Quicksand by Nella Larsen

In the book Girl, Interrupted by Susanna Kaysen, Susanna Kaysen was only 18 years old when she agreed to enter a medium security psychiatric facility in Boston, McLean hospital in April 1967, after a failed suicide attempt. She insisted that her over dose on aspirin was not a suicide attempt, but after a 20 minute interview the doctor decided she needed to be admitted to a hospital. During her prolonged two-year stay at the hospital Kaysen describes the issues that most of the patients in her ward have to deal with and how they all differently deal with the amount of time they must stay in the hospital for. While in the hospital Kaysen experienced a case of depersonalization where she tried to pull the skin of her hands to see if there were bones underneath, after a failed escape attempt. Soon, after going to therapy and analysis she was labeled as having recovered from borderline personality disorder. After her release she realizes that McLean Hospital provided patients with more freedom than the outside world, by being free responsibility of parental pressure, free from school and job responsibilities, and being free from the “social norms” that society comes up with. Ultimately, being in captivity gave the patients more freedom then in society and created a safe environment in which patients wanted to stay in.

In the article Skin Deep written by Nina Jablonski and George Chaplin, they discuss and look deeper into the diverse differences in skin color. Our skin color has developed over the years to be dark enough to prevent the damaging sunlight that has been harming our skin and the nutrient folate that it carries. At the same time out skin is light enough to receive vitamin D.

Sanity is subjective. Every individual is insane to another; however it is the people who possess the greatest self-restraint that prosper in acting “normal”. This is achieved by thrusting the title of insanity onto others who may be unlike oneself, although in reality, are simply non-conforming, as opposed to insane. In Susanna Kaysen’s Girl, Interrupted, this fine line between sanity and insanity is explored to great lengths. Through the unveiling of Susanna’s past, the reasoning behind her commitment to McLean Hospital for the mentally ill, and varying definitions of the diagnosis that Susanna received, it is evident that social non-conformity is often confused with insanity.

“Passing,” by Nella Larsen is a novel all about pretending to be something that you are not. It is about giving everyone the impression that everything is in order when in reality everything is falling apart. Passing in this novel refers to the ability of a person to be classified as one thing, normally a social group, while belonging to a different group. Passing is usually done to gain class or acceptance by groups other than one’s own. The primary focus of the novel is on racial passing which is the ability to look white and belong to a white group when in reality the person is an African-American in order to gain privileges that were unavailable to them. Although racial passing is the main focus, another major theme in this novel is sexual passing and identity.

The Spirit Catches You and You Fall Down, by Anne Fadiman, is the story of two very different cultures lacking understanding for one another leading to a tragedy due to cultural incompetence. Today in America there are very many different cultures. Health care providers need to be aware of cultural diversity and sensitivity when caring for patients. If a health care provider is not sensitive towards a patient’s culture it can cause a relationship of mistrust to form, lead to barriers in the plan of care, and increase health care cost. The current guidelines to promote cultural competence in the clinical setting include completing a cultural diversity self-assessment, identify the need of the population served, evaluate barriers in the community and practice, educate staff to cultural diversities, schedule longer appointments, clarify limitations, and identify alternatives offered (Cash & Glass, 2014).

These contemporary stereotypes of African American women which the novel contests were established and shaped by the earliest constructions of the African female identity in the United States. Critic Rennie Simson summarizes: “The construction of the sexual self of the Afro-American woman has its roots in the days of slavery. During those days the black woman was thought of, at best, as a worker and, at worst, as an object for sexual gratification and as a breeder for more slaves” (Simson 230). Larsen’s Quicksand connects this exploitation and dehumanization of black female sexuality with the exploitation and objectification of the contemporary African American female within Harlem Renaissance culture. Larsen’s text criticizes the stereotype of the “primitive” African American prevalent in contemporary literature. Quicksand contests such stereotype by portraying Helga as intellectual. Yet the novel also shows the prevalence of this stereotype through Helga internalization of it; Helga views her intelligence as separate and in conflict with her African American identity. For example, in a Harlem cabaret Helga views the African American patrons as “jungle creatures” and feels her whiteness keeps her apart from the “distorted childishness of it all” (1765). This scene portrays the stereotypical equation of childishness with blackness to depict the internalization of such

The article Into the Dark Water by Lauren Tarshis is about when the most massive, high in technology, indestructible ship sunk. The Titanic of course. Also when passenger and survivor Jack Thayer shared his journey, through his writing with author Lauren Tarshis. It makes the article more intriguing to use quotes because it makes you feel as if you are on the ship on that night.

