline’s special of Two American Families contrasts families trying to secure a foothold in the middle class America during a time of struggle in the city of Milwaukee. Indeed, the special is about the financial strain on the middle class of America, but what is clear is the difference a mindset and communication can make for a family during a challenge. If a family chooses to stay positive, stick together and communicate well, their chances of making it through is much stronger than those who become negative and fail to clearly communicate their goals. For example, Tony Newman lost his job as his employer downsized. This brought incredible financial strain upon his family as he was unable to find new employment. Therefore, his wife got a job to provide for the family. What was

This essay, The Myth of the Model American Family, is a discussion of the concept of an ideal family in the different perspective specifically social, cultural and economic. This is also an attempt to identify the structural changes in relation to the global development and the international economic crisis that immensely created impact on their lives. However, the discussion will limit itself on the different identifiable and observable transformations as manifested in the lifestyles, interrelationships and views of family members and will not seek to provide an assessment of their psycho-social and individual perceptions.

Although happiness is a more evident theme in American Beauty, the idea of liberty is substantial; specifically, because free will is difficult to find, not to mention, exceedingly rare. One of the uniting personality traits in the movie is that so many of the characters appear trapped: trapped by their fears, their existences, and their occupations. Several characters such as Colonel Fitts and his wife, Barbara Fitts conclude the film just as entombed as they were when the movie began. Additionally, character’s such as Carolyn Burnham, merely begin to free themselves from the events that bind them in the substantial moments just before the film

The one topic that I found the most interesting was Wegscheider-Cruse’s and Blacks family roles. I really enjoyed this section because it got me thinking about which role I best fit and all of the various ways that my family members and I adapted to the substance abuse issues that occurred in our household. After lots of thought, I came to conclusion that I took on the role as the hero/responsible child. I always did really well in school and in the sports that I played. I always felt bad about for my family and what everyone had to go through and sacrifice so I found myself trying to succeed and bring a more positive light into the family. I never wanted to cause any issues with anyone or be difficult because I never wanted to add to all of the stress. Growing up I was by far, more responsible than my older brother. Although the oldest child normally takes on the role of the hero, this role fit me best. I would like to think that I have really good organization skills and have set reasonable goals throughout life that I have been able to achieve. It was very clear to me that I could not rely on my father growing up because of his substance abuse issues. This pushed me to be very independent knowing that my mother already had a lot on her plate.

Depictions of families in the 1950s were extreme in a myriad of ways. The notion of a “nuclear family,” in which a husband, wife and their children were considered the smallest unit of our society, became incredibly popular. Husbands and wives each seemed to have particular roles and duties from which they couldn’t stray. The husband, of course, was a working man responsible for bringing money to the household. His wife worked on something else: their household itself. She cleaned, cooked, and decorated. She bought groceries and clothing for everybody. She watched their children, fed them, and took care of them. In the 1950s, advertising advocated these roles and these roles alone: straying from them was rather unthinkable. The “nuclear

The families in America are steadily changing. While they remain our most valued and consistent source of strength and comfort, some families are becoming increasingly unstructured. In the past, the typical family consists of a working father, a stay at home mother and, of course, well-rounded children. Today, less than 20 percent of American families fit nicely into this cookie cutter image. American households have never been more diverse. Natalie Angier takes stock of the changing definition of family in an article for the New York Times.

n the upcoming page’s I will answer the following questions. Why is family the most important agent of socialization? What caused the dramatic changes to the American family? What are the changes? I will discuss the differences in marriage and family, I will discuss how they are linked to class, race, gender, and personal choices. The purpose of this study is to explore the many different family functions and the paths that people are now choosing. I will give my opinion on whether these changes have had a positive or negative affect. I will finally discuss the trend of the modern family, back to pre-World War II family structure, how would that effect the strides that have been made in the progression of women rights.

American Beauty is a movie that sets in suburban America. The story is about Lester, whom is a middle-aged writer working in a magazine company. He was having a midlife crisis where he felt lonely and numbed by continuous unchanging routine of his everyday life. In the movie, his wife portrayed as a successful real estate agent, but she was also going through her own midlife crisis in both her career and personal life. Lester’s daughter, Jane Bumham had alienated her parents and was going through puberty. They have a new neighbor who is a U.S. Marine Corps Colonel Frank Fitts, and he has a son, Ricky Fitts, who is a drug dealer. Lester was going to get fired from his company that he had worked for fourteen

“American Beauty”, the 1999 film, is a motion picture that more or less shows a different side of the average suburban family. Although all of the characters have significant issues, I have chosen to take a closer look at Lester Burnham. Lester Burnham is a 42-year-old businessman who is married to the career-obsessed Carolyn and they have one daughter, a teenager named Jane. One of the first scenes of the movie explains how the family works: Carolyn is driving, just like she “drives” the family, Jane is sitting right next to her in the front seat, and Lester is slouched in the backseat, visually becoming more miserable by the second.

The opening scene of American Beauty shows a teenage girl lying in a bed, venting her feelings towards her father. In this, the audience sees her in dull clothing and colours, minimal make-up and has greasy-looking hair. As she sits up, her hair falls around her face and she stares directly into the camera, giving a sense of unease to the audience.

“I have lost something...It’s never too late to get it back,” stated Lester Burnham, the main character of American Beauty. American Beauty is a 1999 film that provides a look into the lives of a modern married couple that is dealing with issues within their relationship. As the story progresses, it is easily identifiable that the roles of the husband and wife are not what the viewers would expect. On the other hand, the homosexual couple presented throughout the movie seems to be the normal pair. Furthermore, society’s definition of beauty and contentment is questioned. Throughout American Beauty, the homosexual couple has a healthier relationship than the heterosexual couple and beauty is falsely represented.

images as constructions that we created around ourselves as a means of hiding our true selves. Mendes is able to implicate us in the construction and make us active viewers by exploiting our voyeuristic nature. In American Beauty Mendes uses the voyeuristic tendencies of the spectator to acknowledge the permeating constructed images. Mendes, through the use of narration, the mise en scene and cinematic techniques implicates the spectator in to using their voyeuristic tendencies to deconstruct