For years after her condemnation, Hester is scorned by nearly everyone she meets for an act she

This applied theory paper will analyze both the macro and micro analysis of the Novel, The Spirit Catches You and You Fall Down, by Anne Fadiman (Fadiman, 1997). In the book “The Spirit Catches You and Falls Down”, the character Lia illness resulted in a cultural divide between the Hmong culture and the American culture. Throughout this paper both the conflict theory and the family systems theory will be used to examine themes of behaviors among the characters in the text. The family and medical team use the applications of a number of different social work theories to navigate through her illness implementing a number of different strategies to nurse her to health. The author Fadiman explores the Lee’s family

Though Helga finds “peace and contentment” (1553) in Harlem, she establishes here her flight from anxiety that is to become characteristic. When she meets Dr. Anderson again, Helga notes the return of her “vague yearning” (1558) for the man. She does not precisely explain why she runs away from him despite her “long[ing] to stay,” (1559) but she probably chooses to leave instead of testing the reality of her feelings. Though Helga seems to regret this decision in retrospect, citing her “disappointment” (1559) over the missed opportunity, she does not take responsibility for her actions and consequent feelings, as she

Activism, culture and value have always had a tremendous influence in society. When it comes to the Appalachian region of the United States, people tend to see our culture and values differently. The individuals of the Appalachian region have been stereotyped for far too long, people forget that West Virginia has played a huge role in building this country. Our coal miners have put their lives in danger time and time again, some losing them, for worker’s rights. The Battle of Blair Mountain was the largest labor rebellion in the history of the United States. This was the foundation of the movement for eight hour work days and minimum wages. The novel Storming Heaven by Denise Giardina is a fictionalized tale of the conflict that took place in these coal fields of West Virginia. The novel brings to light the stereotypes, race and religion of the Appalachian people.

Towards the end of the novel, Hester gets the break in life she’s been waiting for. She put up with seven years of shame and guilt, to finally be the person she used to be. Her rekindled love with Arthur makes her happy again, and everything just seems right for them. She’s filled with hope that her life will finally turn back to normal again. She feels redeemed, and the guilt is no longer on her shoulders. She’s now ready to take on the world, and start her life over to the way it was before the “A” entered her life. Having the courage to show her face in the colony again is just a sign of her bravery.

One of Hedda's main points in life is to control her position in society. She does everything in her power to avoid any type of scandal in the community and to go along with the norms of society. This occurs with her decision of marrying George Tesman, even though she had feelings

The results of this action are quite severe, Lovbörg dead not in the beautiful way Hedda imagined, but in a grotesque manner. Furthermore, Hedda finds herself at the mercy of Judge Brack who can trace the pistol the killed Lovbörg back to her, and Teya assisting George in his research. One could argue for another theory about Hedda’s reversal of fortune that also presents a compelling argument for Hedda as a tragic heroine. This theory is based off the notion that the reader/audience enters the story after the reversal of fortune has occurred, Hedda’s marriage to George. This theory then argues that we the reader/audience experiences the aftermath of her hamartia and the plot covers Hedda fall towards her demise. Hedda married with the hope that her husband was destined for greatness, but upon discovering his true nature realized that she was set to live a life filled with disappointment. As a result she has developed a cynical view of society and commits these egregious of manipulation in retaliation for her mistake in marrying and unaspiring

Hedda arouses sympathy from the readers through her own personal conflicts. She is a woman trapped by herself in a loveless marriage to an “ingenuous creature” (52 Ibsen) named George Tesman. Tesman is a simple soul with very little to offer. Not only is he an entire social class below Hedda, but he is oblivious, insecure due to his own banalities, and overly reliant on his Aunts’, despite being thirty-three-years-old. Hedda married George due to a “bond of sympathy. . .” (31 Ibsen) formed between them and she “took pity. . .” (31 Ibsen) on George. This brings a sense of sincerity to Hedda that was not turned to such a high magnitude preceding this discussion between Judge Brack and herself. Hedda is a lonely, yet independent, soul that wants sexual freedom without